An innovative and wide-ranging collection, Expressionism in Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.
An innovative and wide-ranging collection, Expressionism in Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Olaf Brill is a German-based freelance writer and editor for film institutes, museums and festivals, including the German Film Institute - DIF, Frankfurt, the Filmmuseum Berlin, and CineGraph, Hamburg. Gary D. Rhodes is Head of Film & Mass Media at the University of Central Florida. He is the author of Lugosi (1997), White Zombie: Anatomy of a Horror Film (2002), Emerald Illusions: The Irish in Early American Cinema (2012) and The Perils of Moviegoing in America (2012). Rhodes is also the writer-director of the documentary films Lugosi: Hollywood's Dracula (1997) and Banned in Oklahoma (2004). Currently he is at work on a history of the American horror film to 1915, as well as a biography of William Fox.
Inhaltsangabe
Acknowledgements Editors' Introduction Section I: Expressionism in German Cinema Expressionist Cinema: Style and Design in Film History, Thomas Elsaesser Of Nerves and Men: Postwar Delusion and Robert Reinert's Nerven, Steve Choe Franjo Ledic: A Forgotten Pioneer of German Expressionism, Daniel Rafaelic Expressionist Film and Gender: Genuine, A Tale of a Vampire (1920), Mirjam Kappes 'The Secrets of Nature and Its Unifying Principles': Nosferatu (1922) and Jakob von Uexküll on Umwelt, Steve Choe Raskolnikow (1923): Russian Literature as Impetus for German Expressionism, John T. Soister Section II: Expressionism in Global Cinema The Austrian Connection: The Frame Story and Insanity in Paul Czinner's Inferno (1919) and Fritz Freisler's The Mandarin (1918), Olaf Brill 'The rewakening of French cinema': expression and innovation in Abel Gance's J'accuse! (1919), Paul Cuff Here Among the Dead: The Phantom Carriage (1921) and the Cinema of the Occulted Taboo, Robert Guffey Drakula halála (1921): The Cinema's First Dracula, Gary D. Rhodes Le Brasier ardent (1923): Ivan Mosjoukine's clind'oeil to German Expressionism, Bernard McCarron Nietzsche's Fingerprints on The Hands of Orlac (1924), Phillip Sipiora 'True, Nervous': American Expressionist Cinema and the Destabilized Male, Robert Singer Dos monjes (1934) and the Tortured Search for Truth, David J. Hogan Maya Deren in Person in Expressionism, Graeme Harper Author Biographies Index
Acknowledgements Editors' Introduction Section I: Expressionism in German Cinema Expressionist Cinema: Style and Design in Film History, Thomas Elsaesser Of Nerves and Men: Postwar Delusion and Robert Reinert's Nerven, Steve Choe Franjo Ledic: A Forgotten Pioneer of German Expressionism, Daniel Rafaelic Expressionist Film and Gender: Genuine, A Tale of a Vampire (1920), Mirjam Kappes 'The Secrets of Nature and Its Unifying Principles': Nosferatu (1922) and Jakob von Uexküll on Umwelt, Steve Choe Raskolnikow (1923): Russian Literature as Impetus for German Expressionism, John T. Soister Section II: Expressionism in Global Cinema The Austrian Connection: The Frame Story and Insanity in Paul Czinner's Inferno (1919) and Fritz Freisler's The Mandarin (1918), Olaf Brill 'The rewakening of French cinema': expression and innovation in Abel Gance's J'accuse! (1919), Paul Cuff Here Among the Dead: The Phantom Carriage (1921) and the Cinema of the Occulted Taboo, Robert Guffey Drakula halála (1921): The Cinema's First Dracula, Gary D. Rhodes Le Brasier ardent (1923): Ivan Mosjoukine's clind'oeil to German Expressionism, Bernard McCarron Nietzsche's Fingerprints on The Hands of Orlac (1924), Phillip Sipiora 'True, Nervous': American Expressionist Cinema and the Destabilized Male, Robert Singer Dos monjes (1934) and the Tortured Search for Truth, David J. Hogan Maya Deren in Person in Expressionism, Graeme Harper Author Biographies Index
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