This book examines the connections between film and Christianity, considering how films express and depict Christian faith and spirituality and provide experiences associated with it.
This book examines the connections between film and Christianity, considering how films express and depict Christian faith and spirituality and provide experiences associated with it.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Rita Benis is a Researcher at the Center for Comparative Studies at the University of Lisbon, Portugal. Sérgio Dias Branco is Associate Professor of Film Studies at the University of Coimbra, Portugal.
Inhaltsangabe
Introduction: Exploring Film and Christianity Rita Benis and Sérgio Dias Branco PART I: Theory1. The European Tradition?: Film and Christianity Beyond the Canon Catherine Wheatley 2. "My Sister Reality": The Franciscan Sources of Bazin's Philosophy of Cinema John Caruana 3. Toward a Christian Aesthetic of Cinema Flow Joseph G. Kickasola PART II: Expression 4. Cinema Places Us Waiting for What?: A Religious Look at the Cinema of João Salaviza José Tolentino Mendonça 5. Filming the Soul? From Robert Bresson to Manoel de Oliveira Maria Do Rosário Lupi Bello 6. On Christian Values and Bresson's Forms: A Contribution to a Philosophical Legacy of Cinema Maria Irene Aparício PART III: Depiction 7. Andrei Tarkovsky's Nostalghia: Between Art, Biography and Christianity Mário Avelar 8. The Striving Promiser: On the Immobile Movement of Promise in The Given Word (1962) José Manuel Martins 9. Herzog's Kasper Hauser, or The Enigma of the Hidden God Paolo Stellino 10. Remembrance of Acto da Primavera in Manoel de Oliveira's Filmography Adriana Martins 11. Theft and Return or Bresson's Grace Gerard Loughlin 12. To Be Is to Be Free: Cybernetic Life as Christian Subjectivity in Blade Runner 2049 M. Gail Hamner PART IV: Experience 13. Of Balloons, Bells and Icons: Andrei Rublev from Above Bruno C. Duarte 14. Silence Is Golden, or How the West Meets Japan in the Theory of Spiritual Film Aesthetics Dan Chyutin 15. Terrence Malick, or the Portrayal of Marriage as a Sacrament Pablo Alzola 16. Movement as the Core of Being: Watching Terrence Malick's Knight of Cups Through David Bentley Hart's Theology Denys Kondyuk
Introduction: Exploring Film and Christianity Rita Benis and Sérgio Dias Branco PART I: Theory1. The European Tradition?: Film and Christianity Beyond the Canon Catherine Wheatley 2. "My Sister Reality": The Franciscan Sources of Bazin's Philosophy of Cinema John Caruana 3. Toward a Christian Aesthetic of Cinema Flow Joseph G. Kickasola PART II: Expression 4. Cinema Places Us Waiting for What?: A Religious Look at the Cinema of João Salaviza José Tolentino Mendonça 5. Filming the Soul? From Robert Bresson to Manoel de Oliveira Maria Do Rosário Lupi Bello 6. On Christian Values and Bresson's Forms: A Contribution to a Philosophical Legacy of Cinema Maria Irene Aparício PART III: Depiction 7. Andrei Tarkovsky's Nostalghia: Between Art, Biography and Christianity Mário Avelar 8. The Striving Promiser: On the Immobile Movement of Promise in The Given Word (1962) José Manuel Martins 9. Herzog's Kasper Hauser, or The Enigma of the Hidden God Paolo Stellino 10. Remembrance of Acto da Primavera in Manoel de Oliveira's Filmography Adriana Martins 11. Theft and Return or Bresson's Grace Gerard Loughlin 12. To Be Is to Be Free: Cybernetic Life as Christian Subjectivity in Blade Runner 2049 M. Gail Hamner PART IV: Experience 13. Of Balloons, Bells and Icons: Andrei Rublev from Above Bruno C. Duarte 14. Silence Is Golden, or How the West Meets Japan in the Theory of Spiritual Film Aesthetics Dan Chyutin 15. Terrence Malick, or the Portrayal of Marriage as a Sacrament Pablo Alzola 16. Movement as the Core of Being: Watching Terrence Malick's Knight of Cups Through David Bentley Hart's Theology Denys Kondyuk
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