Tim Winter (ed.)
Expressions of Cambodia
The Politics of Tradition, Identity and Change
Herausgeber: Ollier, Leakthina Chau-Pech; Winter, Tim
Tim Winter (ed.)
Expressions of Cambodia
The Politics of Tradition, Identity and Change
Herausgeber: Ollier, Leakthina Chau-Pech; Winter, Tim
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- Produkterinnerung
- Produkterinnerung
Taking a theoretical and multidisciplinary perspective, the essays in this collection provide compelling insight into contemporary Cambodian culture at home and abroad.
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Taking a theoretical and multidisciplinary perspective, the essays in this collection provide compelling insight into contemporary Cambodian culture at home and abroad.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 242
- Erscheinungstermin: 6. Oktober 2006
- Englisch
- Abmessung: 241mm x 155mm x 19mm
- Gewicht: 499g
- ISBN-13: 9780415385541
- ISBN-10: 0415385547
- Artikelnr.: 21316320
- Verlag: Routledge
- Seitenzahl: 242
- Erscheinungstermin: 6. Oktober 2006
- Englisch
- Abmessung: 241mm x 155mm x 19mm
- Gewicht: 499g
- ISBN-13: 9780415385541
- ISBN-10: 0415385547
- Artikelnr.: 21316320
Leakthina Chau-Pech Ollier is a writer and lives in Siem Reap, Cambodia Tim Winter worked on this book as part of his Postdoctoral Fellowship at the Asia Research Institute, Singapore. Tim is now a Professor in the School of Social Sciences at The University of Western Australia.
Introduction: The Politics of Tradition, Identity and Change Part 1:
Re-Scripting Angkor Subscripts: Reading Cambodian Pasts, Presents and
Futures through Graffiti. When Ancient "Glory" Meets Modern "Tragedy":
Angkor and the Khmer Rouge in Contemporary Tourism. The Fascination for
Angkor Wat and the Ideology of the Visible Part 2: Identity and the Liminal
Space Sitting between Two Chairs: Cambodia's Dual Citizenship Debate.
Refractions of Home: Exile, Memory and Diasporic Longing. Rapping (in) the
Homeland: Of Gangs, Angka, and the Cambodian Diasporic Identity Part 3:
Performing Tradition Weaving into Cambodia: Negotiated Ethnicity in the
(Post)Colonial Silk Industry. A Burned-Out Theatre: The State of Cambodia's
Performing Arts. The (Re)emergence of Cambodian Women Writers at Home and
Abroad Part 4: Engaging Modernity Entrepreneurialism and Charisma: Two
Modes of Doing Business in Post-Pol Pot Cambodian Buddhism. Touring
Memories of the Khmer Rouge (Anlong Veng). Khmer Women and Global Factories
Re-Scripting Angkor Subscripts: Reading Cambodian Pasts, Presents and
Futures through Graffiti. When Ancient "Glory" Meets Modern "Tragedy":
Angkor and the Khmer Rouge in Contemporary Tourism. The Fascination for
Angkor Wat and the Ideology of the Visible Part 2: Identity and the Liminal
Space Sitting between Two Chairs: Cambodia's Dual Citizenship Debate.
Refractions of Home: Exile, Memory and Diasporic Longing. Rapping (in) the
Homeland: Of Gangs, Angka, and the Cambodian Diasporic Identity Part 3:
Performing Tradition Weaving into Cambodia: Negotiated Ethnicity in the
(Post)Colonial Silk Industry. A Burned-Out Theatre: The State of Cambodia's
Performing Arts. The (Re)emergence of Cambodian Women Writers at Home and
Abroad Part 4: Engaging Modernity Entrepreneurialism and Charisma: Two
Modes of Doing Business in Post-Pol Pot Cambodian Buddhism. Touring
Memories of the Khmer Rouge (Anlong Veng). Khmer Women and Global Factories
Introduction: The Politics of Tradition, Identity and Change Part 1:
Re-Scripting Angkor Subscripts: Reading Cambodian Pasts, Presents and
Futures through Graffiti. When Ancient "Glory" Meets Modern "Tragedy":
Angkor and the Khmer Rouge in Contemporary Tourism. The Fascination for
Angkor Wat and the Ideology of the Visible Part 2: Identity and the Liminal
Space Sitting between Two Chairs: Cambodia's Dual Citizenship Debate.
Refractions of Home: Exile, Memory and Diasporic Longing. Rapping (in) the
Homeland: Of Gangs, Angka, and the Cambodian Diasporic Identity Part 3:
Performing Tradition Weaving into Cambodia: Negotiated Ethnicity in the
(Post)Colonial Silk Industry. A Burned-Out Theatre: The State of Cambodia's
Performing Arts. The (Re)emergence of Cambodian Women Writers at Home and
Abroad Part 4: Engaging Modernity Entrepreneurialism and Charisma: Two
Modes of Doing Business in Post-Pol Pot Cambodian Buddhism. Touring
Memories of the Khmer Rouge (Anlong Veng). Khmer Women and Global Factories
Re-Scripting Angkor Subscripts: Reading Cambodian Pasts, Presents and
Futures through Graffiti. When Ancient "Glory" Meets Modern "Tragedy":
Angkor and the Khmer Rouge in Contemporary Tourism. The Fascination for
Angkor Wat and the Ideology of the Visible Part 2: Identity and the Liminal
Space Sitting between Two Chairs: Cambodia's Dual Citizenship Debate.
Refractions of Home: Exile, Memory and Diasporic Longing. Rapping (in) the
Homeland: Of Gangs, Angka, and the Cambodian Diasporic Identity Part 3:
Performing Tradition Weaving into Cambodia: Negotiated Ethnicity in the
(Post)Colonial Silk Industry. A Burned-Out Theatre: The State of Cambodia's
Performing Arts. The (Re)emergence of Cambodian Women Writers at Home and
Abroad Part 4: Engaging Modernity Entrepreneurialism and Charisma: Two
Modes of Doing Business in Post-Pol Pot Cambodian Buddhism. Touring
Memories of the Khmer Rouge (Anlong Veng). Khmer Women and Global Factories