Hans Keller (1919 1985) was one of the most brilliant and stimulating writers on music of his day, and this is the first large selection of his essays.
Hans Keller (1919 1985) was one of the most brilliant and stimulating writers on music of his day, and this is the first large selection of his essays.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Preface Acknowledgments A Note on the Text Introduction Part I. Criticism: 1. Problems in writing about music 2. Resistances to Britten's music: their psychology 3. National frontiers in music 4. Sport and art: the concept of mastery 5. Music and psychopathology Part II. Composers and Their Music: 6. Art as departure (Haydn) 7. New Music: Beethoven's Choral Fantasy 8. Schubert: tune and melody 9. Little known greatness (Mendelssohn and Mozart) 10. Schumann was a symphonist 11. Tristan and the realism of adolescence (Wagner) 12. Resistances to Brahms 13. Elgar the progressive 14. The unpopularity of Mahler's popularity 15. The sentimental violin (Glazounov) 16. The 'Lucky' Hand and other errors (Schoenberg) 17. Natural master (Schmidt) 18. Schoenberg: A Survivor from Warsaw 19. Film music: The Harry Lime theme (Karas and Weill) 20. Mátyás Seiber 1905-1960 21. Gloriana as music drama (a reaffirmation) (Britten) 22. Shostakovich's Twelfth Quartet 23. Stravinsky v. Stravinsky 24. The state of the symphony: not only Maxwell Davies's 25. Britten's last masterpiece 26. The Man and the Music (Simpson) Part III. Towards a Theory of Music: 27. Towards a theory of music 28. The musical analysis of music 29. Functional Analysis No. 9A: Mozart's Piano Sonata in A minor, K 310 30. A slip of Mozart's: Its analytical significance (1956/57) 31. Knowing things backwards 32. Mozart's wrong key signature 33. Key characteristics 34. Strict serial technique in classical music 35. Schoenberg: the future of symphonic thought 36. Whose fault is the speaking voice? 37. Why this piece is about Billy Budd 38. Rhythm: Gershwin and Stravinsky 39. Principles of composition Notes Index.
Preface Acknowledgments A Note on the Text Introduction Part I. Criticism: 1. Problems in writing about music 2. Resistances to Britten's music: their psychology 3. National frontiers in music 4. Sport and art: the concept of mastery 5. Music and psychopathology Part II. Composers and Their Music: 6. Art as departure (Haydn) 7. New Music: Beethoven's Choral Fantasy 8. Schubert: tune and melody 9. Little known greatness (Mendelssohn and Mozart) 10. Schumann was a symphonist 11. Tristan and the realism of adolescence (Wagner) 12. Resistances to Brahms 13. Elgar the progressive 14. The unpopularity of Mahler's popularity 15. The sentimental violin (Glazounov) 16. The 'Lucky' Hand and other errors (Schoenberg) 17. Natural master (Schmidt) 18. Schoenberg: A Survivor from Warsaw 19. Film music: The Harry Lime theme (Karas and Weill) 20. Mátyás Seiber 1905-1960 21. Gloriana as music drama (a reaffirmation) (Britten) 22. Shostakovich's Twelfth Quartet 23. Stravinsky v. Stravinsky 24. The state of the symphony: not only Maxwell Davies's 25. Britten's last masterpiece 26. The Man and the Music (Simpson) Part III. Towards a Theory of Music: 27. Towards a theory of music 28. The musical analysis of music 29. Functional Analysis No. 9A: Mozart's Piano Sonata in A minor, K 310 30. A slip of Mozart's: Its analytical significance (1956/57) 31. Knowing things backwards 32. Mozart's wrong key signature 33. Key characteristics 34. Strict serial technique in classical music 35. Schoenberg: the future of symphonic thought 36. Whose fault is the speaking voice? 37. Why this piece is about Billy Budd 38. Rhythm: Gershwin and Stravinsky 39. Principles of composition Notes Index.
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