"Integrating research across various cognitive science and humanities disciplines, this book explores how traditional designs and spaces of Chinese temples and European churches - as outer theatrical spaces - have left cultural imprints for how our "inner theatres" are staged. Gathering theories and research from theatre, philosophy of mind and emotion, and various cognitive, affective, and social science fields, Brain Spirits applies them to the art, architecture, and history of religious buildings, from Buddhist, Daoist, Confucian, and Imperial temples, to Catholic, Orthodox, and Protestant churches and sites important in Judaism and Islam"--…mehr
"Integrating research across various cognitive science and humanities disciplines, this book explores how traditional designs and spaces of Chinese temples and European churches - as outer theatrical spaces - have left cultural imprints for how our "inner theatres" are staged. Gathering theories and research from theatre, philosophy of mind and emotion, and various cognitive, affective, and social science fields, Brain Spirits applies them to the art, architecture, and history of religious buildings, from Buddhist, Daoist, Confucian, and Imperial temples, to Catholic, Orthodox, and Protestant churches and sites important in Judaism and Islam"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Mark Pizzato, MFA, PhD, is Professor of Theatre at the University of North Carolina at Charlotte (USA), where he also teaches interdisciplinary film, arts, architecture, and religion courses. He has authored six previous books: Mapping Global Theatre Histories (2019), Beast-People Onscreen and in Your Brain: The Evolution of Animal-Humans from Prehistoric Cave Art to Modern Movies (2016), Inner Theatres of Good and Evil: The Mind's Staging of Gods, Angels and Devils (2011), Ghosts of Theatre and Cinema in the Brain (2006), Theatres of Human Sacrifice: From Ancient Ritual to Screen Violence (2005), and Edges of Loss: From Modern Drama to Postmodern Theory (1998). He also co-edited, with Lisa K. Perdigao, Death in American Texts and Performances: Corpses, Ghosts, and the Reanimated Dead (2010).
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