This book brings the Turkish writer Bilge Karasu (1930¿1995) into a new critical spotlight by examining the author¿s poetics of memory, as laid out in his narratives on Istanbul¿s Beyölu. Gökberk contextualizes these posthumously published pieces in an approach informed by studies on memory, identity, place, and remembering as literary representation.
This book brings the Turkish writer Bilge Karasu (1930¿1995) into a new critical spotlight by examining the author¿s poetics of memory, as laid out in his narratives on Istanbul¿s Beyölu. Gökberk contextualizes these posthumously published pieces in an approach informed by studies on memory, identity, place, and remembering as literary representation.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ülker Gökberk is Professor Emerita of German and Humanities at Reed College. The methodology and themes of her scholarship have been largely inspired by the paradigm intercultural German Studies. In her publications she has focused on models of cultural encounter and on different facets of alterity. Gökberk has worked with texts by German authors, ranging from Thomas Mann to Siegfried Lenz, as well as with those by Turkish-German authors. Her publications on modern Turkish literature include essays on Orhan Pamuk and Bilge Karasu. Aesthetic representations of displacement remain an ongoing concern of Gökberk¿s critical inquiry.
Inhaltsangabe
Table of Contents Acknowledgments Introduction 1. Beginnings: Reading Memory 2. From Berlin s Old West to Istanbul s Beyölu: Narratives of Memory, Narratives of Lost Topographies 3. Incompleteness as Anti-Autobiography: The Production and Publication Histories of Benjamin s and Karasu s Memory Narratives 4. Bilge Karasu in Historical Context: Identity Formation in the Shadow of Turkification 5. Forgetting, Remembering, and the Workings of Collective Memory: Survival and the Retrieval of Memory Traces 6. Dialectical Images in Beyölu s Black Waters: The Photograph as Testimony 7. Remembering as Distortion: Visual and Aural Traces of Alterity 8. Spatiality as the Inscription of the Past 9. Crazy Meryem as the Saint of Beyölu s Marginalized: Toward a Final Reading of Difference Conclusion Addendum: Biographical Notes on Bilge Karasu References Index
Table of Contents Acknowledgments Introduction 1. Beginnings: Reading Memory 2. From Berlin s Old West to Istanbul s Beyölu: Narratives of Memory, Narratives of Lost Topographies 3. Incompleteness as Anti-Autobiography: The Production and Publication Histories of Benjamin s and Karasu s Memory Narratives 4. Bilge Karasu in Historical Context: Identity Formation in the Shadow of Turkification 5. Forgetting, Remembering, and the Workings of Collective Memory: Survival and the Retrieval of Memory Traces 6. Dialectical Images in Beyölu s Black Waters: The Photograph as Testimony 7. Remembering as Distortion: Visual and Aural Traces of Alterity 8. Spatiality as the Inscription of the Past 9. Crazy Meryem as the Saint of Beyölu s Marginalized: Toward a Final Reading of Difference Conclusion Addendum: Biographical Notes on Bilge Karasu References Index
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