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This is the first study to explore the connections between late-19th-century university/college composite class portraits and the field of Eugenics â which first took hold in the United States at Harvard University.

Produktbeschreibung
This is the first study to explore the connections between late-19th-century university/college composite class portraits and the field of Eugenics â which first took hold in the United States at Harvard University.
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Autorenporträt
Kris Belden-Adams is Associate Professor of Art History at the University of Mississippi, USA.