Carl Maria von Weber is recognized as the father of the German Romantic and Nationalist music. Morgan walks readers through Weber's masterpieces, providing key insights by integrating critical points in the composer's life and the burgeoning Romantic and Nationalist movements in Germany that Weber's music came to champion.
Carl Maria von Weber is recognized as the father of the German Romantic and Nationalist music. Morgan walks readers through Weber's masterpieces, providing key insights by integrating critical points in the composer's life and the burgeoning Romantic and Nationalist movements in Germany that Weber's music came to champion.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Joseph E. Morgan is assistant professor of musicology at Middle Tennessee State University. He has also served on the faculties of the New England Conservatory, Brandeis University, and Boston University. He is the author of Carl Maria von Weber: Oberon and Cosmopolitanism in the Early German Romantic (Rowman & Littlefield, 2014)
Inhaltsangabe
Chapter One: A Child Born into a Changing World: The Juvenalia Chapter Two: Romantic Wanderings in Napoleon's Europe: The First Adult Works Chapter Three: Communion with Friends: The Concertos and Abu Hassan Chapter Four: The Patriot Emerges: Patriotic Songs, the Song Cycle, The Concertino, The Concertante, and the Cantata Chapter Five: Toward the German Opera: The Masses and Great Instrumental Works Chapter Six: The Dark Huntsman and the Libretto: Der Freischütz Chapter Seven: Fame and Infirmity: Euryanthe, Concertstück in f minor. Chapter Eight: The Last Commission: Oberon Chapter Nine: Death and Memory: The Fantastic Three Overtures
Chapter One: A Child Born into a Changing World: The Juvenalia Chapter Two: Romantic Wanderings in Napoleon's Europe: The First Adult Works Chapter Three: Communion with Friends: The Concertos and Abu Hassan Chapter Four: The Patriot Emerges: Patriotic Songs, the Song Cycle, The Concertino, The Concertante, and the Cantata Chapter Five: Toward the German Opera: The Masses and Great Instrumental Works Chapter Six: The Dark Huntsman and the Libretto: Der Freischütz Chapter Seven: Fame and Infirmity: Euryanthe, Concertstück in f minor. Chapter Eight: The Last Commission: Oberon Chapter Nine: Death and Memory: The Fantastic Three Overtures
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