Yael Warshel (Pennsylvania State University)
Experiencing the Israeli-Palestinian Conflict
Children, Peace Communication and Socialization
Yael Warshel (Pennsylvania State University)
Experiencing the Israeli-Palestinian Conflict
Children, Peace Communication and Socialization
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Determines the impact of 'peace communication' on fostering structural change. By focusing on Israeli and Palestinian versions of Sesame Street aiming to foster friendships among children, Yael Warshel explores whether such interventions affect audiences, offering recommendations to improve future interventions into political conflict worldwide.
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Determines the impact of 'peace communication' on fostering structural change. By focusing on Israeli and Palestinian versions of Sesame Street aiming to foster friendships among children, Yael Warshel explores whether such interventions affect audiences, offering recommendations to improve future interventions into political conflict worldwide.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 505
- Erscheinungstermin: 11. August 2022
- Englisch
- Abmessung: 229mm x 152mm x 26mm
- Gewicht: 726g
- ISBN-13: 9781108724470
- ISBN-10: 1108724477
- Artikelnr.: 64223363
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Cambridge University Press
- Seitenzahl: 505
- Erscheinungstermin: 11. August 2022
- Englisch
- Abmessung: 229mm x 152mm x 26mm
- Gewicht: 726g
- ISBN-13: 9781108724470
- ISBN-10: 1108724477
- Artikelnr.: 64223363
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Yael Warshel is Assistant Professor in the Bellisario College of Communications and Research Associate of the Rock Ethics Institute at Pennsylvania State University where she is Founding Director of the Children, Media and Conflict Zones Lab. An expert on media and young people in Middle Eastern and African conflict zones, and specializing in peace communication, Warshel has worked for UNESCO, authored numerous articles, including in the Journal of Global Ethics, and coedited Election Studies: What's Their Use (2001) with Elihu Katz. She won three Top Dissertation Awards, from the International Communication Association, National Communication Association and Peace Studies, and a Top Paper Award from the Middle East Studies Association for her analysis of the fieldwork on which this book is partially based.
Introduction: Peace communication and why study Israeli and Palestinian
Sesame Street's media intervention model?; Part I. The Production and
Encoding of Israeli and Palestinian Sesame Street: Introduction to Part I:
Production and encoding methodologies; 1. The Israeli-Palestinian
ethno-political nationalist conflict, the Arab-Israeli multi-state conflict
and Israeli and Palestinian Sesame Street's disengagement with these
conflicts; 2. The modern world, or interstate, system; 3. The encoding
process for seasons one and two of Israeli and Palestinian Sesame Street;
Part II. Audience Reception of Israeli and Palestinian Sesame Street:
Introduction to Part II: Audience reception methodologies; 4. Decodings by
Palestinians-in-the-Making; 5. Decodings by Jewish Israelis-in-the-Making;
6. Decodings by Arab/Palestinian Israelis-in-the-Making; Conclusion to Part
II: The utility of the series for all three partners to the conflict?; Part
III. Situating the Reception of Israeli and Palestinian Sesame Street in
Mundane Intractable Conflict Zone Practices: Introduction to Part III:
Context analyses and conflict zones methodologies; 7. Pursuing justice:
Palestinian children's schematic interpretations of the Israeli army; 8.
Pursuing security: Jewish Israeli children's schematic interpretations of
Palestinian day laborers; 9. Pursuing equality: Arab/Palestinian Israeli
Children's schematic interpretations of constructs of opposing national and
civic identities; Part IV. Conclusions and Recommendations to Improve Peace
Communication research, (Evidence-based) Practice, and Conflict
Intractability Interpretation: Introduction: The best case; 10. Lessons
learned and their application to peace communication research,
(evidenced-based) practice, and conflict intractability interpretation; 11.
How to improve potential media effects and impacts-recommendations for
peace communication practitioners; 12. Follow-up study of tween-age former
audience members.
Sesame Street's media intervention model?; Part I. The Production and
Encoding of Israeli and Palestinian Sesame Street: Introduction to Part I:
Production and encoding methodologies; 1. The Israeli-Palestinian
ethno-political nationalist conflict, the Arab-Israeli multi-state conflict
and Israeli and Palestinian Sesame Street's disengagement with these
conflicts; 2. The modern world, or interstate, system; 3. The encoding
process for seasons one and two of Israeli and Palestinian Sesame Street;
Part II. Audience Reception of Israeli and Palestinian Sesame Street:
Introduction to Part II: Audience reception methodologies; 4. Decodings by
Palestinians-in-the-Making; 5. Decodings by Jewish Israelis-in-the-Making;
6. Decodings by Arab/Palestinian Israelis-in-the-Making; Conclusion to Part
II: The utility of the series for all three partners to the conflict?; Part
III. Situating the Reception of Israeli and Palestinian Sesame Street in
Mundane Intractable Conflict Zone Practices: Introduction to Part III:
Context analyses and conflict zones methodologies; 7. Pursuing justice:
Palestinian children's schematic interpretations of the Israeli army; 8.
Pursuing security: Jewish Israeli children's schematic interpretations of
Palestinian day laborers; 9. Pursuing equality: Arab/Palestinian Israeli
Children's schematic interpretations of constructs of opposing national and
civic identities; Part IV. Conclusions and Recommendations to Improve Peace
Communication research, (Evidence-based) Practice, and Conflict
Intractability Interpretation: Introduction: The best case; 10. Lessons
learned and their application to peace communication research,
(evidenced-based) practice, and conflict intractability interpretation; 11.
How to improve potential media effects and impacts-recommendations for
peace communication practitioners; 12. Follow-up study of tween-age former
audience members.
Introduction: Peace communication and why study Israeli and Palestinian
Sesame Street's media intervention model?; Part I. The Production and
Encoding of Israeli and Palestinian Sesame Street: Introduction to Part I:
Production and encoding methodologies; 1. The Israeli-Palestinian
ethno-political nationalist conflict, the Arab-Israeli multi-state conflict
and Israeli and Palestinian Sesame Street's disengagement with these
conflicts; 2. The modern world, or interstate, system; 3. The encoding
process for seasons one and two of Israeli and Palestinian Sesame Street;
Part II. Audience Reception of Israeli and Palestinian Sesame Street:
Introduction to Part II: Audience reception methodologies; 4. Decodings by
Palestinians-in-the-Making; 5. Decodings by Jewish Israelis-in-the-Making;
6. Decodings by Arab/Palestinian Israelis-in-the-Making; Conclusion to Part
II: The utility of the series for all three partners to the conflict?; Part
III. Situating the Reception of Israeli and Palestinian Sesame Street in
Mundane Intractable Conflict Zone Practices: Introduction to Part III:
Context analyses and conflict zones methodologies; 7. Pursuing justice:
Palestinian children's schematic interpretations of the Israeli army; 8.
Pursuing security: Jewish Israeli children's schematic interpretations of
Palestinian day laborers; 9. Pursuing equality: Arab/Palestinian Israeli
Children's schematic interpretations of constructs of opposing national and
civic identities; Part IV. Conclusions and Recommendations to Improve Peace
Communication research, (Evidence-based) Practice, and Conflict
Intractability Interpretation: Introduction: The best case; 10. Lessons
learned and their application to peace communication research,
(evidenced-based) practice, and conflict intractability interpretation; 11.
How to improve potential media effects and impacts-recommendations for
peace communication practitioners; 12. Follow-up study of tween-age former
audience members.
Sesame Street's media intervention model?; Part I. The Production and
Encoding of Israeli and Palestinian Sesame Street: Introduction to Part I:
Production and encoding methodologies; 1. The Israeli-Palestinian
ethno-political nationalist conflict, the Arab-Israeli multi-state conflict
and Israeli and Palestinian Sesame Street's disengagement with these
conflicts; 2. The modern world, or interstate, system; 3. The encoding
process for seasons one and two of Israeli and Palestinian Sesame Street;
Part II. Audience Reception of Israeli and Palestinian Sesame Street:
Introduction to Part II: Audience reception methodologies; 4. Decodings by
Palestinians-in-the-Making; 5. Decodings by Jewish Israelis-in-the-Making;
6. Decodings by Arab/Palestinian Israelis-in-the-Making; Conclusion to Part
II: The utility of the series for all three partners to the conflict?; Part
III. Situating the Reception of Israeli and Palestinian Sesame Street in
Mundane Intractable Conflict Zone Practices: Introduction to Part III:
Context analyses and conflict zones methodologies; 7. Pursuing justice:
Palestinian children's schematic interpretations of the Israeli army; 8.
Pursuing security: Jewish Israeli children's schematic interpretations of
Palestinian day laborers; 9. Pursuing equality: Arab/Palestinian Israeli
Children's schematic interpretations of constructs of opposing national and
civic identities; Part IV. Conclusions and Recommendations to Improve Peace
Communication research, (Evidence-based) Practice, and Conflict
Intractability Interpretation: Introduction: The best case; 10. Lessons
learned and their application to peace communication research,
(evidenced-based) practice, and conflict intractability interpretation; 11.
How to improve potential media effects and impacts-recommendations for
peace communication practitioners; 12. Follow-up study of tween-age former
audience members.