Extreme Exoticism explores the role of music in shaping American perceptions of the Japanese, the influence of Japanese music on American composers, and the place of Japanese Americans in American musical life over the past 150 years.
Extreme Exoticism explores the role of music in shaping American perceptions of the Japanese, the influence of Japanese music on American composers, and the place of Japanese Americans in American musical life over the past 150 years.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
W. Anthony Sheppard is Marylin and Arthur Levitt Professor of Music at Williams College where he teaches courses in twentieth-century music, opera, popular music, and Asian music. His first book, Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater received the Kurt Weill Prize. He has served as Editor-in-Chief of the Journal of the American Musicological Society and is now Series Editor of AMS Studies in Music (Oxford University Press).
Inhaltsangabe
* List of Illustrations * Glossary of Japanese terms * Introductions and Acknowledgments * Chapter 1: "Beyond Description:" Nineteenth-Century Americans Hearing Japan * Chapter 2: Strains of Japonisme in Tin Pan Alley, on Broadway, and in the Parlor * Chapter 3: Japonisme and the Forging of American Musical Modernism * Chapter 4: Two Paradigmatic Tales, Between Genres and Genders * Chapter 5: An Exotic Enemy: Musical Propaganda in Wartime Hollywood * Chapter 6: Singing Sayonara: Musical Representations of Japan in Postwar Hollywood * Chapter 7: Representing the Authentic from Japanese American Perspectives * Chapter 8: Beat and Square Cold War Encounters * Chapter 9: Conclusions? or, Contemporary Representations and Reception * Appendices * Notes * Bibliography * Index
* List of Illustrations * Glossary of Japanese terms * Introductions and Acknowledgments * Chapter 1: "Beyond Description:" Nineteenth-Century Americans Hearing Japan * Chapter 2: Strains of Japonisme in Tin Pan Alley, on Broadway, and in the Parlor * Chapter 3: Japonisme and the Forging of American Musical Modernism * Chapter 4: Two Paradigmatic Tales, Between Genres and Genders * Chapter 5: An Exotic Enemy: Musical Propaganda in Wartime Hollywood * Chapter 6: Singing Sayonara: Musical Representations of Japan in Postwar Hollywood * Chapter 7: Representing the Authentic from Japanese American Perspectives * Chapter 8: Beat and Square Cold War Encounters * Chapter 9: Conclusions? or, Contemporary Representations and Reception * Appendices * Notes * Bibliography * Index
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