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(LARGE PRINT EDITION) 1866. The main object of this book is, by examples taken chiefly from the works of contemporaries, to illustrate the truths, that art has fixed principles, of which any one may attain the knowledge who is not wanting in natural taste, and this knowledge adds greatly to our pleasure, by giving it depth, permanence, and intelligibility. Contents: The Royal Academy of 1863; The Royal Academy of 1864; The Royal Academy of 1865; Mulready; Dyce and William Hunt; Hippolyte Flandrin; Herbert's Delivery of the Law; Recent Works by Holman Hunt; Exhibition of F. Madox Brown; George…mehr

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(LARGE PRINT EDITION) 1866. The main object of this book is, by examples taken chiefly from the works of contemporaries, to illustrate the truths, that art has fixed principles, of which any one may attain the knowledge who is not wanting in natural taste, and this knowledge adds greatly to our pleasure, by giving it depth, permanence, and intelligibility. Contents: The Royal Academy of 1863; The Royal Academy of 1864; The Royal Academy of 1865; Mulready; Dyce and William Hunt; Hippolyte Flandrin; Herbert's Delivery of the Law; Recent Works by Holman Hunt; Exhibition of F. Madox Brown; George Cruikshank; Japanese Art; Sensational Art; Poetry and Prose in Art; Lost Treasures; Behnes the Sculptor; Thorvaldsen's Life and Works; The Farnese Marbles; On the Position of Sculpture in England; Sculpture and Painting; Triqueti's Marmor Homericum; The Albert Cross and English Monumental Sculpture; Thackeray in the Abbey; and New Paris.
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