European Cinema is the first book to provide overviews of key movements in European film history, from the inception of the medium in 1895 to the present. This text includes accessible introductions to traditions as diverse as early Soviet cinema, German Expressionism, Surrealism, Italian Neoralism, the French New Wave, Ealing Comedy, East-Central European cinema, Contemporary Spanish cinema, and much more. Top international scholars specially commissioned for this volume examine artistic developments in their industrial and more broadly historical context. The book is divided chronologically…mehr
European Cinema is the first book to provide overviews of key movements in European film history, from the inception of the medium in 1895 to the present. This text includes accessible introductions to traditions as diverse as early Soviet cinema, German Expressionism, Surrealism, Italian Neoralism, the French New Wave, Ealing Comedy, East-Central European cinema, Contemporary Spanish cinema, and much more. Top international scholars specially commissioned for this volume examine artistic developments in their industrial and more broadly historical context. The book is divided chronologically into three sections, making it ideal for use in university film courses, and includes an invaluable glossary (comprising historical and foreign-language terms as well as technical terminology).Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Dr Elizabeth Ezra is a Lecturer in European Film and Media at the University of Stirling. She took her PhD at Cornell University in 1992. Her previous publications include Georges Méliès: The Birth of the Auteur (Manchester University Press, 2000), The Colonial Unconscious: Race and Culture in Interwar France (Cornell University Press, 2000). and co-edited with Sue Harris France in Focus: Film and National Identity (Bergman, 2001).
Inhaltsangabe
Introduction: A Brief History of Cinema in Europe Part I: Early Cinema Early Cinema: Introduction 1.: Alison McMahan: Beginnings 2.: Denise Youngblood: Soviet Cinema: The Old and the New 3.: Anton Kaes: Weimar Cinema 4.: Rudolf Kuenzli: Dada and Surrealist Film 5.: Dudley Andrew: French Cinema of the 1930s Part II: Postwar Cinema Postwar Cinema: Introduction 6.: Peter Bondanella: From Italian Neo-Realism to the Golden Age of Cinecittà 7.: Peter Schepelern: Postwar Scandinavian Cinema 8.: T. Jefferson Kline: The French New Wave 9.: Sarah Street: From Ealing Comedy to the British New Wave 10.: Thomas Elsaesser: New German Cinema Part III: New Currents New Currents: Introduction 11.: Sue Harris: The Cinéma du Look 12.: Gaetana Marrone: New Italian Cinema 13.: Peter William Evans: Contemporary Spanish Cinema 14.: Paul Coates: East-Central European Cinema 15.: Martine Beugnet: French Cinema of the Margins 16.: John Orr: New Directions in European Cinema Glossary of Film Terms Bibliography Index
Introduction: A Brief History of Cinema in Europe Part I: Early Cinema Early Cinema: Introduction 1.: Alison McMahan: Beginnings 2.: Denise Youngblood: Soviet Cinema: The Old and the New 3.: Anton Kaes: Weimar Cinema 4.: Rudolf Kuenzli: Dada and Surrealist Film 5.: Dudley Andrew: French Cinema of the 1930s Part II: Postwar Cinema Postwar Cinema: Introduction 6.: Peter Bondanella: From Italian Neo-Realism to the Golden Age of Cinecittà 7.: Peter Schepelern: Postwar Scandinavian Cinema 8.: T. Jefferson Kline: The French New Wave 9.: Sarah Street: From Ealing Comedy to the British New Wave 10.: Thomas Elsaesser: New German Cinema Part III: New Currents New Currents: Introduction 11.: Sue Harris: The Cinéma du Look 12.: Gaetana Marrone: New Italian Cinema 13.: Peter William Evans: Contemporary Spanish Cinema 14.: Paul Coates: East-Central European Cinema 15.: Martine Beugnet: French Cinema of the Margins 16.: John Orr: New Directions in European Cinema Glossary of Film Terms Bibliography Index
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