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There has been a rapid rise in interest in recent years in art created by people suffering from mental illness, with new museums dedicated to it, major surveys, and attention from the media and public. Yet there has been little research undertaken to systematically examine this body of art.
Extraordinary! presents the results of an exceptional research project undertaken at the Zurich University of the Arts that documented and examined art produced in asylums and mental hospitals throughout Switzerland around 1900. Varied in style and media, the works often mark long periods of dedicated
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Produktbeschreibung
There has been a rapid rise in interest in recent years in art created by people suffering from mental illness, with new museums dedicated to it, major surveys, and attention from the media and public. Yet there has been little research undertaken to systematically examine this body of art.

Extraordinary! presents the results of an exceptional research project undertaken at the Zurich University of the Arts that documented and examined art produced in asylums and mental hospitals throughout Switzerland around 1900. Varied in style and media, the works often mark long periods of dedicated and passionate work and reveal remarkable technical and artistic prowess. They serve, the editors show, as both an expression of their creators' ideas and an act of compensation for, and their own ciriticism of, the dull and often hard life at the institutions they treaded.

Featuring a diverse selection of previously unpublished works, Extraordinary! questions our contemporary understanding of art, encouraging the reader to engage with these artists and their work and thereby revisit the very idea of what constitutes art.

The book is published to coincide with exhibitions at Prinzhorn Collection, Heidelberg (Germany, autumn 2018), Kunstmuseum Thun (Switzerland, spring 2019), and LENTOS Kunstmuseum Linz (Austria, summer 2019).
Autorenporträt
Katrin Luchsinger ist Kunsthistorikerin und lehrt und forscht an der Zürcher Hochschule der Künste ZHdK zum Wechselverhältnis von Kunst, Psychologie und Psychiatrie um 1900 und zur frühen Moderne.

Helen Hirsch ist diplomierte Psychiatriekrankenschwester und Kunsthistorikerin und seit 2007 Direktorin des Kunstmuseums Thun.

Thomas Röske ist Kunsthistoriker und seit 2002 Leiter der Sammlung Prinzhorn am Universitätsklinikum Heidelberg.