Explorations in Music Theory: Harmony, Musicianship, Improvisation offers an innovative learning approach to music theory, centered on instrumental skills, improvisation, and composition.
Explorations in Music Theory: Harmony, Musicianship, Improvisation offers an innovative learning approach to music theory, centered on instrumental skills, improvisation, and composition.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Dariusz Terefenko is Professor of Jazz Studies and Contemporary Media and Affiliate Professor of Music Theory at Eastman School of Music, where he teaches courses in jazz and music theory. He is the author of Jazz Theory: From Basic to Advanced Study and Jazz Theory Workbook. Benjamin Wadsworth is Professor of Music Theory at Kennesaw State University, where he oversees the Music Theory area.
Inhaltsangabe
Part I: Fundamentals 1. Music Notation 2. Rhythm and Meter 3. Major Scales 4. Minor Scales 5. Intervals 6. Triads 7. Seventh Chords 8. Non-Chord Tones 9. Root-Position Triads 10. First-Inversion Triads 11. Putting Together Unit I Part II: Diatonic Harmony 12. Composing with V7 13. Non-Dominant Sevenths 14. viio7 and viiø7 15. 6/4 Chords 16. Microform 17. Applied Chords 18. Diatonic Modulation 19. Small Forms 20. Putting Together Unit II Part III: Chromaticism 21. Diatonic Sequences 22. Mixture 23. The Neapolitan 24. Topic Theory 25. Augmented Sixths 26. Chromatic Chords 27. Chromatic Modulation 28. Chromatic Progressions 29. Putting Together Unit III Part IV: Advanced Harmony 30. Rondo and Composite Forms 31. Sonata-Allegro Form 32. Concerto Forms 33. The Cadenza 34. Fugue Part V: Advanced Topics 35. Modes and Collections 36. Free Atonality and Serialism 37. Centricity and Neoclassicism 38. Jazz Improvisation 39. Three 20th-Century Composers 40. Putting Together Units IV and V
Part I: Fundamentals 1. Music Notation 2. Rhythm and Meter 3. Major Scales 4. Minor Scales 5. Intervals 6. Triads 7. Seventh Chords 8. Non-Chord Tones 9. Root-Position Triads 10. First-Inversion Triads 11. Putting Together Unit I Part II: Diatonic Harmony 12. Composing with V7 13. Non-Dominant Sevenths 14. viio7 and viiø7 15. 6/4 Chords 16. Microform 17. Applied Chords 18. Diatonic Modulation 19. Small Forms 20. Putting Together Unit II Part III: Chromaticism 21. Diatonic Sequences 22. Mixture 23. The Neapolitan 24. Topic Theory 25. Augmented Sixths 26. Chromatic Chords 27. Chromatic Modulation 28. Chromatic Progressions 29. Putting Together Unit III Part IV: Advanced Harmony 30. Rondo and Composite Forms 31. Sonata-Allegro Form 32. Concerto Forms 33. The Cadenza 34. Fugue Part V: Advanced Topics 35. Modes and Collections 36. Free Atonality and Serialism 37. Centricity and Neoclassicism 38. Jazz Improvisation 39. Three 20th-Century Composers 40. Putting Together Units IV and V
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