Explorations in Schenkerian Analysis
Herausgeber: Beach, David; Mak, Su Yin
Explorations in Schenkerian Analysis
Herausgeber: Beach, David; Mak, Su Yin
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Displays the range and diversity of Schenkerian studies today in fifteen essays covering music from Bach through Debussy and Strauss.
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Displays the range and diversity of Schenkerian studies today in fifteen essays covering music from Bach through Debussy and Strauss.
Produktdetails
- Produktdetails
- Verlag: Early English Text Society
- Seitenzahl: 372
- Erscheinungstermin: 1. Dezember 2016
- Englisch
- Abmessung: 231mm x 152mm x 28mm
- Gewicht: 748g
- ISBN-13: 9781580465595
- ISBN-10: 1580465595
- Artikelnr.: 44802800
- Verlag: Early English Text Society
- Seitenzahl: 372
- Erscheinungstermin: 1. Dezember 2016
- Englisch
- Abmessung: 231mm x 152mm x 28mm
- Gewicht: 748g
- ISBN-13: 9781580465595
- ISBN-10: 1580465595
- Artikelnr.: 44802800
David Beach, Su Yin Mak
Preface A Letter about the C
Major Fugue from The Well
Tempered Clavier, Book 1
Charles Burkhart The Opening Tonal Complex of Bach's St. Matthew Passion: A Linear View
Mark Anson
Cartwright Recurrence and Fantasy in C. P. E. Bach's Rondo in G Major
Frank Samarotto Voice
Leading Procedures in Galant Expositions
L. Poundie Burstein The First Movements of Anton Eberl's Symphonies in E
flat Major and D Minor, and Beethoven's Eroica: Toward "New" Sonata Forms?
Timothy Jackson Schubert's "Unfinished" Symphony: Analytical Observations
David W. Beach Structural and Form
Functional Ambiguities in the First Movement of Schubert's Octet in F Major, D. 803
Su Yin Mak The Form of Chopin's Prelude in B
flat Major, Op. 28, No. 21
Roger Kamien "All That Is Solid Melts into Air": Schumann's Overture to Manfred
William Rothstein Endings without Resolution: The Slow Movement and Finale of Schumann's Second Symphony
Lauri Suurpää Half
Diminished
Seventh Openings in Brahms's Lieder
Ryan McClelland Motivic Enlargement in Dvorák's Symphony Op. 70
Leslie Kinton Deliverance and Compositional Design in the "Libera me" of Verdi's Messa da Requiem
Donald R. McLean Polyphony and Cacophony? A Schenkerian Reading of Strauss's "Dance of the Seven Veils"
Matthew Brown A Force of Nature: Debussy and the Chromatically Displaced Dominant
Boyd Pomeroy Appendix: An Interview with Edward Laufer
Stephen Slottow
Major Fugue from The Well
Tempered Clavier, Book 1
Charles Burkhart The Opening Tonal Complex of Bach's St. Matthew Passion: A Linear View
Mark Anson
Cartwright Recurrence and Fantasy in C. P. E. Bach's Rondo in G Major
Frank Samarotto Voice
Leading Procedures in Galant Expositions
L. Poundie Burstein The First Movements of Anton Eberl's Symphonies in E
flat Major and D Minor, and Beethoven's Eroica: Toward "New" Sonata Forms?
Timothy Jackson Schubert's "Unfinished" Symphony: Analytical Observations
David W. Beach Structural and Form
Functional Ambiguities in the First Movement of Schubert's Octet in F Major, D. 803
Su Yin Mak The Form of Chopin's Prelude in B
flat Major, Op. 28, No. 21
Roger Kamien "All That Is Solid Melts into Air": Schumann's Overture to Manfred
William Rothstein Endings without Resolution: The Slow Movement and Finale of Schumann's Second Symphony
Lauri Suurpää Half
Diminished
Seventh Openings in Brahms's Lieder
Ryan McClelland Motivic Enlargement in Dvorák's Symphony Op. 70
Leslie Kinton Deliverance and Compositional Design in the "Libera me" of Verdi's Messa da Requiem
Donald R. McLean Polyphony and Cacophony? A Schenkerian Reading of Strauss's "Dance of the Seven Veils"
Matthew Brown A Force of Nature: Debussy and the Chromatically Displaced Dominant
Boyd Pomeroy Appendix: An Interview with Edward Laufer
Stephen Slottow
Preface A Letter about the C
Major Fugue from The Well
Tempered Clavier, Book 1
Charles Burkhart The Opening Tonal Complex of Bach's St. Matthew Passion: A Linear View
Mark Anson
Cartwright Recurrence and Fantasy in C. P. E. Bach's Rondo in G Major
Frank Samarotto Voice
Leading Procedures in Galant Expositions
L. Poundie Burstein The First Movements of Anton Eberl's Symphonies in E
flat Major and D Minor, and Beethoven's Eroica: Toward "New" Sonata Forms?
Timothy Jackson Schubert's "Unfinished" Symphony: Analytical Observations
David W. Beach Structural and Form
Functional Ambiguities in the First Movement of Schubert's Octet in F Major, D. 803
Su Yin Mak The Form of Chopin's Prelude in B
flat Major, Op. 28, No. 21
Roger Kamien "All That Is Solid Melts into Air": Schumann's Overture to Manfred
William Rothstein Endings without Resolution: The Slow Movement and Finale of Schumann's Second Symphony
Lauri Suurpää Half
Diminished
Seventh Openings in Brahms's Lieder
Ryan McClelland Motivic Enlargement in Dvorák's Symphony Op. 70
Leslie Kinton Deliverance and Compositional Design in the "Libera me" of Verdi's Messa da Requiem
Donald R. McLean Polyphony and Cacophony? A Schenkerian Reading of Strauss's "Dance of the Seven Veils"
Matthew Brown A Force of Nature: Debussy and the Chromatically Displaced Dominant
Boyd Pomeroy Appendix: An Interview with Edward Laufer
Stephen Slottow
Major Fugue from The Well
Tempered Clavier, Book 1
Charles Burkhart The Opening Tonal Complex of Bach's St. Matthew Passion: A Linear View
Mark Anson
Cartwright Recurrence and Fantasy in C. P. E. Bach's Rondo in G Major
Frank Samarotto Voice
Leading Procedures in Galant Expositions
L. Poundie Burstein The First Movements of Anton Eberl's Symphonies in E
flat Major and D Minor, and Beethoven's Eroica: Toward "New" Sonata Forms?
Timothy Jackson Schubert's "Unfinished" Symphony: Analytical Observations
David W. Beach Structural and Form
Functional Ambiguities in the First Movement of Schubert's Octet in F Major, D. 803
Su Yin Mak The Form of Chopin's Prelude in B
flat Major, Op. 28, No. 21
Roger Kamien "All That Is Solid Melts into Air": Schumann's Overture to Manfred
William Rothstein Endings without Resolution: The Slow Movement and Finale of Schumann's Second Symphony
Lauri Suurpää Half
Diminished
Seventh Openings in Brahms's Lieder
Ryan McClelland Motivic Enlargement in Dvorák's Symphony Op. 70
Leslie Kinton Deliverance and Compositional Design in the "Libera me" of Verdi's Messa da Requiem
Donald R. McLean Polyphony and Cacophony? A Schenkerian Reading of Strauss's "Dance of the Seven Veils"
Matthew Brown A Force of Nature: Debussy and the Chromatically Displaced Dominant
Boyd Pomeroy Appendix: An Interview with Edward Laufer
Stephen Slottow