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Paradise Lost is a paradox. In the poem, God is a trickster, a sadist, the creator of pain, while Satan and his minions appear heroic and noble. Two and a half centuries of criticism ignore these blasphemies and heresies but modern critics cannot. How, they ask, could this great Puritan bible scholar, author of De Doctrina Christiana, have created this attractive and charismatic Satan? Twentieth-century criticism of Milton s epic poem has focused on clearing up these contradictions and rehabilitating Milton as a Christian; in this process they do the poet and the work a disservice. Paradise…mehr

Produktbeschreibung
Paradise Lost is a paradox. In the poem, God is a trickster, a sadist, the creator of pain, while Satan and his minions appear heroic and noble. Two and a half centuries of criticism ignore these blasphemies and heresies but modern critics cannot. How, they ask, could this great Puritan bible scholar, author of De Doctrina Christiana, have created this attractive and charismatic Satan? Twentieth-century criticism of Milton s epic poem has focused on clearing up these contradictions and rehabilitating Milton as a Christian; in this process they do the poet and the work a disservice. Paradise Lost is not a Sunday school lesson. In Professor Rogers' book the ambiguities are restored, and the critics are criticized.
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Autorenporträt
Professor Rogers teaches writing, creative writing, criticism and literature courses at Truman State University where he has taught since 2003. Interests include literature of the 16th and 17th centuries, poetry, and grandson Robbie. His work has been published in Green Hills Literary Lantern, Mid-America Poetry Review and other venues.