Existentialism and Contemporary Cinema
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Simone de Beauvoir's work has not often been associated with film studies, which appears paradoxical when it is recognized that she was the first feminist thinker to inaugurate the concept of the gendered 'othering' gaze. This book is an attempt to redress this balance and reopen the dialogue between Beauvoir's writings and film studies. The authors analyse a range of films, from directors including Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Sam Mendes, and Sally Potter, by drawing from Beauvoir's key works such as The Second Sex (1949), The Ethics of Ambiguity (1947) and Old Age (1970).…mehr

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Produktbeschreibung
Simone de Beauvoir's work has not often been associated with film studies, which appears paradoxical when it is recognized that she was the first feminist thinker to inaugurate the concept of the gendered 'othering' gaze. This book is an attempt to redress this balance and reopen the dialogue between Beauvoir's writings and film studies. The authors analyse a range of films, from directors including Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Sam Mendes, and Sally Potter, by drawing from Beauvoir's key works such as The Second Sex (1949), The Ethics of Ambiguity (1947) and Old Age (1970).
Autorenporträt
Ursula Tidd is Senior Lecturer in French Studies at the University of Manchester. She is the author of three monographs: Simone de Beauvoir, Gender and Testimony (1999); Simone de Beauvoir, Routledge 'Critical Thinkers' series (2004) and Simone de Beauvoir Reaktion 'Critical Lives' series (2009) as well as articles and chapters on Beauvoir's autobiographies, fiction, and philosophy. She is currently writing a monograph on the Francophone Spanish Holocaust writer Jorge Semprún (forthcoming with Legenda/MHRA 2013).