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This book is about Latina identity, a timely subject in today's America. The author's journey begins as she, full of love for Mexico and its culture despite her closest blood connection being her bisabuela, boards a bus. She starts out determined: "Yes foreign is a word for fear. Yes I am coming home." But then, because "it is afraid, staying in a language where you were not born," she retreats, hiding first behind we, then behind masks. But when it becomes clear that the masks are her true self, she loses her fear, and barrels ahead as I, fully committed, all the way to the end.

Produktbeschreibung
This book is about Latina identity, a timely subject in today's America. The author's journey begins as she, full of love for Mexico and its culture despite her closest blood connection being her bisabuela, boards a bus. She starts out determined: "Yes foreign is a word for fear. Yes I am coming home." But then, because "it is afraid, staying in a language where you were not born," she retreats, hiding first behind we, then behind masks. But when it becomes clear that the masks are her true self, she loses her fear, and barrels ahead as I, fully committed, all the way to the end.
Autorenporträt
Lola Haskins has published 13 previous poetry collections, the most recent of which, "Asylum: Improvisations on John Clare" (University of Pittsburgh Press, 2019), was featured in the New York Times Sunday Magazine. Past honors include the Iowa Poetry Prize, two NEA fellowships, two Florida Book Awards, narrative poetry prizes from Southern Poetry Review and New England Review, a Florida's Eden prize for environmental writing, and the Emily Dickinson prize from Poetry Society of America.