Explores the musical background to Darwinism and the development of the relationship between science and the arts in Victorian Britain.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Bennett Zon is Professor of Music at the University of Durham, Director of Durham's Centre for Nineteenth-Century Studies and Co-Director of the International Network for Music Theology. He is General Editor of Nineteenth-Century Music Review and of the book series Music in Nineteenth-Century Britain. His own publications include The English Plainchant Revival (1999), Music and Metaphor in Nineteenth-Century British Musicology (2000) and Representing Non-Western Music in Nineteenth-Century Britain (2007).
Inhaltsangabe
Introduction 1. Zoomusicology 2. Ethnomusicology 3. Folk musicology 4. Music pedagogy 5. Music biography 6. Music history 7. Music theology Epilogue.
