- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
This book investigates the complex interactions, through experiencing drama, of readers and audiences in the English Renaissance.
Andere Kunden interessierten sich auch für
- Stephannie GearhartDrama and the Politics of Generational Conflict in Shakespeare's England56,99 €
- Farah AliEroding the Language of Freedom56,99 €
- Lisa HopkinsMagical Transformations on the Early Modern English Stage61,99 €
- Susan Zimmerman (ed.)Erotic Politics55,99 €
- The Routledge Anthology of Restoration and Eighteenth-Century Performance66,99 €
- Catherine Gimelli MartinFrench Connections in the English Renaissance74,99 €
- Gerald ParsonsSiena, Civil Religion and the Sienese61,99 €
-
-
-
This book investigates the complex interactions, through experiencing drama, of readers and audiences in the English Renaissance.
Produktdetails
- Produktdetails
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 296
- Erscheinungstermin: 31. Juli 2019
- Englisch
- Abmessung: 226mm x 152mm x 18mm
- Gewicht: 408g
- ISBN-13: 9780367359027
- ISBN-10: 0367359022
- Artikelnr.: 57456964
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 296
- Erscheinungstermin: 31. Juli 2019
- Englisch
- Abmessung: 226mm x 152mm x 18mm
- Gewicht: 408g
- ISBN-13: 9780367359027
- ISBN-10: 0367359022
- Artikelnr.: 57456964
Dr. Akihiro Yamada is a retired Professor of English Literature at Meisei University, Tokyo and is the author for more than a dozen books on Shakespeare and English Literature.
Preface
Tables, Figures and Acknowledgments
Works Cited and Abbreviations
Introduction to Shakespeare and the Population of London
PART ONE: Authors/Playwrights, Readers and Theatre-goers: Their Mutual
Interactions
Chapter 1: The Formation of a Class of Readers
Chapter 2: The Improvement of Literacy and its Reflection in Drama
Chapter 3: The Rise of Drama and the Birth of a Class of Readers of Drama
PART TWO: Playwrights, Playbook Readers and Printers/Publishers: Their
Increasing Cooperation for the Unification of Forms of Dramatic Texts
Chapter 4: Changes in Form of Dramatic Texts: A Standardization
PART THREE: Playbook Readers and their Responses to the Text
Chapter 5: Readers of Drama-their Annotations (1): Play-Quartos of Chapman,
Ford and Marston
Chapter 6: Readers of Drama-their Annotations (2): Play-Quartos and the
First Folio of Shakespeare
Conclusion: The Zeal of Audiences and the Passion of Readers
Appendixes
A1: The Estimated Population of London: A Comparison between Yamada and
Sutherland
A2: The Distribution Ratio of Minors' Age-structure of the British
Population in the Sixteenth and
Seventeenth Centuries
A3: Principles for Table 8 concerning Plays which contain Scenes of, or
References to, Reading and/or
Writing-a Memorandum
A4: Shakespeare's Plays: Their Dates and Proposers of Dates, &c.
A5: Play-Quartos Published in the 1590s
A6: A List of Play-Quartos Examined
A List of Plays and Other Works mentioned with the Authors' Names
Index
Tables, Figures and Acknowledgments
Works Cited and Abbreviations
Introduction to Shakespeare and the Population of London
PART ONE: Authors/Playwrights, Readers and Theatre-goers: Their Mutual
Interactions
Chapter 1: The Formation of a Class of Readers
Chapter 2: The Improvement of Literacy and its Reflection in Drama
Chapter 3: The Rise of Drama and the Birth of a Class of Readers of Drama
PART TWO: Playwrights, Playbook Readers and Printers/Publishers: Their
Increasing Cooperation for the Unification of Forms of Dramatic Texts
Chapter 4: Changes in Form of Dramatic Texts: A Standardization
PART THREE: Playbook Readers and their Responses to the Text
Chapter 5: Readers of Drama-their Annotations (1): Play-Quartos of Chapman,
Ford and Marston
Chapter 6: Readers of Drama-their Annotations (2): Play-Quartos and the
First Folio of Shakespeare
Conclusion: The Zeal of Audiences and the Passion of Readers
Appendixes
A1: The Estimated Population of London: A Comparison between Yamada and
Sutherland
A2: The Distribution Ratio of Minors' Age-structure of the British
Population in the Sixteenth and
Seventeenth Centuries
A3: Principles for Table 8 concerning Plays which contain Scenes of, or
References to, Reading and/or
Writing-a Memorandum
A4: Shakespeare's Plays: Their Dates and Proposers of Dates, &c.
A5: Play-Quartos Published in the 1590s
A6: A List of Play-Quartos Examined
A List of Plays and Other Works mentioned with the Authors' Names
Index
Preface
Tables, Figures and Acknowledgments
Works Cited and Abbreviations
Introduction to Shakespeare and the Population of London
PART ONE: Authors/Playwrights, Readers and Theatre-goers: Their Mutual
Interactions
Chapter 1: The Formation of a Class of Readers
Chapter 2: The Improvement of Literacy and its Reflection in Drama
Chapter 3: The Rise of Drama and the Birth of a Class of Readers of Drama
PART TWO: Playwrights, Playbook Readers and Printers/Publishers: Their
Increasing Cooperation for the Unification of Forms of Dramatic Texts
Chapter 4: Changes in Form of Dramatic Texts: A Standardization
PART THREE: Playbook Readers and their Responses to the Text
Chapter 5: Readers of Drama-their Annotations (1): Play-Quartos of Chapman,
Ford and Marston
Chapter 6: Readers of Drama-their Annotations (2): Play-Quartos and the
First Folio of Shakespeare
Conclusion: The Zeal of Audiences and the Passion of Readers
Appendixes
A1: The Estimated Population of London: A Comparison between Yamada and
Sutherland
A2: The Distribution Ratio of Minors' Age-structure of the British
Population in the Sixteenth and
Seventeenth Centuries
A3: Principles for Table 8 concerning Plays which contain Scenes of, or
References to, Reading and/or
Writing-a Memorandum
A4: Shakespeare's Plays: Their Dates and Proposers of Dates, &c.
A5: Play-Quartos Published in the 1590s
A6: A List of Play-Quartos Examined
A List of Plays and Other Works mentioned with the Authors' Names
Index
Tables, Figures and Acknowledgments
Works Cited and Abbreviations
Introduction to Shakespeare and the Population of London
PART ONE: Authors/Playwrights, Readers and Theatre-goers: Their Mutual
Interactions
Chapter 1: The Formation of a Class of Readers
Chapter 2: The Improvement of Literacy and its Reflection in Drama
Chapter 3: The Rise of Drama and the Birth of a Class of Readers of Drama
PART TWO: Playwrights, Playbook Readers and Printers/Publishers: Their
Increasing Cooperation for the Unification of Forms of Dramatic Texts
Chapter 4: Changes in Form of Dramatic Texts: A Standardization
PART THREE: Playbook Readers and their Responses to the Text
Chapter 5: Readers of Drama-their Annotations (1): Play-Quartos of Chapman,
Ford and Marston
Chapter 6: Readers of Drama-their Annotations (2): Play-Quartos and the
First Folio of Shakespeare
Conclusion: The Zeal of Audiences and the Passion of Readers
Appendixes
A1: The Estimated Population of London: A Comparison between Yamada and
Sutherland
A2: The Distribution Ratio of Minors' Age-structure of the British
Population in the Sixteenth and
Seventeenth Centuries
A3: Principles for Table 8 concerning Plays which contain Scenes of, or
References to, Reading and/or
Writing-a Memorandum
A4: Shakespeare's Plays: Their Dates and Proposers of Dates, &c.
A5: Play-Quartos Published in the 1590s
A6: A List of Play-Quartos Examined
A List of Plays and Other Works mentioned with the Authors' Names
Index