Experimental Cinema, The Film Reader - Foster, Gwendolyn Audrey / Wheeler, Winston-Dixon (eds.)
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Experimental Cinema, The Film Reader brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists. The Reader traces the development of major movements such as the New American Cinema of the 1960s and the Structuralist films of the 1970s, examining the work of key practitioners and recovering neglected filmmakers. Contributors focus on the ways in which underground films have explored issues of gender, sexuality and race, and foreground important technical…mehr

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Produktbeschreibung
Experimental Cinema, The Film Reader brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists. The Reader traces the development of major movements such as the New American Cinema of the 1960s and the Structuralist films of the 1970s, examining the work of key practitioners and recovering neglected filmmakers. Contributors focus on the ways in which underground films have explored issues of gender, sexuality and race, and foreground important technical innovations such as the use of Super 8mm and video. Includes essays by: Sydney P. Adams, Stan Brakhage, Wheeler Winston Dixon, David Ehrenstein, Gwendolyn Audrey Foster, Surajan Ganguly, Gloria Gibson, Peter Gidal, Kate Haugh, Chris Holmlund,
This volume provides a comprehensive guide to the long tradition of American avant-garde cinema, from its origins in the 1920s to the work of contemporary film and video artists. The Reader addresses major movements and key figures of the avant-garde, including filmmakers such as Andy Warhol, Kenneth Anger, Isaac Julien and Julie Dash, investigates how underground films have explored issues of gender, sexuality and race, and foreground technical innovations such as the use of Super 8mm and video.
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Autorenporträt
Wheeler Winston-Dixon is Professor of Film Studies and Chair of the Film Studies Program at the University of Nebraska. Gwendolyn Audrey Foster is Associate Professor in the Department of English at the University of Nebraska.