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  • Broschiertes Buch

The uneasy relationship between the arts, US art museums, and the federal government has not been thoroughly explored by scholars. This book focuses on the development of "national diplomacy exhibitions" during World War II and the early Cold War and explains how the war provided the government with an impetus to create a national arts policy.

Produktbeschreibung
The uneasy relationship between the arts, US art museums, and the federal government has not been thoroughly explored by scholars. This book focuses on the development of "national diplomacy exhibitions" during World War II and the early Cold War and explains how the war provided the government with an impetus to create a national arts policy.
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Autorenporträt
Kathleen Berrin spent forty years as curator of Africa, Oceania, and the Americas at the Fine Arts Museums of San Francisco. During that time she developed national diplomacy exhibitions with Mexico, Peru, New Zealand, and Australia and curated over forty non-Western art exhibitions in which she has collaborated with major museums including the National Gallery of Art, Washington D.C. In 1986 she received a metal from the Instituto Nacional de Antropologia y Historia of the Government of Mexico for the return of Teotihuacan murals as well as the Peruvian Order of Merit for Outstanding Achievement in the Arts in 1988. She received a PhD in history at the University of California, Irvine, and is now a curator emeritus, an educator, and a cultural historian.