European Film Remakes

Herausgeber: Cuelenaere, Eduard; Joye, Stijn; Willems, Gertjan

• Gebundenes Buch

Produktbeschreibung

Bringing together a range of international scholars, European Film Remakes discusses for the first time the textual, socio-cultural, political, and industrial mechanisms and singularities of the film remake in a European context. Offering a variety of historical, theoretical, and methodological approaches, the book is illustrated by a wide range of case studies from across Europe, including films like A Bigger Splash, Open Your Eyes and Perfect Strangers. Although commonly understood as a typical Hollywood practice, this book demonstrates how film remakes are, and always have been, a significant part of the European film culture and industry. Eduard Cuelenaere is Postdoctoral Researcher in the Department of Communication Sciences at Ghent University. Gertjan Willems is Assistant Professor in the Departments of Literature and Communication Sciences at the University of Antwerp and Postdoctoral Fellow of the Research Foundation - Flanders (FWO) in the Department of Communication Sciences at Ghent University. Stijn Joye is Associate Professor in the Department of Communication Sciences at Ghent University.

---

Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Verlag: Edinburgh University Press
• Seitenzahl: 272
• Erscheinungstermin: 16. März 2021
• Englisch
• Abmessung: 239mm x 163mm x 21mm
• Gewicht: 526g
• ISBN-13: 9781474460644
• ISBN-10: 147446064X
• Artikelnr.: 60137794

Autorenporträt

Eduard Cuelenaere is a Postdoctoral researcher at the Department of Communication Sciences at Ghent University, Belgium. Gertjan Willems is assistant professor at the University of Antwerp, in the departments of Literature and Communication Sciences, and a Postdoctoral Fellow of the Research Foundation - Flanders (FWO) at Ghent University Stijn Joye is an associate professor at the Department of Communication Sciences at Ghent University, Belgium

Inhaltsangabe

Preface, Tom Leitch; Film Remakes in the Context of European Cinema: an
Introduction, Eduard Cuelenaere, Gertjan Willems & Stijn Joye; Conceptual
Perspectives: Delineating and Pushing the Boundaries of Remake Studies; The
Film Remake as a Prism: Towards a Model of Systematic Textual Analysis,
Cuelenaere Eduard; 'The 'Secret Remake': A European Take on the Traditional
Remake? Marie Martin; From 'Mini-Remake' to Open-ended Coda: How to Make a
'Proper' Homage, Peter Verstraten; Rainer Werner Fassbinder's 'Berlin
Alexanderplatz' (1980) as a Remake? Mario Slugan; Remakesploitation:
Exploitation Film Remakes and the Transnational Giallo, Iain Robert Smith;
Historical Perspectives: Continuity and Change; Re-forming La Maternelle:
Social-Cultural Continuity and the Remake, Jennifer Forrest; Screening
Transformation Processes: Post-war Remakes of Nazi-era Films, Stefanie
Mathilde Frank; The Colour Remakes of Swedish Classics in the 1950s:
Production, Promotion, and Critical Reception in the Context of
Technological Innovation, Kamalika Sanyal & Eduard Cuelenaere; Contemporary
Perspectives: European Film Remakes in the New Millennium; Remakes à la
polonaise: From National Readaptations to Internationally Inspired Romcoms,
Kris Van Heuckelom; Nostalgic Mediations of the Soviet Past in Nikolai
Lebedev's Remake The Crew (2016), Boris Noordenbos & Irina Souch; Mistaken
Identities: Millennial Remakes, Post-Socialist Transformation, and
Hungarian Popular Cinema, Balazs Varga; Refashioning the Remake: A Bigger
Splash, Constantine Verevis; Industrial Perspectives: Practices of
Production and Circulation; Remake and decline in Scottish cinema: Whisky
Galore 1949 and 2016, Robert Munro & Michael Stewart; 'Remakable'
Directors: The Contemporary Spanish Media industry and the Popular
Discourses on Remakes and National Authorship, Núria Araüna Baró; Remakes
and Globally-Oriented European Cinema: Contemporary Industrial Practices
and Shifting Hierarchies, Chris Meir