Discussing a variety of independent and experimental Italian films, this book gives voice to a critcically neglected form of Italian cinema and explores the character of independent films and their related practices within the Italian historical, cultural and cinematic landscape.
Discussing a variety of independent and experimental Italian films, this book gives voice to a critcically neglected form of Italian cinema and explores the character of independent films and their related practices within the Italian historical, cultural and cinematic landscape.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Dr Anthony Cristiano is Lecturer in Digital Media and Journalism at Wilfrid Laurier University. Dr Carlo Coen is Course Director in the Department of Languages, Literature and Linguistics at York University, Toronto
Inhaltsangabe
Introduction; Chapter 1: Filmmaker and the Milanese independent cinema of the 1980s and 1990s, Donatella Maraschin and Paola Nasini; Chapter 2: Light and Liminal: Marinella Pirelli's Cinema, Matilde Nardelli; Chapter 3: From Vertov to Cine-Journals: Cesare Zavattini's Experimental Journey, Carlo Coen; Chapter 4: Gianfranco Brebbia. The 'Absurd', Expanded Quality of Experimental Cinema (1962-1973), Donatella Valente; Chapter 5: Italian Family Films: The Case of the Archivio Nazionale di Bologna, Laura Ceccarelli; Chapter 6: Travelling the world. The essay films of Massimo Bacigalupo (1968-1977), Donatella Valente; Chapter 7: Tales of Courage: Trade Stories of Italian Independent Cinema, Edward Bowen; Chapter 8: Independence as Opposition? Redefining Political Cinema through the Case of Mirko Locatelli, Gloria Dagnino; Chapter 9: Niccolò Bruna's Ethical Process as Social Engagement: Upholding Human Stories against a Backdrop of Globalization, David H. Fleming and Filippo Gilardi; Chapter 10: The Paradox of 'Independence' in Cyberspace: The Case of Italian Experimental and Independent Cinema, Anthony Cristiano
Introduction; Chapter 1: Filmmaker and the Milanese independent cinema of the 1980s and 1990s, Donatella Maraschin and Paola Nasini; Chapter 2: Light and Liminal: Marinella Pirelli's Cinema, Matilde Nardelli; Chapter 3: From Vertov to Cine-Journals: Cesare Zavattini's Experimental Journey, Carlo Coen; Chapter 4: Gianfranco Brebbia. The 'Absurd', Expanded Quality of Experimental Cinema (1962-1973), Donatella Valente; Chapter 5: Italian Family Films: The Case of the Archivio Nazionale di Bologna, Laura Ceccarelli; Chapter 6: Travelling the world. The essay films of Massimo Bacigalupo (1968-1977), Donatella Valente; Chapter 7: Tales of Courage: Trade Stories of Italian Independent Cinema, Edward Bowen; Chapter 8: Independence as Opposition? Redefining Political Cinema through the Case of Mirko Locatelli, Gloria Dagnino; Chapter 9: Niccolò Bruna's Ethical Process as Social Engagement: Upholding Human Stories against a Backdrop of Globalization, David H. Fleming and Filippo Gilardi; Chapter 10: The Paradox of 'Independence' in Cyberspace: The Case of Italian Experimental and Independent Cinema, Anthony Cristiano
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