*Author's work has appeared in The Atlantic, Foreign Affairs, the Christian Science Monitor, and Guernica *Regular contributor to Pacific Standard *Excerpts of this work won the Felice Buckvar Prize for Nonfiction (2014), Black Warrior Review's Nonfiction Prize and The Southeast Review's Narrative Nonfiction Prize (2015 *In addition to this manuscript, McGrath has two forthcoming books: one a collaboration with a South African photographer, the other a scholarly book co-authored with his wife. *Two-time finalist for the Disquiet International Literature Prize *Author lived in Lesotho for…mehr
*Author's work has appeared in The Atlantic, Foreign Affairs, the Christian Science Monitor, and Guernica *Regular contributor to Pacific Standard *Excerpts of this work won the Felice Buckvar Prize for Nonfiction (2014), Black Warrior Review's Nonfiction Prize and The Southeast Review's Narrative Nonfiction Prize (2015 *In addition to this manuscript, McGrath has two forthcoming books: one a collaboration with a South African photographer, the other a scholarly book co-authored with his wife. *Two-time finalist for the Disquiet International Literature Prize *Author lived in Lesotho for twenty months before and during the writing of this book *A work of pop anthropology, written in short punchy chapters that explore Lesotho's beautiful culture (food, music, language, and customs)Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Will McGrath has worked as a reporter, homeless shelter caseworker, public radio producer, UPS truck loader, Burger King mayo-applicator, ghostwriter, and ghosteditor, in slightly different order. He spent twenty months living in the southern African kingdom of Lesotho-the subject of his forthcoming book, Everything Lost is Found Again (Dzanc Books), which won the Disquiet Open Borders Book Prize in 2017. He has written for The Atlantic, Pacific Standard, Foreign Affairs, Guernica, and Roads & Kingdoms, among other magazines and journals. His writing has won nonfiction awards including the 2014 Felice Buckvar Prize and has been translated into Chinese, Hungarian, and Japanese.
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