Experimental Animation

From Analogue to Digital
Herausgeber: Harris, Miriam; Taberham, Paul; Husbands, Lilly

• Gebundenes Buch

Produktbeschreibung

Experimental Animation: From Analogue to Digital charts the aesthetic, theoretical and cultural territories that experimental animation occupies in the current multimedia landscape

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Produktdetails

• Verlag: Routledge
• Seitenzahl: 296
• Erscheinungstermin: 12. Februar 2019
• Englisch
• Abmessung: 240mm x 161mm x 21mm
• Gewicht: 611g
• ISBN-13: 9781138702967
• ISBN-10: 113870296X
• Artikelnr.: 55084044

Autorenporträt

Miriam Harris is an experimental animator, scholar and Senior Lecturer at the Auckland University of Technology, New Zealand. She completed postgraduate study in Digital Animation and Visual Effects at Sheridan College, Toronto, and her experimental animated films have won awards at international film and animation festivals. Her essays have been published in the books Animated Worlds (2007), The Jewish Graphic Novel: Critical Approaches (2008) and 24 Czech and Polish Animators (2011). She is on the editorial board of the animation journal Animation Practice, Process, & Production, edited by Paul Wells. Lilly Husbands is a Lecturer in Animation and Visual Culture at Middlesex University, United Kingdom. Her research is broadly concerned with the legacy and evolution of experimental animation in the context of contemporary multimedia practice. She has published numerous book chapters and articles on experimental animation in journals such as Moving Image Review & Art Journal (MIRAJ), Frames Cinema Journal and Alphaville: Journal of Film and Screen Media. She is an associate editor of Animation: An Interdisciplinary Journal. Paul Taberham is a lecturer and scholar who has published on topics such as film cognition, evolutionary theories of art, avant-garde film and animation, film sound and aesthetics. He is the co-editor of Cognitive Media Theory (2014) and author of Lessons in Perception: The Avant-Garde Filmmaker as Practical Psychologist (2018). In addition, he has spoken internationally at conferences and published articles for several edited collections and journals including Projections: The Journal for Movies and Mind and Animation Journal. He is a fellow of The Society for Cognitive Studies of the Moving Image.

Inhaltsangabe

Foreword by Janeann Dill
Acknowledgements
List of Contributors
Introduction by Miriam Harris, Lilly Husbands and Paul Taberham
Definitions, Histories and Legacies
1. Paul Taberham - It is Alive if You Are: Defining Experimental
Animation
2. Aimee Mollaghan - A Consideration of the Absolute in Visual Music
Animation
3. Michael Betancourt - Experimental Animation and Motion Graphics
A1 Georges Schwizgebel
A2 Rose Bond
A3 William Kentridge
A4 Robert Sowa
From Analogue to Digital
4. Dan and Lienors Torre - Materiality, Experimental Process and
Animated Identity
5. Tess Takahashi - "Meticulously, Recklessly, Worked Upon": Direct
Animation, the Auratic and the Index
6. Miriam Harris - The Expressive Power of Experimental Digital
Animation
7. Birgitta Hosea - Beyond a Digital Écriture Féminine: Cyberfeminism
and Experimental Computer Animation
B1 Jodie Mack
B2 Maya Yonesho
B3 Larry Cuba
B4 Max Hattler
Close Analysis of Individual Artists
8. Lilly Husbands - A Hermeneutic of Polyvalence: Deciphering Narrative
in Lewis Klahr's The Pettifogger (2011)
9. Steve Reinke - How to be Human: The Animations of Jim Trainor
C1 Martha Colburn
C2 Masha Krasnova-Shabaeva
C3 Diego Akel
Science and the Cosmos
10. Janine Randerson - Animating the Cosmological Horizon: Between Art
and Science
11. Aylish Wood - Where do Shapes Come From?
12. Sean Cubitt - NASA's Voyager Fly-by Animations
D1 Tianran Duan
D2 David Theobald
D3 Gregory Bennett