Omise'eke Natasha Tinsley traces how contemporary queer Caribbean and African American writers, filmmakers, musicians, and performers evoke the divinity Ezili—a pantheon of lwa feminine spirits in Vodou—in ways that offer a new model of queer black feminist theory.
Omise'eke Natasha Tinsley traces how contemporary queer Caribbean and African American writers, filmmakers, musicians, and performers evoke the divinity Ezili—a pantheon of lwa feminine spirits in Vodou—in ways that offer a new model of queer black feminist theory.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Omise’eke Natasha Tinsley is Associate Professor of African and African Diaspora Studies at the University of Texas and author of Thiefing Sugar: Eroticism between Women in Caribbean Literature, also published by Duke University Press.
Inhaltsangabe
Acknowledgments ix Bridge. Read This Book Like a Song 1 Introduction. For the Love of Laveau 3 Bridge. A Black Cisfemme Is a Beautiful Thing 29 1. To Transcender Transgender 31 Bridge. Sissy Werk 65 2. Mache Ansanm 67 Bridge. My Femdom, My Love 99 3. Riding the Red 101 Bridge. For the Party Girls 133 4. Its a Party 135 Bridge. Baía and Marigo 169 Conclusion. Arties's Song 171 Notes 195 Glossary 223 Bibliography 225 Index 241
Acknowledgments ix Bridge. Read This Book Like a Song 1 Introduction. For the Love of Laveau 3 Bridge. A Black Cisfemme Is a Beautiful Thing 29 1. To Transcender Transgender 31 Bridge. Sissy Werk 65 2. Mache Ansanm 67 Bridge. My Femdom, My Love 99 3. Riding the Red 101 Bridge. For the Party Girls 133 4. Its a Party 135 Bridge. Baía and Marigo 169 Conclusion. Arties's Song 171 Notes 195 Glossary 223 Bibliography 225 Index 241
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