Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance.
Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
An Introduction 0.1. Influences 0.2. Contexts and key terms 0.3. How to read this book Chapter One: Listening Prelude 1.1. Root structures 1.2. Constructing listening 1.3. Accommodating otherness Chapter Two: Audience Prelude 2.1. Doing nothing 2.2. Performing silence 2.3. The choreography of attention Chapter Three: Gathering Prelude 3.1. Theatre without a show 3.2. Resisting visibility 3.3. Failing to declare oneself Chapter Four: Invitation Prelude 4.1. How we arrive 4.2. The invitational frame 4.3. An appropriate response Chapter Five: Encounter Prelude 5.1. Experiments in Listening 5.2. Listening to form 5.3. Being in audience to listening 5.4. Passing as friends Conclusion Appendix 1: Lying Fallow Appendix 2: Experiments in Listening Bibliography Index
An Introduction 0.1. Influences 0.2. Contexts and key terms 0.3. How to read this book Chapter One: Listening Prelude 1.1. Root structures 1.2. Constructing listening 1.3. Accommodating otherness Chapter Two: Audience Prelude 2.1. Doing nothing 2.2. Performing silence 2.3. The choreography of attention Chapter Three: Gathering Prelude 3.1. Theatre without a show 3.2. Resisting visibility 3.3. Failing to declare oneself Chapter Four: Invitation Prelude 4.1. How we arrive 4.2. The invitational frame 4.3. An appropriate response Chapter Five: Encounter Prelude 5.1. Experiments in Listening 5.2. Listening to form 5.3. Being in audience to listening 5.4. Passing as friends Conclusion Appendix 1: Lying Fallow Appendix 2: Experiments in Listening Bibliography Index
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