In this brief and powerful book, Diana Fuss takes on the debate of pure essence versus social construct, engaging with the work of Luce Irigaray and Monique Wittig, Henry Louis Gates, Jr. and Houston Baker, and with the politics of gay identity.
In this brief and powerful book, Diana Fuss takes on the debate of pure essence versus social construct, engaging with the work of Luce Irigaray and Monique Wittig, Henry Louis Gates, Jr. and Houston Baker, and with the politics of gay identity.
Chapter 1 The "Risk" of Essence; Chapter 2 Reading Like a Feminist; Chapter 3 Monique Wittig's Anti-essentialist Materialism; Chapter 4 Luce Irigaray's Language of Essence; Chapter 5 "Race" Under Erasure? Poststructuralist Afro-American Literary Theory; Chapter 6 Lesbian and Gay Theory: The Question of Identity Politics; Chapter 7 Essentialism in the Classroom;
Chapter 1 The "Risk" of Essence Chapter 2 Reading Like a Feminist Chapter 3 Monique Wittig's Anti-essentialist Materialism Chapter 4 Luce Irigaray's Language of Essence Chapter 5 "Race" Under Erasure? Poststructuralist Afro-American Literary Theory Chapter 6 Lesbian and Gay Theory: The Question of Identity Politics Chapter 7 Essentialism in the Classroom
Chapter 1 The "Risk" of Essence; Chapter 2 Reading Like a Feminist; Chapter 3 Monique Wittig's Anti-essentialist Materialism; Chapter 4 Luce Irigaray's Language of Essence; Chapter 5 "Race" Under Erasure? Poststructuralist Afro-American Literary Theory; Chapter 6 Lesbian and Gay Theory: The Question of Identity Politics; Chapter 7 Essentialism in the Classroom;
Chapter 1 The "Risk" of Essence Chapter 2 Reading Like a Feminist Chapter 3 Monique Wittig's Anti-essentialist Materialism Chapter 4 Luce Irigaray's Language of Essence Chapter 5 "Race" Under Erasure? Poststructuralist Afro-American Literary Theory Chapter 6 Lesbian and Gay Theory: The Question of Identity Politics Chapter 7 Essentialism in the Classroom
Rezensionen
". . . a sinuously argued and carefully measured study of the work of feminist, gay, and Afro-American critics." -- Gillian Beer, Women: A Cultural Review
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