Makis Solomos explores the ecologies of music and sound, inspired by Felix Guattari, for whom environmental destruction caused by capitalism goes hand in hand with deteriorating ways of living and feeling, and for whom an ecosophical stance, combining various ecological registers, offers a glimpse of emancipation.
Makis Solomos explores the ecologies of music and sound, inspired by Felix Guattari, for whom environmental destruction caused by capitalism goes hand in hand with deteriorating ways of living and feeling, and for whom an ecosophical stance, combining various ecological registers, offers a glimpse of emancipation.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Makis Solomos was born in Greece and now lives in France, working as Professor of Musicology at the Université Paris 8 and as director of the research team MUSIDANSE. He has published many books and articles about new music, and he is one of the main international specialists of Xenakis' music. His first book with Routledge was From Music to Sound (2019).
Inhaltsangabe
Introduction 1 Towards an ecology of sound PART I: Music, nature, sounds, the living 2 Music and nature 3 Acoustic ecology and soundscape compositions 4 Philosophies of place and field recording 5 Ecology and environmental sonic artivisms PART II: Mental ecology 6 Listening as a construction of the commons 7 Subjectivation, affect, and empowerment 8 Music, sound, and extreme violence PART III: Social ecology 9 Music, society, politics 10 Social and ecosophical artivisms By way of conclusion: Lockdown and music: the artist as producer
Introduction
1 Towards an ecology of sound
PART I: Music, nature, sounds, the living
2 Music and nature
3 Acoustic ecology and soundscape compositions
4 Philosophies of place and field recording
5 Ecology and environmental sonic artivisms
PART II: Mental ecology
6 Listening as a construction of the commons
7 Subjectivation, affect, and empowerment
8 Music, sound, and extreme violence
PART III: Social ecology
9 Music, society, politics
10 Social and ecosophical artivisms
By way of conclusion: Lockdown and music: the artist as producer
Introduction 1 Towards an ecology of sound PART I: Music, nature, sounds, the living 2 Music and nature 3 Acoustic ecology and soundscape compositions 4 Philosophies of place and field recording 5 Ecology and environmental sonic artivisms PART II: Mental ecology 6 Listening as a construction of the commons 7 Subjectivation, affect, and empowerment 8 Music, sound, and extreme violence PART III: Social ecology 9 Music, society, politics 10 Social and ecosophical artivisms By way of conclusion: Lockdown and music: the artist as producer
Introduction
1 Towards an ecology of sound
PART I: Music, nature, sounds, the living
2 Music and nature
3 Acoustic ecology and soundscape compositions
4 Philosophies of place and field recording
5 Ecology and environmental sonic artivisms
PART II: Mental ecology
6 Listening as a construction of the commons
7 Subjectivation, affect, and empowerment
8 Music, sound, and extreme violence
PART III: Social ecology
9 Music, society, politics
10 Social and ecosophical artivisms
By way of conclusion: Lockdown and music: the artist as producer
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