Robert Landy has assembled a collection of essays which encompasses his experience as a dramatherapist. The concept of 'double life' can be seen to be a central theme running through the work - encapsulating the dramatherapist's need to balance the issues of theory, practice and personal growth.The range of essays includes both theory and practice.
Robert Landy has assembled a collection of essays which encompasses his experience as a dramatherapist. The concept of 'double life' can be seen to be a central theme running through the work - encapsulating the dramatherapist's need to balance the issues of theory, practice and personal growth.The range of essays includes both theory and practice.
Robert Landy is Professor of Drama Therapy and Educational Theatre at New York University
Inhaltsangabe
Foreword. Acknowledgements 1 Training the Drama Therapist - A Four-Part Model. 2 The Use of Distancing in Drama Therapy. 3 Conceptual and Methodological Issues of Research in Drama Therapy. 4 Puppets, Dolls, Objects, Masks and Make-Up. 5 The Image of the Mask: Implications for Theatre and Therapy. 6 Reflections Upon Training: The Making of a Drama Therapist. 7 One-on-One: The Role of the Drama Therapist Working with Individuals. 8 The Concept of Role in Drama Therapy. 9 A Taxonomy of Roles - A Blueprint for the Possibilities of Being. 10 A Research Agenda for the Creative Arts Therapies. 11 The Child, the Dreamer, the Artist and the Fool: In Search of Understanding the Meaning of Expressive Therapy. 12 Three Scenarios for the Future of Drama Therapy. 13 The Dramatic World View - Reflections on the Roles Taken and Played by Young Children. 14 A Short-Term Model of Drama Therapy Through the Role Method. 15 Isolation and Collaboration in the Creative Arts Therapies - The Implications of Crossing Borders. 16 In Search of the Muse. 17 The Double Life - A Case of Bipolar Disorder. References. Index.
Foreword. Acknowledgements 1 Training the Drama Therapist - A Four-Part Model. 2 The Use of Distancing in Drama Therapy. 3 Conceptual and Methodological Issues of Research in Drama Therapy. 4 Puppets, Dolls, Objects, Masks and Make-Up. 5 The Image of the Mask: Implications for Theatre and Therapy. 6 Reflections Upon Training: The Making of a Drama Therapist. 7 One-on-One: The Role of the Drama Therapist Working with Individuals. 8 The Concept of Role in Drama Therapy. 9 A Taxonomy of Roles - A Blueprint for the Possibilities of Being. 10 A Research Agenda for the Creative Arts Therapies. 11 The Child, the Dreamer, the Artist and the Fool: In Search of Understanding the Meaning of Expressive Therapy. 12 Three Scenarios for the Future of Drama Therapy. 13 The Dramatic World View - Reflections on the Roles Taken and Played by Young Children. 14 A Short-Term Model of Drama Therapy Through the Role Method. 15 Isolation and Collaboration in the Creative Arts Therapies - The Implications of Crossing Borders. 16 In Search of the Muse. 17 The Double Life - A Case of Bipolar Disorder. References. Index.
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