Explorations in New Cinema History

Approaches and Case Studies
Herausgegeben von Maltby, Richard; Biltereyst, Daniel; Meers, Philippe

• Gebundenes Buch

Produktbeschreibung

Unlike most film studies titles, Explorations in New Cinema History is concerned with the circulation and reception of cinema, rather than its prodution. It considers the commercial activities of film distribution and exhibition, the political and legal issues that underpinned them, and the history of cinema's audiences. Explorations is rigorously empirical, compiling the quantitative research of cutting-edge scholars in essays that start overdue conversations between cinema history and other disciplines. Their insightful essays make this an engaging read for all students of film history and cinema studies.

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Explorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema's audiences, the experience of cinema, and the cinema as a site of social and cultural exchange.

Includes contributions from Robert Allen, Annette Kuhn, John Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley among others
Develops the original argument that the social history of cinema-going and of the experience of cinema should take precedence over production- and text-based analyses
Explores the cinema as a site of social and cultural exchange, including patterns of popularity and taste, the role of individual movie theatres in creating and sustaining their audiences, and the commercial, political and legal aspects of film exhibition and distribution
Prompts readers to reassess their understanding of key periods of cinema history, opening up cinema studies to long-overdue conversations with other disciplines in the humanities and social sciences
Presents rigorous empirical research, drawing on digital technology and geospatial information systems to provide illuminating insights in to the uses of cinema

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Produktdetails

• Verlag: Wiley & Sons
• 1. Auflage
• Seitenzahl: 352
• Erscheinungstermin: 6. Mai 2011
• Englisch
• Abmessung: 246mm x 193mm x 23mm
• Gewicht: 839g
• ISBN-13: 9781405199490
• ISBN-10: 1405199490
• Artikelnr.: 32962237

Autorenporträt

Richard Maltby is Professor of Screen Studies and Executive Dean of the Faculty of Education, Humanities and Law at Flinders University, South Australia. He has written and edited several books and articles on cinema history, including Hollywood Cinema (Blackwell, 2003). Daniel Biltereyst is Professor in Film and Media Studies at Ghent University, Belgium, and has written widely on the subject of film culture and controversy in the public sphere. Philippe Meers is Associate Professor in Film and Media Studies at the University of Antwerp, Belgium. He has published variedly on historical and contemporary cinema culture and audiences.

Inhaltsangabe

Notes on Contributors.
Acknowledgements.
Part 1 Mapping Cinema Experiences.
1 New Cinema Histories (Richard Maltby).
2 Reimagining the History of the Experience of Cinema in a Post-Moviegoing
Age (Robert C. Allen).
3 Putting Cinema History on the Map: Using GIS to Explore the Spatiality of
Cinema (Jeffrey Klenotic).
4 What to do with Cinema Memory? (Annette Kuhn).
Part 2 Distribution, Programming and Audiences.
5 Social Class, Experiences of Distinction and Cinema in Postwar Ghent (
Daniel Biltereyst, Philippe Meers and Lies Van de Vijver).
6 Distribution and Exhibition in The Netherlands, 1934-1936 (Clara
Pafort-Overduin).
7 Patterns in First-Run and Suburban Filmgoing in Sydney in the mid-1930s (
John Sedgwick).
8 From Hollywood to the Garden Suburb (and Back to Hollywood): Exhibition
and Distribution in Australia (Mike Walsh).
9 Hollywood and its Global Audiences: A Comparative Study of the Biggest
Box Office Hits in the United States and Outside the United States Since
the 1970s (Peter Krämer).
10 Blindsiding: Theatre Owners, Political Action and Industrial Change in
Hollywood, 1975-1985 (Deron Overpeck).
Part 3 Venues and their Publics.
11 'No Hits, No Runs, Just Terrors': Exhibition, Cultural Distinctions and
Cult Audiences at the Rialto Cinema in the 1930s and 1940s (Tim Snelson and
Mark Jancovich).
12 Going Underground with Manny Farber and Jonas Mekas: New York's
Subterranean Film Culture in the 1950s and 1960s (Peter Stanfield).
13 Searching for the Apollo: Black Moviegoing and its Contexts in the
Small-Town US South (Arthur Knight).
14 Film Distribution in the Diaspora: Temporality, Community and National
Cinema (Deb Verhoeven).
Part 4 Cinema, Modernity and the Local.
15 The Social Biograph: Newspapers as Archives of the Regional Mass Market
for Movies (Paul S. Moore).
16 Modernity for Small Town Tastes: Movies at the 1907 Cooperstown, New
York, Centennial (Kathryn Fuller-Seeley).
17 Silent Film Genre, Exhibition and Audiences in South India (Stephen
Putnam Hughes).
18 The Last Bemboka Picture Show: 16 mm Cinema as Rural Community
Fundraiser in the 1950s (Kate Bowles).
Index.