This ecumenical essay collection explores the rich Christian song tradition across its two-thousand-year history and around the globe. Employing a variety of methodologies and approaches, contributors engage the topic of spirituality in music in order to reveal both the diversity and the unifying power of Christian sacred music.
This ecumenical essay collection explores the rich Christian song tradition across its two-thousand-year history and around the globe. Employing a variety of methodologies and approaches, contributors engage the topic of spirituality in music in order to reveal both the diversity and the unifying power of Christian sacred music.
Edited by M. Jennifer Bloxam and Andrew Shenton - Contributions by M. Jennifer Bloxam; Joshua Kalin Busman; Stephen A. Crist; J.H. Kwabena Nketia; Markus Rathey; Melody Marchman Schade; Timothy H. Steele; Braxton D. Shelley; Andrew Shenton and Karen B. We
Inhaltsangabe
Acknowledgements Introduction "Contemplating Christian Song in Context" Building Bridges with Christian Song I 1. "Song as a Sign and Means of Christian Unity" Reading Books of Catholic Song c. 1500 2. "The Late Medieval Composer as Cleric: Browsing Chant Manuscripts with Obrecht" 3. "Reading Ottaviano Petrucci's Early Motet Prints as Devotional Books" Theology and Lutheran Song in the 18th Century 4. "Theology and Musical Conventions in the Arias of J. S. Bach" 5. "Apocalyptic Visions and Moral Education in the Age of Enlightenment: Earthquakes and the Sublime in Oratorios by Carl Philipp Emanuel Bach and Georg Philipp Telemann" Christian Song in 20th-Century Eastern Europe 6. "Kodály's Genevan Psalm 50: The Composer as Prophet in an Age of Crisis" 7. "Magnificat: Arvo Pärt the Quiet Evangelist" Preaching through Christian Song in Contemporary America 8. "Sounding Belief: 'Tuning Up' and 'the Gospel Imagination'" 9. "¿Songs are like sermons that people actually remember': Homo Liturgicus and Hymnody in the 268 Generation" Building Bridges with Christian Song II 10."Bridging the Old and the New in Contemporary Contexts: The Creative Task of the Christian Scholar" Contributor Biographies
Acknowledgements Introduction "Contemplating Christian Song in Context" Building Bridges with Christian Song I 1. "Song as a Sign and Means of Christian Unity" Reading Books of Catholic Song c. 1500 2. "The Late Medieval Composer as Cleric: Browsing Chant Manuscripts with Obrecht" 3. "Reading Ottaviano Petrucci's Early Motet Prints as Devotional Books" Theology and Lutheran Song in the 18th Century 4. "Theology and Musical Conventions in the Arias of J. S. Bach" 5. "Apocalyptic Visions and Moral Education in the Age of Enlightenment: Earthquakes and the Sublime in Oratorios by Carl Philipp Emanuel Bach and Georg Philipp Telemann" Christian Song in 20th-Century Eastern Europe 6. "Kodály's Genevan Psalm 50: The Composer as Prophet in an Age of Crisis" 7. "Magnificat: Arvo Pärt the Quiet Evangelist" Preaching through Christian Song in Contemporary America 8. "Sounding Belief: 'Tuning Up' and 'the Gospel Imagination'" 9. "¿Songs are like sermons that people actually remember': Homo Liturgicus and Hymnody in the 268 Generation" Building Bridges with Christian Song II 10."Bridging the Old and the New in Contemporary Contexts: The Creative Task of the Christian Scholar" Contributor Biographies
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