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"It's June 2019, and everyone has converged on [London's] parks, beer gardens, and street corners to revel in the collective joys of being alive. Everyone but Maggie. She's 30, pregnant, and broke. Faced with moving back to the town she fought to escape, she's wondering if having a baby with boyfriend Ed will be the last spontaneous act of her life. Ed, meanwhile, is trying to run from his past with Maggie's best friend Phil and harbouring secret dreams of his own. Phil hates his office job and is living for the weekend, while falling for his housemate Keith ... Then there's Rosaleen, Phil's…mehr

Produktbeschreibung
"It's June 2019, and everyone has converged on [London's] parks, beer gardens, and street corners to revel in the collective joys of being alive. Everyone but Maggie. She's 30, pregnant, and broke. Faced with moving back to the town she fought to escape, she's wondering if having a baby with boyfriend Ed will be the last spontaneous act of her life. Ed, meanwhile, is trying to run from his past with Maggie's best friend Phil and harbouring secret dreams of his own. Phil hates his office job and is living for the weekend, while falling for his housemate Keith ... Then there's Rosaleen, Phil's mother, who's tired of feeling like a side character in her own life. She's just been diagnosed with cancer and is travelling to London to tell Phil, if she can ever get hold of him. As Saturday night approaches, all their lives are set to change forever. It's the hottest summer on record and the weekend is about to begin"--
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Autorenporträt
Oisín McKenna was born in Dublin and lives in London. He was awarded the Next Generation Bursary from the Arts Council of Ireland to write Evenings and Weekends and it was developed with further funding from Arts Council England. Evenings and Weekends has been awarded a 2022 London Writers Award and in 2017, Oisín was named in the Irish Times as one of the best-spoken word artists in the country. He has written and performed four theatre shows, including ADMIN, an award-winning production at Dublin Fringe 2019, and has written for outlets including the Irish Times on issues such as gentrification and the alienation of Dublin's youth.