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First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
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First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 334
- Erscheinungstermin: 1. Oktober 1995
- Englisch
- Abmessung: 223mm x 165mm x 24mm
- Gewicht: 540g
- ISBN-13: 9780815318477
- ISBN-10: 0815318472
- Artikelnr.: 21531155
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 334
- Erscheinungstermin: 1. Oktober 1995
- Englisch
- Abmessung: 223mm x 165mm x 24mm
- Gewicht: 540g
- ISBN-13: 9780815318477
- ISBN-10: 0815318472
- Artikelnr.: 21531155
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
David E. Fenner
Introduction
Part 1 Censorship
Chapter 1 Art and Censorship, Richard Serra
Chapter 2 Protected Space: Politics, Censorship, and the Arts, Mary Devereawc
Chapter 3 Aesthetic Censorship: Censoring Art for Art's Sake, Richard Shusterman
Part 2 Creations and Re-Creations
Chapter 4 Art and Inauthenticity, W.E. Kennick
Chapter 5 Forging Issues from Forged Art, L.B. Cebik
Chapter 6 No Dance Is a Fake, Kenton Harris
Part 3 Artistic Property
Chapter 7 Why Artworks Have No Right to Have Rights, Francis Sparshott
Chapter 8 A Defense of Colorization, James O. Young
Chapter 9 Worldmaking: Property Rights in Aesthetic Creations, Peter H. Karlen
Part 4 The Sponsorship of Art
Chapter 10 Can Government Funding of the Arts Be Justified Theoretically?, Noël Carroll
Chapter 11 Not with My Tax Money: The Problem of Justifying Government Subsidies, Joel Feinberg
Chapter 12 Should the Government Subsidize the Arts?, Ernest van den Haag
Chapter 13 The Politics of Culture: Art in a Free Society, Gordon Graham
Part 5 Aesthetic Values and Moral Values
Chapter 14 Serious Problems, Serious Values: Are There Aesthetic Dilemmas?, Marcia Muelder Eaton
Chapter 15 Taste and the Moral Sense, Marcia Cavell
Chapter 16 The Inter-relationship of Moral and Aesthetic Excellence, Ron Bontekoe, Jamie Crooks
Part 1 Censorship
Chapter 1 Art and Censorship, Richard Serra
Chapter 2 Protected Space: Politics, Censorship, and the Arts, Mary Devereawc
Chapter 3 Aesthetic Censorship: Censoring Art for Art's Sake, Richard Shusterman
Part 2 Creations and Re-Creations
Chapter 4 Art and Inauthenticity, W.E. Kennick
Chapter 5 Forging Issues from Forged Art, L.B. Cebik
Chapter 6 No Dance Is a Fake, Kenton Harris
Part 3 Artistic Property
Chapter 7 Why Artworks Have No Right to Have Rights, Francis Sparshott
Chapter 8 A Defense of Colorization, James O. Young
Chapter 9 Worldmaking: Property Rights in Aesthetic Creations, Peter H. Karlen
Part 4 The Sponsorship of Art
Chapter 10 Can Government Funding of the Arts Be Justified Theoretically?, Noël Carroll
Chapter 11 Not with My Tax Money: The Problem of Justifying Government Subsidies, Joel Feinberg
Chapter 12 Should the Government Subsidize the Arts?, Ernest van den Haag
Chapter 13 The Politics of Culture: Art in a Free Society, Gordon Graham
Part 5 Aesthetic Values and Moral Values
Chapter 14 Serious Problems, Serious Values: Are There Aesthetic Dilemmas?, Marcia Muelder Eaton
Chapter 15 Taste and the Moral Sense, Marcia Cavell
Chapter 16 The Inter-relationship of Moral and Aesthetic Excellence, Ron Bontekoe, Jamie Crooks
Introduction
Part 1 Censorship
Chapter 1 Art and Censorship, Richard Serra
Chapter 2 Protected Space: Politics, Censorship, and the Arts, Mary Devereawc
Chapter 3 Aesthetic Censorship: Censoring Art for Art's Sake, Richard Shusterman
Part 2 Creations and Re-Creations
Chapter 4 Art and Inauthenticity, W.E. Kennick
Chapter 5 Forging Issues from Forged Art, L.B. Cebik
Chapter 6 No Dance Is a Fake, Kenton Harris
Part 3 Artistic Property
Chapter 7 Why Artworks Have No Right to Have Rights, Francis Sparshott
Chapter 8 A Defense of Colorization, James O. Young
Chapter 9 Worldmaking: Property Rights in Aesthetic Creations, Peter H. Karlen
Part 4 The Sponsorship of Art
Chapter 10 Can Government Funding of the Arts Be Justified Theoretically?, Noël Carroll
Chapter 11 Not with My Tax Money: The Problem of Justifying Government Subsidies, Joel Feinberg
Chapter 12 Should the Government Subsidize the Arts?, Ernest van den Haag
Chapter 13 The Politics of Culture: Art in a Free Society, Gordon Graham
Part 5 Aesthetic Values and Moral Values
Chapter 14 Serious Problems, Serious Values: Are There Aesthetic Dilemmas?, Marcia Muelder Eaton
Chapter 15 Taste and the Moral Sense, Marcia Cavell
Chapter 16 The Inter-relationship of Moral and Aesthetic Excellence, Ron Bontekoe, Jamie Crooks
Part 1 Censorship
Chapter 1 Art and Censorship, Richard Serra
Chapter 2 Protected Space: Politics, Censorship, and the Arts, Mary Devereawc
Chapter 3 Aesthetic Censorship: Censoring Art for Art's Sake, Richard Shusterman
Part 2 Creations and Re-Creations
Chapter 4 Art and Inauthenticity, W.E. Kennick
Chapter 5 Forging Issues from Forged Art, L.B. Cebik
Chapter 6 No Dance Is a Fake, Kenton Harris
Part 3 Artistic Property
Chapter 7 Why Artworks Have No Right to Have Rights, Francis Sparshott
Chapter 8 A Defense of Colorization, James O. Young
Chapter 9 Worldmaking: Property Rights in Aesthetic Creations, Peter H. Karlen
Part 4 The Sponsorship of Art
Chapter 10 Can Government Funding of the Arts Be Justified Theoretically?, Noël Carroll
Chapter 11 Not with My Tax Money: The Problem of Justifying Government Subsidies, Joel Feinberg
Chapter 12 Should the Government Subsidize the Arts?, Ernest van den Haag
Chapter 13 The Politics of Culture: Art in a Free Society, Gordon Graham
Part 5 Aesthetic Values and Moral Values
Chapter 14 Serious Problems, Serious Values: Are There Aesthetic Dilemmas?, Marcia Muelder Eaton
Chapter 15 Taste and the Moral Sense, Marcia Cavell
Chapter 16 The Inter-relationship of Moral and Aesthetic Excellence, Ron Bontekoe, Jamie Crooks