How do different ethnic groups approach the short story form? Do different groups develop culture-related themes? Do oral traditions within a culture shape written stories? Why does "the community" loom so large in ethnic stories? How do such traditional forms as African American slave narratives or the Chinese talk-story shape the modern short story? Why have some minority writers been ignored for such a long time? How does a person of color write for white publishers, editors, and readers? This collection of original studies addresses these questions and other related concerns. It is the…mehr
How do different ethnic groups approach the short story form? Do different groups develop culture-related themes? Do oral traditions within a culture shape written stories? Why does "the community" loom so large in ethnic stories? How do such traditional forms as African American slave narratives or the Chinese talk-story shape the modern short story? Why have some minority writers been ignored for such a long time? How does a person of color write for white publishers, editors, and readers? This collection of original studies addresses these questions and other related concerns. It is the first work to focus specifically on short story writing by ethnic minorities, ranging from African Americans to Native Americans, Chinese to Hispanics. The number of women writers discussed will be of particular interest to women studies and genre studies researchers.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Chapter 1 Identity in Community in Ethnic Short Story Cycles: Amy Tan's The Joy Luck Club, Louise Erdrich's Love Medicine, Gloria Naylor's The Women of Brewster Place, Rocío G. Davis; Chapter 2 Marking Race/Marketing Race: African American Short Fiction and the Politics of Genre, 1933-1946, Bill Mullen; Chapter 3 Womanist Storytelling: The Voice of the Vernacular, Madelyn Jablon; Chapter 4 A Minor Revolution: Chicano/a Composite Novels and the Limits of Genre, Margot Kelley; Chapter 5 Resistance and Reinvention in Sandra Cisneros' Woman Hollering Creek, Susan E. Griffin; Chapter 6 Healing Ceremonies: Native American Stories of Cultural Survival, Linda Palmer; Chapter 7 Asian American Short Stories: Dialogizing the Asian American Experience, Qun Wang; Chapter 8 The Invention of Normality in Japanese American Internment Narratives, John Streamas; Chapter 9 No Types of Ambiguity: Teaching Chinese American Texts in Hong Kong, Hardy C. Wilcoxon; Chapter 10 "Wavering" Images: Mixed-Race Identity in the Stories of Edith Eaton/Sui Sin Far, Carol Roh-Spaulding; Chapter 11 Resistance and Reclamation: Hawaii "Pidgin English" and Autoethnography in the Short Stories of Darrell H. Y. Lum, Gail Y. Okawa; Chapter 12 Conflict over Privacy in Indo-American Short Fiction, Laurie Leach; Chapter 13 Re-Orienting the Subject: Arab American Ethnicity in Ramzi M. Salti's The Native Informant: Six Tales of Defiance from the Arab World, Chris Wise; Chapter 14 The Naming of Katz: Who Am I? Who Am I Supposed to Be? Who Can I Be? Passing, Assimilation, and Embodiment in Short Fiction by Fannie Hurst and Thyra Samter Winslow with a Few Jokes Thrown in and Various References to Other Others, Susan Koppelman;
Chapter 1 Identity in Community in Ethnic Short Story Cycles: Amy Tan's The Joy Luck Club, Louise Erdrich's Love Medicine, Gloria Naylor's The Women of Brewster Place, Rocío G. Davis; Chapter 2 Marking Race/Marketing Race: African American Short Fiction and the Politics of Genre, 1933-1946, Bill Mullen; Chapter 3 Womanist Storytelling: The Voice of the Vernacular, Madelyn Jablon; Chapter 4 A Minor Revolution: Chicano/a Composite Novels and the Limits of Genre, Margot Kelley; Chapter 5 Resistance and Reinvention in Sandra Cisneros' Woman Hollering Creek, Susan E. Griffin; Chapter 6 Healing Ceremonies: Native American Stories of Cultural Survival, Linda Palmer; Chapter 7 Asian American Short Stories: Dialogizing the Asian American Experience, Qun Wang; Chapter 8 The Invention of Normality in Japanese American Internment Narratives, John Streamas; Chapter 9 No Types of Ambiguity: Teaching Chinese American Texts in Hong Kong, Hardy C. Wilcoxon; Chapter 10 "Wavering" Images: Mixed-Race Identity in the Stories of Edith Eaton/Sui Sin Far, Carol Roh-Spaulding; Chapter 11 Resistance and Reclamation: Hawaii "Pidgin English" and Autoethnography in the Short Stories of Darrell H. Y. Lum, Gail Y. Okawa; Chapter 12 Conflict over Privacy in Indo-American Short Fiction, Laurie Leach; Chapter 13 Re-Orienting the Subject: Arab American Ethnicity in Ramzi M. Salti's The Native Informant: Six Tales of Defiance from the Arab World, Chris Wise; Chapter 14 The Naming of Katz: Who Am I? Who Am I Supposed to Be? Who Can I Be? Passing, Assimilation, and Embodiment in Short Fiction by Fannie Hurst and Thyra Samter Winslow with a Few Jokes Thrown in and Various References to Other Others, Susan Koppelman;
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