Essays on Renaissance Music in Honour of David Fallows
Bon Jour, Bon Mois Et Bonne Estrenne
Herausgeber: Fitch, Fabrice; Kiel, Jacobijn
Essays on Renaissance Music in Honour of David Fallows
Bon Jour, Bon Mois Et Bonne Estrenne
Herausgeber: Fitch, Fabrice; Kiel, Jacobijn
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New articles on du Fay and Desprez, on sacred and secular music, and reception history, form a fitting tribute to one of the field's foremost scholars.
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New articles on du Fay and Desprez, on sacred and secular music, and reception history, form a fitting tribute to one of the field's foremost scholars.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer
- Seitenzahl: 448
- Erscheinungstermin: 21. Juli 2011
- Englisch
- Abmessung: 234mm x 156mm x 25mm
- Gewicht: 803g
- ISBN-13: 9781843836193
- ISBN-10: 184383619X
- Artikelnr.: 31851422
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Boydell & Brewer
- Seitenzahl: 448
- Erscheinungstermin: 21. Juli 2011
- Englisch
- Abmessung: 234mm x 156mm x 25mm
- Gewicht: 803g
- ISBN-13: 9781843836193
- ISBN-10: 184383619X
- Artikelnr.: 31851422
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Fabrice Fitch, Jacobijn Kiel
Manuscript Sigla Preface
Fabrice Fitch and Jacobijn Kiel Foreword: David Fallows and the Performance of Medieval Music
Fremin le Caron at Amiens: New Documents
Rob C. Wegman Ung Petit cadet: Verbal and Visual Play in the Wolfenbüttel Chansonnier
Jane Alden A New Tenor on So ys emprentid
Bonnie Blackburn Shedding New Light [Literally] on the Rochester Fascicle: A Preliminary Report
Honey Meconi Two musical letters from Aragonese Naples
Gianluca D'Agostino Johannes Sohier dit Fede and St. Omer: a Story of Pragmatic Sanctions
Andrew Kirkman Intermedio I: Yes, We Were Young...
Jaap van Benthem Petrarch, Padua, the Malatestas, Du Fay and Vergene bella
Margaret Bent A Suggestion about Fauxbourdon
James Haar Du Fay's Plainsong Paraphrase Settings
Alejandro Planchart With a Flourish: Melismatic Writing in Du Fay's Early Songs
Jesse Rodin Portugaler: Guillaume Du Fay's contribution to instrumental music?
Lorenz Welker A Reconsideration of the Mass Cycle by Arnold de Lantins and Ciconia in Bologna Q15
Kinuho Endo Martini and Obrecht: Some Speculations
Joshua Rifkin The Art of Cellular Counterpoint: The Motets of Petrus Wilhelmi
Thomas Schmidt
Beste What Were They Thinking? Sola caret monstris at the Papal Court
Richard Sherr A Gloria Newly Attributed to Byttering
Peter Wright Intermedio II: Agricola VIII
Fabrice Fitch A new song in a strange land? Garcimuños's Una montaña pasando
Tess Knighton Isaac's pre
Italian songs: An over
optimistic hand
list
Warwick Edwards Words and Music in the Sea of Long Waiting
Adam Knight Gilbert 'Dieu vous doinst hui en bonne estraine tout le desir de vostre coeur': Observations on Binchois' Margarite, fleur de valeur
Markus Jans Three times seven Songs by Byrd
Oliver Neighbour 'I must complain': A Comparative Study in Variant Settings
Anthony Rooley Heinrich Isaac and shifting musical perspectives, c .1485
1490
Keith Polk 'Plaine de dueil et de melancolie': Tracing a Negative of Josquin des Prez
Jaap van Benthem Surface, Structure and 'Style' in Absalon fili mi
John Milsom Who Really Knows Who Composed Mille regretz?
Fabrice Fitch Josquin, Two Contrafacta, and the Lost Stanzas of 'Comment peult avoir joye'
Jeffrey Dean In pace in idipsum: a little
known motet attributed to Josquin
Eric Jas Intermedio III: Verspätete Monologe
Brahms' Klavierstücke op. 116, 117, 118 und 119
Peter Gülke Confessional Companions: Herpol, Glareanus, and Friends
Matthew Laube, Reviews Editor Credit for Music in Court and City in the Low Countries, 1467
1500
Barbara Haggh David musicus, or: On the consoling power of string music
Dagmar Hoffmann
Axthelm The Laudes Musicae in Renaissance Music Treatises
Leofranc Holford
Strevens The Role of Music in 16th Century German City Life: A close look at the iconography of Hans Sachs' and Jost Amman's Ständebuch
Andrea Lindmayr
Brandl The Perfect Spanish Chapelmaster: the Depiction of the Composer Ginés Pérez [d. 1600] in Felipe Pedrell's Hispaniae Schola Musica Sacra
Esperanza Rodríguez
Garcia The 'topstukkendecreet' in Flanders and its musical context: the case of Glareanus' Dodekachordon
Eugeen Schreurs The difference of early European music
Reinhard Strohm List of Contributors Principal publications of David Fallows
Fabrice Fitch and Jacobijn Kiel Foreword: David Fallows and the Performance of Medieval Music
Fremin le Caron at Amiens: New Documents
Rob C. Wegman Ung Petit cadet: Verbal and Visual Play in the Wolfenbüttel Chansonnier
Jane Alden A New Tenor on So ys emprentid
Bonnie Blackburn Shedding New Light [Literally] on the Rochester Fascicle: A Preliminary Report
Honey Meconi Two musical letters from Aragonese Naples
Gianluca D'Agostino Johannes Sohier dit Fede and St. Omer: a Story of Pragmatic Sanctions
Andrew Kirkman Intermedio I: Yes, We Were Young...
Jaap van Benthem Petrarch, Padua, the Malatestas, Du Fay and Vergene bella
Margaret Bent A Suggestion about Fauxbourdon
James Haar Du Fay's Plainsong Paraphrase Settings
Alejandro Planchart With a Flourish: Melismatic Writing in Du Fay's Early Songs
Jesse Rodin Portugaler: Guillaume Du Fay's contribution to instrumental music?
Lorenz Welker A Reconsideration of the Mass Cycle by Arnold de Lantins and Ciconia in Bologna Q15
Kinuho Endo Martini and Obrecht: Some Speculations
Joshua Rifkin The Art of Cellular Counterpoint: The Motets of Petrus Wilhelmi
Thomas Schmidt
Beste What Were They Thinking? Sola caret monstris at the Papal Court
Richard Sherr A Gloria Newly Attributed to Byttering
Peter Wright Intermedio II: Agricola VIII
Fabrice Fitch A new song in a strange land? Garcimuños's Una montaña pasando
Tess Knighton Isaac's pre
Italian songs: An over
optimistic hand
list
Warwick Edwards Words and Music in the Sea of Long Waiting
Adam Knight Gilbert 'Dieu vous doinst hui en bonne estraine tout le desir de vostre coeur': Observations on Binchois' Margarite, fleur de valeur
Markus Jans Three times seven Songs by Byrd
Oliver Neighbour 'I must complain': A Comparative Study in Variant Settings
Anthony Rooley Heinrich Isaac and shifting musical perspectives, c .1485
1490
Keith Polk 'Plaine de dueil et de melancolie': Tracing a Negative of Josquin des Prez
Jaap van Benthem Surface, Structure and 'Style' in Absalon fili mi
John Milsom Who Really Knows Who Composed Mille regretz?
Fabrice Fitch Josquin, Two Contrafacta, and the Lost Stanzas of 'Comment peult avoir joye'
Jeffrey Dean In pace in idipsum: a little
known motet attributed to Josquin
Eric Jas Intermedio III: Verspätete Monologe
Brahms' Klavierstücke op. 116, 117, 118 und 119
Peter Gülke Confessional Companions: Herpol, Glareanus, and Friends
Matthew Laube, Reviews Editor Credit for Music in Court and City in the Low Countries, 1467
1500
Barbara Haggh David musicus, or: On the consoling power of string music
Dagmar Hoffmann
Axthelm The Laudes Musicae in Renaissance Music Treatises
Leofranc Holford
Strevens The Role of Music in 16th Century German City Life: A close look at the iconography of Hans Sachs' and Jost Amman's Ständebuch
Andrea Lindmayr
Brandl The Perfect Spanish Chapelmaster: the Depiction of the Composer Ginés Pérez [d. 1600] in Felipe Pedrell's Hispaniae Schola Musica Sacra
Esperanza Rodríguez
Garcia The 'topstukkendecreet' in Flanders and its musical context: the case of Glareanus' Dodekachordon
Eugeen Schreurs The difference of early European music
Reinhard Strohm List of Contributors Principal publications of David Fallows
Manuscript Sigla Preface
Fabrice Fitch and Jacobijn Kiel Foreword: David Fallows and the Performance of Medieval Music
Fremin le Caron at Amiens: New Documents
Rob C. Wegman Ung Petit cadet: Verbal and Visual Play in the Wolfenbüttel Chansonnier
Jane Alden A New Tenor on So ys emprentid
Bonnie Blackburn Shedding New Light [Literally] on the Rochester Fascicle: A Preliminary Report
Honey Meconi Two musical letters from Aragonese Naples
Gianluca D'Agostino Johannes Sohier dit Fede and St. Omer: a Story of Pragmatic Sanctions
Andrew Kirkman Intermedio I: Yes, We Were Young...
Jaap van Benthem Petrarch, Padua, the Malatestas, Du Fay and Vergene bella
Margaret Bent A Suggestion about Fauxbourdon
James Haar Du Fay's Plainsong Paraphrase Settings
Alejandro Planchart With a Flourish: Melismatic Writing in Du Fay's Early Songs
Jesse Rodin Portugaler: Guillaume Du Fay's contribution to instrumental music?
Lorenz Welker A Reconsideration of the Mass Cycle by Arnold de Lantins and Ciconia in Bologna Q15
Kinuho Endo Martini and Obrecht: Some Speculations
Joshua Rifkin The Art of Cellular Counterpoint: The Motets of Petrus Wilhelmi
Thomas Schmidt
Beste What Were They Thinking? Sola caret monstris at the Papal Court
Richard Sherr A Gloria Newly Attributed to Byttering
Peter Wright Intermedio II: Agricola VIII
Fabrice Fitch A new song in a strange land? Garcimuños's Una montaña pasando
Tess Knighton Isaac's pre
Italian songs: An over
optimistic hand
list
Warwick Edwards Words and Music in the Sea of Long Waiting
Adam Knight Gilbert 'Dieu vous doinst hui en bonne estraine tout le desir de vostre coeur': Observations on Binchois' Margarite, fleur de valeur
Markus Jans Three times seven Songs by Byrd
Oliver Neighbour 'I must complain': A Comparative Study in Variant Settings
Anthony Rooley Heinrich Isaac and shifting musical perspectives, c .1485
1490
Keith Polk 'Plaine de dueil et de melancolie': Tracing a Negative of Josquin des Prez
Jaap van Benthem Surface, Structure and 'Style' in Absalon fili mi
John Milsom Who Really Knows Who Composed Mille regretz?
Fabrice Fitch Josquin, Two Contrafacta, and the Lost Stanzas of 'Comment peult avoir joye'
Jeffrey Dean In pace in idipsum: a little
known motet attributed to Josquin
Eric Jas Intermedio III: Verspätete Monologe
Brahms' Klavierstücke op. 116, 117, 118 und 119
Peter Gülke Confessional Companions: Herpol, Glareanus, and Friends
Matthew Laube, Reviews Editor Credit for Music in Court and City in the Low Countries, 1467
1500
Barbara Haggh David musicus, or: On the consoling power of string music
Dagmar Hoffmann
Axthelm The Laudes Musicae in Renaissance Music Treatises
Leofranc Holford
Strevens The Role of Music in 16th Century German City Life: A close look at the iconography of Hans Sachs' and Jost Amman's Ständebuch
Andrea Lindmayr
Brandl The Perfect Spanish Chapelmaster: the Depiction of the Composer Ginés Pérez [d. 1600] in Felipe Pedrell's Hispaniae Schola Musica Sacra
Esperanza Rodríguez
Garcia The 'topstukkendecreet' in Flanders and its musical context: the case of Glareanus' Dodekachordon
Eugeen Schreurs The difference of early European music
Reinhard Strohm List of Contributors Principal publications of David Fallows
Fabrice Fitch and Jacobijn Kiel Foreword: David Fallows and the Performance of Medieval Music
Fremin le Caron at Amiens: New Documents
Rob C. Wegman Ung Petit cadet: Verbal and Visual Play in the Wolfenbüttel Chansonnier
Jane Alden A New Tenor on So ys emprentid
Bonnie Blackburn Shedding New Light [Literally] on the Rochester Fascicle: A Preliminary Report
Honey Meconi Two musical letters from Aragonese Naples
Gianluca D'Agostino Johannes Sohier dit Fede and St. Omer: a Story of Pragmatic Sanctions
Andrew Kirkman Intermedio I: Yes, We Were Young...
Jaap van Benthem Petrarch, Padua, the Malatestas, Du Fay and Vergene bella
Margaret Bent A Suggestion about Fauxbourdon
James Haar Du Fay's Plainsong Paraphrase Settings
Alejandro Planchart With a Flourish: Melismatic Writing in Du Fay's Early Songs
Jesse Rodin Portugaler: Guillaume Du Fay's contribution to instrumental music?
Lorenz Welker A Reconsideration of the Mass Cycle by Arnold de Lantins and Ciconia in Bologna Q15
Kinuho Endo Martini and Obrecht: Some Speculations
Joshua Rifkin The Art of Cellular Counterpoint: The Motets of Petrus Wilhelmi
Thomas Schmidt
Beste What Were They Thinking? Sola caret monstris at the Papal Court
Richard Sherr A Gloria Newly Attributed to Byttering
Peter Wright Intermedio II: Agricola VIII
Fabrice Fitch A new song in a strange land? Garcimuños's Una montaña pasando
Tess Knighton Isaac's pre
Italian songs: An over
optimistic hand
list
Warwick Edwards Words and Music in the Sea of Long Waiting
Adam Knight Gilbert 'Dieu vous doinst hui en bonne estraine tout le desir de vostre coeur': Observations on Binchois' Margarite, fleur de valeur
Markus Jans Three times seven Songs by Byrd
Oliver Neighbour 'I must complain': A Comparative Study in Variant Settings
Anthony Rooley Heinrich Isaac and shifting musical perspectives, c .1485
1490
Keith Polk 'Plaine de dueil et de melancolie': Tracing a Negative of Josquin des Prez
Jaap van Benthem Surface, Structure and 'Style' in Absalon fili mi
John Milsom Who Really Knows Who Composed Mille regretz?
Fabrice Fitch Josquin, Two Contrafacta, and the Lost Stanzas of 'Comment peult avoir joye'
Jeffrey Dean In pace in idipsum: a little
known motet attributed to Josquin
Eric Jas Intermedio III: Verspätete Monologe
Brahms' Klavierstücke op. 116, 117, 118 und 119
Peter Gülke Confessional Companions: Herpol, Glareanus, and Friends
Matthew Laube, Reviews Editor Credit for Music in Court and City in the Low Countries, 1467
1500
Barbara Haggh David musicus, or: On the consoling power of string music
Dagmar Hoffmann
Axthelm The Laudes Musicae in Renaissance Music Treatises
Leofranc Holford
Strevens The Role of Music in 16th Century German City Life: A close look at the iconography of Hans Sachs' and Jost Amman's Ständebuch
Andrea Lindmayr
Brandl The Perfect Spanish Chapelmaster: the Depiction of the Composer Ginés Pérez [d. 1600] in Felipe Pedrell's Hispaniae Schola Musica Sacra
Esperanza Rodríguez
Garcia The 'topstukkendecreet' in Flanders and its musical context: the case of Glareanus' Dodekachordon
Eugeen Schreurs The difference of early European music
Reinhard Strohm List of Contributors Principal publications of David Fallows