Articles on English music, from the medieval period to the present day, centred on four of the major areas of scholarly enquiry.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction Emma Hornby Traces of Lost Late Medieval Offices? The Sanctilogium Angliae, Walliae, Scotiae, et Hiberniae of John of Tynemouth [fl.1350] Sally Harper The saints venerated in medieval Peterborough as reflected in the antiphoner Cambridge, Magdalene College, F.4.10 David Hiley Interactions between Brittany and Christ Church, Canterbury in the tenth century: the Linenthal leaf Emma Hornby A new source of late seventeenth and early eighteenth century English harpsichord music by Barrett, Blow, Clarke, Croft, Purcell and others H. Diack Johnstone The earliest fifteenth century transmission of English music to the continent Margaret Bent 'Phantasy mania': Quest for a National Style Purcell's 1694 Te Deum and Jubilate: its Successors, and its Performance History Imitative counterpoint in mid fifteenth century English Mass settings Reinhard Strohm Double cantus firmus compositions in the Eton Choirbook Magnus Williamson Englishness in a Kyrie [Mis]attributed to Du Fay Peter Wright Continuity, discontinuity, fragments and connections: the organ in church c.1500 1640 John Harper 'As the Sand on the Sea Shore': Women Violinists in London's Concert Life around 1900 Simon McVeigh The carol in Anglo Saxon Canterbury Luisa de Carvajal y Mendoza and music in an English Catholic house in 1605 Owen Rees Music in Oxford, 1945 1960: The years of change Susan Wollenberg Three Anglican Church Historians on Liturgy and Psalmody in the Ancient Synagogue and the Early Church John Arthur Smith Histories of British Music and the Land Without Music: National Identity and the Idea of the Hero Epilogue: John Caldwell [1938 ]: Scholar, Composer, Teacher, Musician
Introduction Emma Hornby Traces of Lost Late Medieval Offices? The Sanctilogium Angliae, Walliae, Scotiae, et Hiberniae of John of Tynemouth [fl.1350] Sally Harper The saints venerated in medieval Peterborough as reflected in the antiphoner Cambridge, Magdalene College, F.4.10 David Hiley Interactions between Brittany and Christ Church, Canterbury in the tenth century: the Linenthal leaf Emma Hornby A new source of late seventeenth and early eighteenth century English harpsichord music by Barrett, Blow, Clarke, Croft, Purcell and others H. Diack Johnstone The earliest fifteenth century transmission of English music to the continent Margaret Bent 'Phantasy mania': Quest for a National Style Purcell's 1694 Te Deum and Jubilate: its Successors, and its Performance History Imitative counterpoint in mid fifteenth century English Mass settings Reinhard Strohm Double cantus firmus compositions in the Eton Choirbook Magnus Williamson Englishness in a Kyrie [Mis]attributed to Du Fay Peter Wright Continuity, discontinuity, fragments and connections: the organ in church c.1500 1640 John Harper 'As the Sand on the Sea Shore': Women Violinists in London's Concert Life around 1900 Simon McVeigh The carol in Anglo Saxon Canterbury Luisa de Carvajal y Mendoza and music in an English Catholic house in 1605 Owen Rees Music in Oxford, 1945 1960: The years of change Susan Wollenberg Three Anglican Church Historians on Liturgy and Psalmody in the Ancient Synagogue and the Early Church John Arthur Smith Histories of British Music and the Land Without Music: National Identity and the Idea of the Hero Epilogue: John Caldwell [1938 ]: Scholar, Composer, Teacher, Musician
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