This book explores the conditions and academic studies of Chinese traditional drama in the 1920s and 1930s. In particular, the author delivers an insightful view about the evolution of the connotation of the "national drama" and "drama".
This book explores the conditions and academic studies of Chinese traditional drama in the 1920s and 1930s. In particular, the author delivers an insightful view about the evolution of the connotation of the "national drama" and "drama".
Zhang Yifan, a lecturer of the School of Liberal Arts, Renmin University of China, has mainly taught the major courses of Drama and Opera Study as well as General Knowledge of Traditional Art since 2009.
Inhaltsangabe
Foreword 1. Foreword 2. Foreword 3. Preface 1 Introduction 2 The Whole Story of the "National Drama Movement" 3 The Evolution of Ideas and Exploration of Vision 4 Drama-oriented Drama Art Criticism 5 Theoretical Understanding of the "Whole Drama" 6 Different Research Perspectives on "Drama" 7 Epilogue. Bibliography. Afterword. Index
Foreword 1. Foreword 2. Foreword 3. Preface 1 Introduction 2 The Whole Story of the "National Drama Movement" 3 The Evolution of Ideas and Exploration of Vision 4 Drama-oriented Drama Art Criticism 5 Theoretical Understanding of the "Whole Drama" 6 Different Research Perspectives on "Drama" 7 Epilogue. Bibliography. Afterword. Index
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