Sheds new light on the presence and impact of Continental European literary traditions in post-Napoleonic Britain.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Diego Saglia is Professor of English Literature at the Università degli Studi, Parma. He is the author of Poetic Castles in Spain: British Romanticism and Figurations of Iberia (2000) and co-editor of British Romanticism and Italian Literature: Translating, Reviewing, Rewriting (with Laura Bandiera, 2005) and Byron and Italy (with Alan Rawes, 2017), as well as numerous critical essays in international journals.
Inhaltsangabe
Acknowledgements Preface Introduction: Continental literatures in Romantic-period Britain 1. Periodicals and the construction of European literatures 2. Interpreting nations: 1820s anthologies of foreign poetry 3. Italian studies and cultural translation at Holland House 4. Foreign presences on the national stage 5. Continental voices and post-Napoleonic politics in Southey, Byron and Hemans Coda: the European vistas of historical fiction Notes Select bibliography Index.
Acknowledgements Preface Introduction: Continental literatures in Romantic-period Britain 1. Periodicals and the construction of European literatures 2. Interpreting nations: 1820s anthologies of foreign poetry 3. Italian studies and cultural translation at Holland House 4. Foreign presences on the national stage 5. Continental voices and post-Napoleonic politics in Southey, Byron and Hemans Coda: the European vistas of historical fiction Notes Select bibliography Index.
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