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WINNER OF THE 2022 NOBEL PRIZE IN LITERATURE
One of Annie Ernaux's most exciting and idiosyncratic works now in paperback for the first time.
In this novel, which takes the form of journal entries made over the course of seven years, Annie Ernaux concentrates on the ephemeral encounters that take place just on the periphery of a person's lived environment. She captures the feeling of contemporary living on the outskirts of a great city: tortured, chaotic, lyrical, and powerfully alive. Exteriors is in many ways the most ecstatic of Ernaux's books the first in which she appears largely free of the haunting personal relationships she has written about so powerfully elsewhere, and the first in which she is able to leave the past behind her.
One of Annie Ernaux's most exciting and idiosyncratic works now in paperback for the first time.
In this novel, which takes the form of journal entries made over the course of seven years, Annie Ernaux concentrates on the ephemeral encounters that take place just on the periphery of a person's lived environment. She captures the feeling of contemporary living on the outskirts of a great city: tortured, chaotic, lyrical, and powerfully alive. Exteriors is in many ways the most ecstatic of Ernaux's books the first in which she appears largely free of the haunting personal relationships she has written about so powerfully elsewhere, and the first in which she is able to leave the past behind her.
Exteriors is honest, genuine and skillfully executed. Columbus Dispatch
Ernaux's writings walk a tightrope between art and confession, immersing us in a territory bounded on one side by commitment and on the other by desire. Newsday
Journal du dehors (Exteriors) is the opposite of an intimate diary. It shows a woman observing, without scorn or pity, the world out of which she came . . . . It is the text of a writer for whom the text is, simultaneously, interiority and provocation. Telerama
Ernaux's writings walk a tightrope between art and confession, immersing us in a territory bounded on one side by commitment and on the other by desire. Newsday
Journal du dehors (Exteriors) is the opposite of an intimate diary. It shows a woman observing, without scorn or pity, the world out of which she came . . . . It is the text of a writer for whom the text is, simultaneously, interiority and provocation. Telerama
Exteriors is honest, genuine and skillfully executed. Columbus Dispatch
Ernaux's writings walk a tightrope between art and confession, immersing us in a territory bounded on one side by commitment and on the other by desire. Newsday
Journal du dehors (Exteriors) is the opposite of an intimate diary. It shows a woman observing, without scorn or pity, the world out of which she came . . . . It is the text of a writer for whom the text is, simultaneously, interiority and provocation. Telerama
Ernaux's writings walk a tightrope between art and confession, immersing us in a territory bounded on one side by commitment and on the other by desire. Newsday
Journal du dehors (Exteriors) is the opposite of an intimate diary. It shows a woman observing, without scorn or pity, the world out of which she came . . . . It is the text of a writer for whom the text is, simultaneously, interiority and provocation. Telerama