European Voices I; .
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These are the proceedings of an international symposium, awarded a prize by the city of Vienna, the Vienna Economic Chamber, and the Vienna Convention Bureau. The issues dealt with in the articles offer different viewpoints, from the politics and aesthetics of two-part singing in southern Portugal to the new considerations of diaphony in Southeast Europe. In addition, unknown multipart singing styles in the scholarly research are treated, as for example Spain and France mainland. The inclusion of the Balkan countries has been fundamental in order for them to be perceived as an indispensable…mehr

Produktbeschreibung
These are the proceedings of an international symposium, awarded a prize by the city of Vienna, the Vienna Economic Chamber, and the Vienna Convention Bureau. The issues dealt with in the articles offer different viewpoints, from the politics and aesthetics of two-part singing in southern Portugal to the new considerations of diaphony in Southeast Europe. In addition, unknown multipart singing styles in the scholarly research are treated, as for example Spain and France mainland. The inclusion of the Balkan countries has been fundamental in order for them to be perceived as an indispensable part of Europe, which is still not necessarily the case. With summaries in German.
Autorenporträt
Gerlinde Haid, born in 1943 in Bad Aussee, Styria, received degrees in music education and German philology and a Ph.D. in ethnology and musicology. She served as a secretary general at the Austrian Folk Music Society and as assistant at the Department for Traditional Music at the Mozarteum University in Innsbruck. Since 1994, she has been the director of the Institute for Folk Music Research at the University for Music and the Performing Arts in Vienna.