This book examines the connections between film and Christianity, considering how films express and depict Christian faith and spirituality and provide experiences associated with it.
This book examines the connections between film and Christianity, considering how films express and depict Christian faith and spirituality and provide experiences associated with it.
Rita Benis is a Researcher at the Centre for Comparative Studies at the University of Lisbon, Portugal. Sérgio Dias Branco is Associate Professor of Film Studies at the University of Coimbra, Portugal.
Inhaltsangabe
Introduction: Exploring Film and Christianity Rita Benis and Sérgio Dias Branco Part I: Theory 1. The European Tradition?: Film and Christianity Beyond the Canon Catherine Wheatley 2. "Little Sister Reality": The Franciscan Sources of Bazin's Philosophy of Cinema John Caruana 3. Pattern, Rupture, Reaction: Christian Theology and the Temporal Dynamics of Cinema Joseph G. Kickasola Part II: Expression 4. Cinema Places Us Waiting for What?: A Religious Look at the Cinema of João Salaviza José Tolentino Mendonça 5. Filming the Soul: From Robert Bresson to Manoel de Oliveira Maria Rosário Lupi Bello 6. On Christian Values and Bresson's Forms: A Contribution to a Philosophical Legacy of Cinema Maria Irene Aparício Part III: Depiction 7. Andrei Tarkovsky's Nostalgia: Personal Search and Spiritual Redemption Mário Avelar 8. The Striving Promissory: On the Immobile Movement of Promise in The Given Word (1962) José Manuel Martins 9. Herzog's Kasper Hauser, or The Enigma of the Hidden God Paolo Stellino 10. Remembrance of a Lost Spring Adriana Martins 11. Theft and Return: An Augustinian Reading of Robert Bresson's Pickpocket Gerard Loughlin 12. To Be is to Be Free: Cybernetic Life as Christian Subjectivity in Blade Runner 2049 M. Gail Hamner Part IV: Experience 13. Surface and Depth: Icons in Tarkovsky's Andrei Rublev Bruno C. Duarte 14. Revisioning Christian Film Aesthetics in Martin Scorsese's Silence Dan Chyutin 15. Film Viewing as Actuosa Participatio: The Tree of Life's Sacramental Experience Pablo Alzola 16. Movement as a Core of Being: Watching Terrence Malick's Knight of Cups Through David Bentley Hart's Theology Denys Kondyuk
Introduction: Exploring Film and Christianity Rita Benis and Sérgio Dias Branco Part I: Theory 1. The European Tradition?: Film and Christianity Beyond the Canon Catherine Wheatley 2. "Little Sister Reality": The Franciscan Sources of Bazin's Philosophy of Cinema John Caruana 3. Pattern, Rupture, Reaction: Christian Theology and the Temporal Dynamics of Cinema Joseph G. Kickasola Part II: Expression 4. Cinema Places Us Waiting for What?: A Religious Look at the Cinema of João Salaviza José Tolentino Mendonça 5. Filming the Soul: From Robert Bresson to Manoel de Oliveira Maria Rosário Lupi Bello 6. On Christian Values and Bresson's Forms: A Contribution to a Philosophical Legacy of Cinema Maria Irene Aparício Part III: Depiction 7. Andrei Tarkovsky's Nostalgia: Personal Search and Spiritual Redemption Mário Avelar 8. The Striving Promissory: On the Immobile Movement of Promise in The Given Word (1962) José Manuel Martins 9. Herzog's Kasper Hauser, or The Enigma of the Hidden God Paolo Stellino 10. Remembrance of a Lost Spring Adriana Martins 11. Theft and Return: An Augustinian Reading of Robert Bresson's Pickpocket Gerard Loughlin 12. To Be is to Be Free: Cybernetic Life as Christian Subjectivity in Blade Runner 2049 M. Gail Hamner Part IV: Experience 13. Surface and Depth: Icons in Tarkovsky's Andrei Rublev Bruno C. Duarte 14. Revisioning Christian Film Aesthetics in Martin Scorsese's Silence Dan Chyutin 15. Film Viewing as Actuosa Participatio: The Tree of Life's Sacramental Experience Pablo Alzola 16. Movement as a Core of Being: Watching Terrence Malick's Knight of Cups Through David Bentley Hart's Theology Denys Kondyuk
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