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Comprehensively analyzing for the first time the phenomenon of ethnic living expositions in Italy between the 19th and 20th centuries, this book deals with the subject from a comparative European perspective and over the long term.
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Comprehensively analyzing for the first time the phenomenon of ethnic living expositions in Italy between the 19th and 20th centuries, this book deals with the subject from a comparative European perspective and over the long term.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 482
- Erscheinungstermin: 22. März 2024
- Englisch
- Abmessung: 229mm x 152mm x 29mm
- Gewicht: 853g
- ISBN-13: 9781032119311
- ISBN-10: 1032119314
- Artikelnr.: 69431364
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 482
- Erscheinungstermin: 22. März 2024
- Englisch
- Abmessung: 229mm x 152mm x 29mm
- Gewicht: 853g
- ISBN-13: 9781032119311
- ISBN-10: 1032119314
- Artikelnr.: 69431364
Guido Abbattista is Professor of Modern History at the University of Trieste. He is a specialist in the cultural history of colonialism, imperialism and human diversity 18th-19th century. He published books on James Mill, Edmund Burke, Lord Bolingbroke, Anquetil-Duperron, abbé Raynal, the European view of China in the Enlightenment and living human ethno-exhibitions 18th-20th century.
Contents
Abbreviations
Narratives about humans on exhibition
Acknowledgments
Editorial note
Introduction
1. Words and things
2. Historiography: Human exhibitions
3. Historiography: The colonial experience
4. Distribution
5. A look at the present
6. Ten years later
PART ONE
I. From the beaches of the Red Sea to the banks of the River Po
II. Exhibitions, colonies, otherness
II.1. A long European story resulting from globalisation
II. 2. The century of exhibitions: A world of shows and the spectacle of
the world
III. Turin 1884: 'A snippet of African life in the heart of European life'
III.1 Arriving in third class, returning in first class: The Italian
adventure of six Africans
III. 2. Under the spotlight
III.3. The other side of the coin: Racism with a human face
III.4. The Assabian 'ruse': Political controversy and imaginative satirical
humour.
PART TWO
IV. Palermo 1892 and Milan 1894
IV.1. Palermo 1892
IV.2. Milan 1894
V. Missionary exhibitions and ethno-exhibitions
V.1. La Civiltà Cattolica and the world of exhibitions
V.2. Nineteenth-century precedents and trends (1858-1906)
V.3. Genoa 1892
V.4. Turin 1898 and further developments in the Fascist era
VI. Show villages
VI.1. General aspects
VI.2. Between the Dinkas and the Wild West Show: Milan, Turin, and
elsewhere, 1895-1906
VI.3 Turin 1898 and beyond
VII. Exhibitions and science: From villages to the anatomical theatre
VII.1. The 'anatomy of the Negro': Comparatism and racism
VII.2. Anatomical findings and real lives
VII.3. Forms of racism: Spectacular exhibitions, public health, and medical
science
VIII. 'Reverse explorations' and 'Geography books in action': Exhibitions
and colonial villages in early twentieth-century Italy
VIII.1. Turin 1902
VIII.2. Milan 1906
IX. From the fiftieth anniversary of Italian national unification to the
wars (1911-1914)
IX.1. Turin 1911
IX.2. Genoa 1914
X. Conclusion: Towards empire, racial laws, and the war (1920-1940)
Illustrations
Bibliography
Abbreviations
Narratives about humans on exhibition
Acknowledgments
Editorial note
Introduction
1. Words and things
2. Historiography: Human exhibitions
3. Historiography: The colonial experience
4. Distribution
5. A look at the present
6. Ten years later
PART ONE
I. From the beaches of the Red Sea to the banks of the River Po
II. Exhibitions, colonies, otherness
II.1. A long European story resulting from globalisation
II. 2. The century of exhibitions: A world of shows and the spectacle of
the world
III. Turin 1884: 'A snippet of African life in the heart of European life'
III.1 Arriving in third class, returning in first class: The Italian
adventure of six Africans
III. 2. Under the spotlight
III.3. The other side of the coin: Racism with a human face
III.4. The Assabian 'ruse': Political controversy and imaginative satirical
humour.
PART TWO
IV. Palermo 1892 and Milan 1894
IV.1. Palermo 1892
IV.2. Milan 1894
V. Missionary exhibitions and ethno-exhibitions
V.1. La Civiltà Cattolica and the world of exhibitions
V.2. Nineteenth-century precedents and trends (1858-1906)
V.3. Genoa 1892
V.4. Turin 1898 and further developments in the Fascist era
VI. Show villages
VI.1. General aspects
VI.2. Between the Dinkas and the Wild West Show: Milan, Turin, and
elsewhere, 1895-1906
VI.3 Turin 1898 and beyond
VII. Exhibitions and science: From villages to the anatomical theatre
VII.1. The 'anatomy of the Negro': Comparatism and racism
VII.2. Anatomical findings and real lives
VII.3. Forms of racism: Spectacular exhibitions, public health, and medical
science
VIII. 'Reverse explorations' and 'Geography books in action': Exhibitions
and colonial villages in early twentieth-century Italy
VIII.1. Turin 1902
VIII.2. Milan 1906
IX. From the fiftieth anniversary of Italian national unification to the
wars (1911-1914)
IX.1. Turin 1911
IX.2. Genoa 1914
X. Conclusion: Towards empire, racial laws, and the war (1920-1940)
Illustrations
Bibliography
Contents
Abbreviations
Narratives about humans on exhibition
Acknowledgments
Editorial note
Introduction
1. Words and things
2. Historiography: Human exhibitions
3. Historiography: The colonial experience
4. Distribution
5. A look at the present
6. Ten years later
PART ONE
I. From the beaches of the Red Sea to the banks of the River Po
II. Exhibitions, colonies, otherness
II.1. A long European story resulting from globalisation
II. 2. The century of exhibitions: A world of shows and the spectacle of
the world
III. Turin 1884: 'A snippet of African life in the heart of European life'
III.1 Arriving in third class, returning in first class: The Italian
adventure of six Africans
III. 2. Under the spotlight
III.3. The other side of the coin: Racism with a human face
III.4. The Assabian 'ruse': Political controversy and imaginative satirical
humour.
PART TWO
IV. Palermo 1892 and Milan 1894
IV.1. Palermo 1892
IV.2. Milan 1894
V. Missionary exhibitions and ethno-exhibitions
V.1. La Civiltà Cattolica and the world of exhibitions
V.2. Nineteenth-century precedents and trends (1858-1906)
V.3. Genoa 1892
V.4. Turin 1898 and further developments in the Fascist era
VI. Show villages
VI.1. General aspects
VI.2. Between the Dinkas and the Wild West Show: Milan, Turin, and
elsewhere, 1895-1906
VI.3 Turin 1898 and beyond
VII. Exhibitions and science: From villages to the anatomical theatre
VII.1. The 'anatomy of the Negro': Comparatism and racism
VII.2. Anatomical findings and real lives
VII.3. Forms of racism: Spectacular exhibitions, public health, and medical
science
VIII. 'Reverse explorations' and 'Geography books in action': Exhibitions
and colonial villages in early twentieth-century Italy
VIII.1. Turin 1902
VIII.2. Milan 1906
IX. From the fiftieth anniversary of Italian national unification to the
wars (1911-1914)
IX.1. Turin 1911
IX.2. Genoa 1914
X. Conclusion: Towards empire, racial laws, and the war (1920-1940)
Illustrations
Bibliography
Abbreviations
Narratives about humans on exhibition
Acknowledgments
Editorial note
Introduction
1. Words and things
2. Historiography: Human exhibitions
3. Historiography: The colonial experience
4. Distribution
5. A look at the present
6. Ten years later
PART ONE
I. From the beaches of the Red Sea to the banks of the River Po
II. Exhibitions, colonies, otherness
II.1. A long European story resulting from globalisation
II. 2. The century of exhibitions: A world of shows and the spectacle of
the world
III. Turin 1884: 'A snippet of African life in the heart of European life'
III.1 Arriving in third class, returning in first class: The Italian
adventure of six Africans
III. 2. Under the spotlight
III.3. The other side of the coin: Racism with a human face
III.4. The Assabian 'ruse': Political controversy and imaginative satirical
humour.
PART TWO
IV. Palermo 1892 and Milan 1894
IV.1. Palermo 1892
IV.2. Milan 1894
V. Missionary exhibitions and ethno-exhibitions
V.1. La Civiltà Cattolica and the world of exhibitions
V.2. Nineteenth-century precedents and trends (1858-1906)
V.3. Genoa 1892
V.4. Turin 1898 and further developments in the Fascist era
VI. Show villages
VI.1. General aspects
VI.2. Between the Dinkas and the Wild West Show: Milan, Turin, and
elsewhere, 1895-1906
VI.3 Turin 1898 and beyond
VII. Exhibitions and science: From villages to the anatomical theatre
VII.1. The 'anatomy of the Negro': Comparatism and racism
VII.2. Anatomical findings and real lives
VII.3. Forms of racism: Spectacular exhibitions, public health, and medical
science
VIII. 'Reverse explorations' and 'Geography books in action': Exhibitions
and colonial villages in early twentieth-century Italy
VIII.1. Turin 1902
VIII.2. Milan 1906
IX. From the fiftieth anniversary of Italian national unification to the
wars (1911-1914)
IX.1. Turin 1911
IX.2. Genoa 1914
X. Conclusion: Towards empire, racial laws, and the war (1920-1940)
Illustrations
Bibliography