Music has long played a prominent role in cultural diplomacy, but until now no resource has comparatively examined policies that shape how non-western countries use music in international relations. Inspired by decolonization, this book describes policies and legal frameworks that impact music's role in cultural diplomacy worldwide.
Music has long played a prominent role in cultural diplomacy, but until now no resource has comparatively examined policies that shape how non-western countries use music in international relations. Inspired by decolonization, this book describes policies and legal frameworks that impact music's role in cultural diplomacy worldwide.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
The Lexington Series in Historical Ethnomusicology: Deep Soundings
David G. Hebert is professor of music at Western Norway University of Applied Sciences. Jonathan McCollum is professor of music at Washington College.
Inhaltsangabe
Table of Contents Preface: Why this Topic and these Authors David G. Hebert Part I: Introduction to Music and Cultural Diplomacy Chapter One: Introduction: Ethnomusicology as a Resource for Cultural Diplomacy David G. Hebert Chapter Two: International Soft Law and the Promotion of Musical Rights Marja Heimonen and David G. Hebert Part II: Middle Eastern Perspectives Chapter Three: "A Very Beautiful Image of Afghanistan": Cultural Diplomacy through Music Education and Performance Lauren Braithwaite Chapter Four: Music Festivals and Cultural Diplomacy in Uzbekistan Elnora Mamadjanova and David G. Hebert Chapter Five: Sufi Voices: Music as a Unifying Pathway toward the Divine Chaden Yafi Chapter Six: Soft War and Multilateral Musical Pathways in Iran Nasim Niknafs PART III: East Asian Views Chapter Seven: Cultural Diplomacy in Collaborative Artistic Projects between China and Europe Marianne Løkke Jakobsen and David G. Hebert Chapter Eight: A Gap in Cultural Policy: Non-Japanese Experiences of Learning Japanese Music Koji Matsunobu Chapter Nine: Cultural Diplomacy and Transculturation through the History of V ng C in Vietnam Nguy n Thanh Th y and Stefan Östersjö PART IV: African Insights Chapter Ten: Cultural Policies and Music Production Across Ethiopian Regimes: A Historical Study Abraha Weldu and Jan Magne Steinhovden Chapter Eleven: Musical Activism from South Africa: The "Soft Power" of Cultural Diplomacy Ambigay Yudkoff Chapter Twelve: Intercultural Relations in Church Music of Nigeria and South Africa Rhoda Abiolu PART V: Legal Perspectives from Asia Chapter Thirteen: Cultural Heritage and Music Diplomacy: The Legal Framework in India Karan Choudhary Chapter Fourteen: China's Legal Framework Supporting Protection and Sustainability of Artistic Heritage Juqian Li Part VI: Conclusion: Rethinking Music Heritage and Cultural Diplomacy Chapter Fifteen: Toward Global Models and Benchmarks for Music Diplomacy David G. Hebert and Jonathan McCollum
Table of Contents Preface: Why this Topic and these Authors David G. Hebert Part I: Introduction to Music and Cultural Diplomacy Chapter One: Introduction: Ethnomusicology as a Resource for Cultural Diplomacy David G. Hebert Chapter Two: International Soft Law and the Promotion of Musical Rights Marja Heimonen and David G. Hebert Part II: Middle Eastern Perspectives Chapter Three: "A Very Beautiful Image of Afghanistan": Cultural Diplomacy through Music Education and Performance Lauren Braithwaite Chapter Four: Music Festivals and Cultural Diplomacy in Uzbekistan Elnora Mamadjanova and David G. Hebert Chapter Five: Sufi Voices: Music as a Unifying Pathway toward the Divine Chaden Yafi Chapter Six: Soft War and Multilateral Musical Pathways in Iran Nasim Niknafs PART III: East Asian Views Chapter Seven: Cultural Diplomacy in Collaborative Artistic Projects between China and Europe Marianne Løkke Jakobsen and David G. Hebert Chapter Eight: A Gap in Cultural Policy: Non-Japanese Experiences of Learning Japanese Music Koji Matsunobu Chapter Nine: Cultural Diplomacy and Transculturation through the History of V ng C in Vietnam Nguy n Thanh Th y and Stefan Östersjö PART IV: African Insights Chapter Ten: Cultural Policies and Music Production Across Ethiopian Regimes: A Historical Study Abraha Weldu and Jan Magne Steinhovden Chapter Eleven: Musical Activism from South Africa: The "Soft Power" of Cultural Diplomacy Ambigay Yudkoff Chapter Twelve: Intercultural Relations in Church Music of Nigeria and South Africa Rhoda Abiolu PART V: Legal Perspectives from Asia Chapter Thirteen: Cultural Heritage and Music Diplomacy: The Legal Framework in India Karan Choudhary Chapter Fourteen: China's Legal Framework Supporting Protection and Sustainability of Artistic Heritage Juqian Li Part VI: Conclusion: Rethinking Music Heritage and Cultural Diplomacy Chapter Fifteen: Toward Global Models and Benchmarks for Music Diplomacy David G. Hebert and Jonathan McCollum
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