Exploring the Joint in Furniture Design - Krdzovic, Damir
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Coming from Serbia- the heart of the Balkan peninsula- to Denmark, I have started to notice many differences in these two cultures. Being a design student, the most interesting difference for me was how people perceive aesthetics in a different way. For the time that I have spent in Denmark, I have noticed how function shapes the form in its simple and honest way, whereas in Serbia the function can sometimes be put aside in favor of abstract values. Therefore, in my point of view, Scandinavian simplicity stands opposite to the Balkans' symbolic complexity. These differences seems to be…mehr

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Produktbeschreibung
Coming from Serbia- the heart of the Balkan peninsula- to Denmark, I have started to notice many differences in these two cultures. Being a design student, the most interesting difference for me was how people perceive aesthetics in a different way. For the time that I have spent in Denmark, I have noticed how function shapes the form in its simple and honest way, whereas in Serbia the function can sometimes be put aside in favor of abstract values. Therefore, in my point of view, Scandinavian simplicity stands opposite to the Balkans' symbolic complexity. These differences seems to be obvious; but then I wondered: what if I try to find similarities among them?. This search led me to study traditional crafts and architecture of Scandinavia and the Balkans, travel throughout Serbia, Denmark and Sweden in order to meet the locals and learn the crafts from the best.
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Autorenporträt
Damir Krdzovic, M.A. in Design, Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation, Copenhagen, Denmark. Creative Director at Xylon d.o.o., Belgrade, Serbia.