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In this, the culmination of the four volume Eschaton sequences, the author returns to the origins of the original sequence and, shedding some of the earlier work's postmodern reductions, returns to a more structured and Modern layout of his preliminary fusion of ideas. Serving as perhaps a Philosophical Investigations to the first sequence's Tractatus, this installment is clearer in its understanding of the exchange between reader and author, and the magic and spilling of ink that goes into the descent of an act of reflection into a materialistic artefact, stream-of-conscious repository, or book.…mehr

Produktbeschreibung
In this, the culmination of the four volume Eschaton sequences, the author returns to the origins of the original sequence and, shedding some of the earlier work's postmodern reductions, returns to a more structured and Modern layout of his preliminary fusion of ideas. Serving as perhaps a Philosophical Investigations to the first sequence's Tractatus, this installment is clearer in its understanding of the exchange between reader and author, and the magic and spilling of ink that goes into the descent of an act of reflection into a materialistic artefact, stream-of-conscious repository, or book.
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Autorenporträt
Shane Crees is a poet-philosopher, raised in the small village of Llanrhystud, Ceredigion in West Wales. He has graduated from the universities of Aberystwyth and Lampeter and has worked as an editor/proof reader as well as having briefly taught philosophy at the Old College. He has published several poems in magazines including Poetry Monthly and The Red Poets' Society, and given readings in venues including the Dylan Thomas Centre in Swansea. He lives in Aberystwyth. He is the previously published author of his Collected Poems 2006 - 2016.