Establishing Our Boundaries
English-Canadian Theatre Criticism
Herausgeber: Wagner, Anton
Establishing Our Boundaries
English-Canadian Theatre Criticism
Herausgeber: Wagner, Anton
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An impressive collection of essays by 21 of English Canada's leading theatre critics provides a cultural history of Canada, and Canadians intense relationship to theatre, from 1829 to 1998, and across the whole country.
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An impressive collection of essays by 21 of English Canada's leading theatre critics provides a cultural history of Canada, and Canadians intense relationship to theatre, from 1829 to 1998, and across the whole country.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: University of Toronto Press
- Seitenzahl: 456
- Erscheinungstermin: 14. September 2010
- Englisch
- Abmessung: 226mm x 152mm x 28mm
- Gewicht: 699g
- ISBN-13: 9781442611832
- ISBN-10: 1442611839
- Artikelnr.: 32923836
- Verlag: University of Toronto Press
- Seitenzahl: 456
- Erscheinungstermin: 14. September 2010
- Englisch
- Abmessung: 226mm x 152mm x 28mm
- Gewicht: 699g
- ISBN-13: 9781442611832
- ISBN-10: 1442611839
- Artikelnr.: 32923836
Edited by Anton Wagner
Contributors
INTRODUCTION
1. Establishing Our Boundaries: English-Canadian Theatre Criticism by
Anton Wagner (York University)
PART ONE: Editor-Critics
1. From Puffery to Criticism - Willon Lyon Mackenzie, Joseph Howe, and
Daniel Morrison: Theatre Criticism in Halifax and Toronto, 1826-1857
by Patrick B O'Neill (Mount Saint Vincent University)
PART TWO: Reviewer-Critics
1. The Critic as Reviewer: E.R. Parkhurst at the Toronto Mail and Globe
1876-1924 by Ross Stuart (York University)
2. The Cosmopolitan, the Cultural Nationalist, and the Egocentric
Critic: Harriet Walker, Charles W. Handscomb, and Charles H. Wheeler
in Winnipeg, 1898-1906 Douglas Arrel (University of Winnipeg)
PART THREE: Cultural Nationalism
1. Hector Willoughby Charlesworth and the Nationalization of Cultural
Authority, 1890-1945 by Denis Salter (McGill University)
2. Saving the Nation's Aesthetic Soul: B.K. Sandwell at the Montreal
Herald, 1900-1914, and Saturday Night, 1932-1951 by Anton Wagner
3. Becoming Actively Creative: Dr. Lawrence Mason, the Globe's Critic,
1924-1939 by Anton Wagner
4. Herbert Whittaker. Reporting from the Front: The Montreal Gazette,
1937-1949, and the Globe and Mail, 1949-1975 by Jennifer Harvie
(University of London) and Richard Paul Knowles (University of
Guelph)
5. Criticism in a Canadian Social Context: Nathan Cohen's Theatre
Criticism, 1946-1971 by Don Rublin (former chair, Department of
Theatre at York University)
6. In Anger and Hope: Oscar Ryan at the Canadian Tribune, 1955-1988 by
Mayte Gómez (PhD cand., McGill University)
7. The Classical Humanist: Jamie Portman at the Calgary Herald,
1959-1975, and the Southern News Service, 1975-1987 by Moira Day
(University of Saskatchewan)
8. The Archetypal Enthusiast: Urjo Kareda at the Toronto Star, 1971-1975
by Denis Johnston (Shaw Festival)
9. The Critic as Cultural Nationalist: Don Rubin at the Toronto Star,
1968-1972, and the Canadian Theatre Review, 1974-1982 by Ira Levine
(Ryerson, Chair Canadian Association of Fine Arts Deans)
PART FOUR: The Post-Nationalist Period
1. Subverting Modernisms in British Columbia: Christopher Dafoe at the
Vancouver Sun, 1968-1975 by James Hoffman (University College of the
Cariboo)
2. Journalist or Critic? Brian Brennan at the Calgary Herald, 1975-1988
by Diane Bessai (University of Alberta)
3. The Iconoclast Sceptic on the Beat: Gina Mallet at the Toronto Star,
1976-1984 by Alan Filewod (University of Guelph)
4. Establishing Contact between Two Cultures: Marianne Ackerman at the
Montreal Gazette, 1983-1987 by Leanore Lieblein (former chair of
English, McGill University)
5. Theatre - Transgression of Tribal Celebration? Ray Conlogue at the
Globe and Mail, 1978-1998 by Robert Nunn (Brock University)
Select Bibliography
INTRODUCTION
1. Establishing Our Boundaries: English-Canadian Theatre Criticism by
Anton Wagner (York University)
PART ONE: Editor-Critics
1. From Puffery to Criticism - Willon Lyon Mackenzie, Joseph Howe, and
Daniel Morrison: Theatre Criticism in Halifax and Toronto, 1826-1857
by Patrick B O'Neill (Mount Saint Vincent University)
PART TWO: Reviewer-Critics
1. The Critic as Reviewer: E.R. Parkhurst at the Toronto Mail and Globe
1876-1924 by Ross Stuart (York University)
2. The Cosmopolitan, the Cultural Nationalist, and the Egocentric
Critic: Harriet Walker, Charles W. Handscomb, and Charles H. Wheeler
in Winnipeg, 1898-1906 Douglas Arrel (University of Winnipeg)
PART THREE: Cultural Nationalism
1. Hector Willoughby Charlesworth and the Nationalization of Cultural
Authority, 1890-1945 by Denis Salter (McGill University)
2. Saving the Nation's Aesthetic Soul: B.K. Sandwell at the Montreal
Herald, 1900-1914, and Saturday Night, 1932-1951 by Anton Wagner
3. Becoming Actively Creative: Dr. Lawrence Mason, the Globe's Critic,
1924-1939 by Anton Wagner
4. Herbert Whittaker. Reporting from the Front: The Montreal Gazette,
1937-1949, and the Globe and Mail, 1949-1975 by Jennifer Harvie
(University of London) and Richard Paul Knowles (University of
Guelph)
5. Criticism in a Canadian Social Context: Nathan Cohen's Theatre
Criticism, 1946-1971 by Don Rublin (former chair, Department of
Theatre at York University)
6. In Anger and Hope: Oscar Ryan at the Canadian Tribune, 1955-1988 by
Mayte Gómez (PhD cand., McGill University)
7. The Classical Humanist: Jamie Portman at the Calgary Herald,
1959-1975, and the Southern News Service, 1975-1987 by Moira Day
(University of Saskatchewan)
8. The Archetypal Enthusiast: Urjo Kareda at the Toronto Star, 1971-1975
by Denis Johnston (Shaw Festival)
9. The Critic as Cultural Nationalist: Don Rubin at the Toronto Star,
1968-1972, and the Canadian Theatre Review, 1974-1982 by Ira Levine
(Ryerson, Chair Canadian Association of Fine Arts Deans)
PART FOUR: The Post-Nationalist Period
1. Subverting Modernisms in British Columbia: Christopher Dafoe at the
Vancouver Sun, 1968-1975 by James Hoffman (University College of the
Cariboo)
2. Journalist or Critic? Brian Brennan at the Calgary Herald, 1975-1988
by Diane Bessai (University of Alberta)
3. The Iconoclast Sceptic on the Beat: Gina Mallet at the Toronto Star,
1976-1984 by Alan Filewod (University of Guelph)
4. Establishing Contact between Two Cultures: Marianne Ackerman at the
Montreal Gazette, 1983-1987 by Leanore Lieblein (former chair of
English, McGill University)
5. Theatre - Transgression of Tribal Celebration? Ray Conlogue at the
Globe and Mail, 1978-1998 by Robert Nunn (Brock University)
Select Bibliography
Contributors
INTRODUCTION
1. Establishing Our Boundaries: English-Canadian Theatre Criticism by
Anton Wagner (York University)
PART ONE: Editor-Critics
1. From Puffery to Criticism - Willon Lyon Mackenzie, Joseph Howe, and
Daniel Morrison: Theatre Criticism in Halifax and Toronto, 1826-1857
by Patrick B O'Neill (Mount Saint Vincent University)
PART TWO: Reviewer-Critics
1. The Critic as Reviewer: E.R. Parkhurst at the Toronto Mail and Globe
1876-1924 by Ross Stuart (York University)
2. The Cosmopolitan, the Cultural Nationalist, and the Egocentric
Critic: Harriet Walker, Charles W. Handscomb, and Charles H. Wheeler
in Winnipeg, 1898-1906 Douglas Arrel (University of Winnipeg)
PART THREE: Cultural Nationalism
1. Hector Willoughby Charlesworth and the Nationalization of Cultural
Authority, 1890-1945 by Denis Salter (McGill University)
2. Saving the Nation's Aesthetic Soul: B.K. Sandwell at the Montreal
Herald, 1900-1914, and Saturday Night, 1932-1951 by Anton Wagner
3. Becoming Actively Creative: Dr. Lawrence Mason, the Globe's Critic,
1924-1939 by Anton Wagner
4. Herbert Whittaker. Reporting from the Front: The Montreal Gazette,
1937-1949, and the Globe and Mail, 1949-1975 by Jennifer Harvie
(University of London) and Richard Paul Knowles (University of
Guelph)
5. Criticism in a Canadian Social Context: Nathan Cohen's Theatre
Criticism, 1946-1971 by Don Rublin (former chair, Department of
Theatre at York University)
6. In Anger and Hope: Oscar Ryan at the Canadian Tribune, 1955-1988 by
Mayte Gómez (PhD cand., McGill University)
7. The Classical Humanist: Jamie Portman at the Calgary Herald,
1959-1975, and the Southern News Service, 1975-1987 by Moira Day
(University of Saskatchewan)
8. The Archetypal Enthusiast: Urjo Kareda at the Toronto Star, 1971-1975
by Denis Johnston (Shaw Festival)
9. The Critic as Cultural Nationalist: Don Rubin at the Toronto Star,
1968-1972, and the Canadian Theatre Review, 1974-1982 by Ira Levine
(Ryerson, Chair Canadian Association of Fine Arts Deans)
PART FOUR: The Post-Nationalist Period
1. Subverting Modernisms in British Columbia: Christopher Dafoe at the
Vancouver Sun, 1968-1975 by James Hoffman (University College of the
Cariboo)
2. Journalist or Critic? Brian Brennan at the Calgary Herald, 1975-1988
by Diane Bessai (University of Alberta)
3. The Iconoclast Sceptic on the Beat: Gina Mallet at the Toronto Star,
1976-1984 by Alan Filewod (University of Guelph)
4. Establishing Contact between Two Cultures: Marianne Ackerman at the
Montreal Gazette, 1983-1987 by Leanore Lieblein (former chair of
English, McGill University)
5. Theatre - Transgression of Tribal Celebration? Ray Conlogue at the
Globe and Mail, 1978-1998 by Robert Nunn (Brock University)
Select Bibliography
INTRODUCTION
1. Establishing Our Boundaries: English-Canadian Theatre Criticism by
Anton Wagner (York University)
PART ONE: Editor-Critics
1. From Puffery to Criticism - Willon Lyon Mackenzie, Joseph Howe, and
Daniel Morrison: Theatre Criticism in Halifax and Toronto, 1826-1857
by Patrick B O'Neill (Mount Saint Vincent University)
PART TWO: Reviewer-Critics
1. The Critic as Reviewer: E.R. Parkhurst at the Toronto Mail and Globe
1876-1924 by Ross Stuart (York University)
2. The Cosmopolitan, the Cultural Nationalist, and the Egocentric
Critic: Harriet Walker, Charles W. Handscomb, and Charles H. Wheeler
in Winnipeg, 1898-1906 Douglas Arrel (University of Winnipeg)
PART THREE: Cultural Nationalism
1. Hector Willoughby Charlesworth and the Nationalization of Cultural
Authority, 1890-1945 by Denis Salter (McGill University)
2. Saving the Nation's Aesthetic Soul: B.K. Sandwell at the Montreal
Herald, 1900-1914, and Saturday Night, 1932-1951 by Anton Wagner
3. Becoming Actively Creative: Dr. Lawrence Mason, the Globe's Critic,
1924-1939 by Anton Wagner
4. Herbert Whittaker. Reporting from the Front: The Montreal Gazette,
1937-1949, and the Globe and Mail, 1949-1975 by Jennifer Harvie
(University of London) and Richard Paul Knowles (University of
Guelph)
5. Criticism in a Canadian Social Context: Nathan Cohen's Theatre
Criticism, 1946-1971 by Don Rublin (former chair, Department of
Theatre at York University)
6. In Anger and Hope: Oscar Ryan at the Canadian Tribune, 1955-1988 by
Mayte Gómez (PhD cand., McGill University)
7. The Classical Humanist: Jamie Portman at the Calgary Herald,
1959-1975, and the Southern News Service, 1975-1987 by Moira Day
(University of Saskatchewan)
8. The Archetypal Enthusiast: Urjo Kareda at the Toronto Star, 1971-1975
by Denis Johnston (Shaw Festival)
9. The Critic as Cultural Nationalist: Don Rubin at the Toronto Star,
1968-1972, and the Canadian Theatre Review, 1974-1982 by Ira Levine
(Ryerson, Chair Canadian Association of Fine Arts Deans)
PART FOUR: The Post-Nationalist Period
1. Subverting Modernisms in British Columbia: Christopher Dafoe at the
Vancouver Sun, 1968-1975 by James Hoffman (University College of the
Cariboo)
2. Journalist or Critic? Brian Brennan at the Calgary Herald, 1975-1988
by Diane Bessai (University of Alberta)
3. The Iconoclast Sceptic on the Beat: Gina Mallet at the Toronto Star,
1976-1984 by Alan Filewod (University of Guelph)
4. Establishing Contact between Two Cultures: Marianne Ackerman at the
Montreal Gazette, 1983-1987 by Leanore Lieblein (former chair of
English, McGill University)
5. Theatre - Transgression of Tribal Celebration? Ray Conlogue at the
Globe and Mail, 1978-1998 by Robert Nunn (Brock University)
Select Bibliography