Ezra Pound
Herausgeber: Homberger, Eric
Ezra Pound
Herausgeber: Homberger, Eric
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Ezra Pound (1932-63). Writings include: Drafts and Fragments of Cantos CX-CXVII, Homage to Sextus, Prospertius. Volume covers the period 1904-1970. Extras: Includes a selected list of the printing Pound's works from 1908-1960.
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Ezra Pound (1932-63). Writings include: Drafts and Fragments of Cantos CX-CXVII, Homage to Sextus, Prospertius. Volume covers the period 1904-1970. Extras: Includes a selected list of the printing Pound's works from 1908-1960.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 520
- Erscheinungstermin: 14. Dezember 2009
- Englisch
- Abmessung: 216mm x 140mm x 27mm
- Gewicht: 599g
- ISBN-13: 9780415568944
- ISBN-10: 0415568943
- Artikelnr.: 57046239
- Verlag: Taylor & Francis
- Seitenzahl: 520
- Erscheinungstermin: 14. Dezember 2009
- Englisch
- Abmessung: 216mm x 140mm x 27mm
- Gewicht: 599g
- ISBN-13: 9780415568944
- ISBN-10: 0415568943
- Artikelnr.: 57046239
Eric Homberger
Introduction; Note on the Text; Meeting Ezra Pound; 1: William Carlos Williams; 2: Edward Thomas; 3: D. H. Lawrence; 4: W. B. Yeats; 5: T. S. Eliot; 6: Harriet Monroe; A Lume Spento; 7: Unsigned notice
Book News Monthly; Personae; 8: Unsigned review
Evening Standard and St. James's Gazette; 9: W. L. Courtney
unsigned review
Daily Telegraph; 10: F. S. Flint
review
New Age; 11: Edward Thomas
'A New Note in Verse' Daily Chronicle; 12: Edward Thomas
from 'Two Poets'
English Review; 13: Unsigned review
Observer; 14: Unsigned review
Bookman (London); 15: Unsigned review
'Heresy
and Some Poetry'
Nation (London); 16: Rupert Brooke
review
Cambridge Review; 17: A new poet makes his debut; Exultations; 18: Edward Thomas
'The Newest Poet'
Daily Chronicle; 19: Unsigned review
Spectator; 20: Unsigned review
Observer; 21: F. S. Flint
'Verse'
New Age; 22: Unsigned review
Nation (London); The Spirit of Romance; 23: Unsigned notice
Nation (New York); 24: Edward Thomas
review
Morning Post; Provença; 25: Floyd Dell
review
Chicago Evening Post; 26: H. L. Mencken
review
Smart Set; 27: Reverberations in America; 28: J. B. Yeats to his son; Canzoni; 29: Charles Granville
'Modern Poetry'
Eye-Witness; 30: Unsigned review
Westminster Gazette; 31: G. D. H. Cole
initialled review
Isis; 32: J. C. Squire
review
New Age; 33: F. S. Flint
review
Poetry Review; Sonnets and Ballate of Guido Cavalcanti; 34: Arundel del Re
review
Poetry Review; 35: John Bailey
unsigned review
The Times Literary Supplement; Ripostes; 36: Harold Child
unsigned review
The Times Literary Supplement; 37: F. S. Flint
review
Poetry and Drama; 38: Ezra Pound in Chicago; 39: Pound and Poetry: a letter to Nation (New York); 40: Pound and Poetry: Wallace Rice in Dial; 41: Pound and Poetry: Harriet Monroe replies; Cathay; 42: Ford Madox Hueffer
'From China to Peru'
Outlook; 43: A. R. Orage on the thought and form of Cathay; 44: Carl Sandburg
'The Work of Ezra Pound'
Poetry; 45: William Marion Reedy on the position of Pound; Gaudier Brzeska: A Memoir; 46: Unsigned review
Dial; Lustra; 47: The problem of getting published
1 A postcard from Elkin Mathews's reader; 48: The problem of getting published
2 The memorandum of agreement; 49: Kate Buss
'Ezra Pound: Some Evidence of his Rare Chinese Quality'; 50: A poet in rebellion against emotion; 51: Louis Untermeyer on a poet in pantomime; 52: Babette Deutsch
'Ezra Pound
Vorticist' Reedy's Mirror; 53: Maxwell Bodenheim
'A poet's Opinion'
Little Review; 54: J. B. Yeats to John Quinn; 55: Joseph Conrad to John Quinn; 56: A. R. Orage on Ezra Pound: His Metric and Poetry; Pavannes and Divisions; 57: Louis Untermeyer
'Ezra Pound-Proseur'
New Republic; 58: Conrad Aiken
'A Pointless Pointillist'
Dial; 59: Emanuel Carnevali
'Irritation'
Poetry; 60: W. G. Hale on Pound's failings as a Latinist; Quia Pauper Amavi; 61: A. R. Orage on Pound
Propertius and 'decadence'
Readers and Writers (1917-1921); 62: Grumbles about the 'Homage'
New Age; 63: Pound's defence of the 'Homage'; 64: Robert Nichols
'Poetry and Mr. Pound'
Observer; 65: A reply from Wyndham Lewis; 66: Pound defends the 'Homage' again; 67: John Gould Fletcher on the decline and fall of an expatriate; 68: Harold Monro
from Some Contemporary Poets; 69: May Sinclair
'The Reputation of Ezra Pound'
North American Review; Instigations; 70: Van Wyck Brooks on Pound as expatriate; 71: H. L. Mencken
notice
Smart Set; 72: 'W. C. Blum' [Dr James Sibley Watson]
'Super Schoolmaster'
Dial; Hugh Selwyn Mauberley; 73: Unsigned review
The Times Literary Supplement; 74: Edwin Muir
review
New Age; Umbra: The Early Poems of Ezra Pound; 75: Edwin Muir
review
New Age; 76: A. R. Orage on Pound's departure from London; Poems 1918-21; 77: Maxwell Bodenheim
'The Isolation of Carved Metal'
Dial; 78: John Peale Bishop
'The Intelligence of Poets'
Vanity Fair; 79: Brian Howard on Pound's 'clean
white spirit of disinfection'; 80: Harriet Monroe
a retrospective view of Pound; A Draft of XVI Cantos; 81: Glenway Wescott
review
Dial; Personae: The Collected Poems of Ezra Pound; 82: Ford Madox Ford
'Ezra'
New York Herald Tribune Books; 83: William Carlos Williams on Pound's exile; 84: R. P. Blackmur on Pound's 'Variety of Masks'; Selected Poems; 85: John Gould Fletcher
the neglected assessment; 86: Henry Bamford Parkes on the theories and influence of Pound; 87: A supervision with Dr Leavis on 'Mauberley'; A Draft of XXX Cantos; 88: Dudley Fitts
'Music Fit for the Odes'
Hound & Horn; 89: Eda Lou Walton on some types of obscurity; 90: Geoffrey Grigson
'The Methodism of Ezra Pound'
New Verse; 91: D. G. Bridson
review
New English Weekly; 92: Marianne Moore
review
Criterion; Guido Cavalcanti Rime; 93: Etienne Gilson
review
Criterion; 94: John Sparrow
doubts about Pound and 'Mauberley'; Make It New; 95: G. M. Young
review
Observer; 96: G. K. Chesterton
review
Listener; 97: Bonamy Dobrée
review
Criterion; Eleven New Cantos XXXI-XLI; 98: Philip Blair Rice
'The Education of Ezra Pound'
Nation (New York); 99: John Crowe Ransom
'Pound and the Broken Tradition'
Saturday Review of Literature; 100: George Barker
review
Criterion; Homage to Sextus Propertius; 101: Stephen Spender
review
Spectator; 102: John Speirs
'Mr. Pound's Propertius'
Scrutiny; The Fifth Decad of Cantos; 103: Stephen Spender
notice
Left Review; 104: Edwin Muir
review
Criterion; 105: Delmore Schwartz
'Ezra Pound's Very Useful Labors'
Poetry; 106: James Laughlin IV
'Ezra Pound's Propertius'
Sewanee Review; 107: Archibald MacLeish on Pound's revolutionary modernism; Guide to Kulchur; 108: Philip Mairet
review
Criterion; 109: Dudley Fitts on a bad boy strutting and shocking; 110: William Carlos Williams on Pound's great risk; Cantos LII-LXXI; 111: 'H. H.' [James Laughlin IV] and 'S. D.' [Delmore Schwartz]
Notes on Ezra Pound's Cantos: Structure and Metric; 112: Edwin Muir on the Cantos as a political poem; 113: Randall Jarrell on the deterioration of Pound; 114: Robert Fitzgerald
'Mr. Pound's Good Governors'
Accent; 115: Paul Rosenfeld: 'The Case of Ezra Pound'
American Mercury; The Pisan Cantos; 116: Robert Fitzgerald: '"What thou Lovest Well Remains"'
New Republic; 117: Louis L. Martz
review
Yale Review; 118: Reed Whittemore
review
Poetry; 119: William Carlos Williams
from a review
Imagi (Allentown
Pa.); 120: C. M. Bowra
'More Cantos from Ezra Pound'
New Statesman and Nation; 121: Richard Eberhart on the character of Pound's work; 122: John Berryman
'The Poetry of Ezra Pound'
Partisan Review; 123: Malcolm Cowley
'The Battle Over Ezra Pound'
New Republic; 124: Kathleen Raine on Pound's Confucius and modern poetry; 125: Ronald Bottrall
'The Achievement of Ezra Pound'
Adelphi; Literary Essays; 126: Charles Tomlinson
review
Spectator; 127: Donald Davie
'Instigations to Procedures'
New Statesman and Nation; 128: W. W. Robson
review
Blackfriars; 129: Roy Fuller
review
London Magazine; Section: Rock-Drill; 130: Noel Stock
review
Meanjin; 131: Randall Jarrell on the extraordinary misuse of extraordinary powers; 132: A. Alvarez
review
Observer; 133: Donald Davie
'Bed-Rock'
New Statesman and Nation; 134: Philip Larkin
notice
Manchester Guardian; 135: Yvor Winters on the Cantos; Thrones 96-109 De Los Cantares; 136: Delmore Schwartz
'Ezra Pound and History'
New Republic; 137: John Wain
'The Shadow of an Epic'
Spectator; 138: Donald Hall
'The Cantos in England'
New Statesman and Nation; 139: W. D. Snodgrass
review
Hudson Review; 140: John Holloway
review
London Magazine; 141: Louis Simpson
'A Swift Kick in the Rhetoric'
Book Week; A Lume Spento and Other Early Poems; 142: Peter Levi
S.J.
on the earliest Pound
Jubilee; 143: Colin Falck
review
Encounter; 144: Hayden Carruth
'On a Picture of Ezra Pound'
Poetry; Drafts and Fragments of Cantos CX-CXVII; 145: Herbert Leibowitz
from 'The Muse and the News'
Hudson Review; 146: Derwent May
review
Observer
Book News Monthly; Personae; 8: Unsigned review
Evening Standard and St. James's Gazette; 9: W. L. Courtney
unsigned review
Daily Telegraph; 10: F. S. Flint
review
New Age; 11: Edward Thomas
'A New Note in Verse' Daily Chronicle; 12: Edward Thomas
from 'Two Poets'
English Review; 13: Unsigned review
Observer; 14: Unsigned review
Bookman (London); 15: Unsigned review
'Heresy
and Some Poetry'
Nation (London); 16: Rupert Brooke
review
Cambridge Review; 17: A new poet makes his debut; Exultations; 18: Edward Thomas
'The Newest Poet'
Daily Chronicle; 19: Unsigned review
Spectator; 20: Unsigned review
Observer; 21: F. S. Flint
'Verse'
New Age; 22: Unsigned review
Nation (London); The Spirit of Romance; 23: Unsigned notice
Nation (New York); 24: Edward Thomas
review
Morning Post; Provença; 25: Floyd Dell
review
Chicago Evening Post; 26: H. L. Mencken
review
Smart Set; 27: Reverberations in America; 28: J. B. Yeats to his son; Canzoni; 29: Charles Granville
'Modern Poetry'
Eye-Witness; 30: Unsigned review
Westminster Gazette; 31: G. D. H. Cole
initialled review
Isis; 32: J. C. Squire
review
New Age; 33: F. S. Flint
review
Poetry Review; Sonnets and Ballate of Guido Cavalcanti; 34: Arundel del Re
review
Poetry Review; 35: John Bailey
unsigned review
The Times Literary Supplement; Ripostes; 36: Harold Child
unsigned review
The Times Literary Supplement; 37: F. S. Flint
review
Poetry and Drama; 38: Ezra Pound in Chicago; 39: Pound and Poetry: a letter to Nation (New York); 40: Pound and Poetry: Wallace Rice in Dial; 41: Pound and Poetry: Harriet Monroe replies; Cathay; 42: Ford Madox Hueffer
'From China to Peru'
Outlook; 43: A. R. Orage on the thought and form of Cathay; 44: Carl Sandburg
'The Work of Ezra Pound'
Poetry; 45: William Marion Reedy on the position of Pound; Gaudier Brzeska: A Memoir; 46: Unsigned review
Dial; Lustra; 47: The problem of getting published
1 A postcard from Elkin Mathews's reader; 48: The problem of getting published
2 The memorandum of agreement; 49: Kate Buss
'Ezra Pound: Some Evidence of his Rare Chinese Quality'; 50: A poet in rebellion against emotion; 51: Louis Untermeyer on a poet in pantomime; 52: Babette Deutsch
'Ezra Pound
Vorticist' Reedy's Mirror; 53: Maxwell Bodenheim
'A poet's Opinion'
Little Review; 54: J. B. Yeats to John Quinn; 55: Joseph Conrad to John Quinn; 56: A. R. Orage on Ezra Pound: His Metric and Poetry; Pavannes and Divisions; 57: Louis Untermeyer
'Ezra Pound-Proseur'
New Republic; 58: Conrad Aiken
'A Pointless Pointillist'
Dial; 59: Emanuel Carnevali
'Irritation'
Poetry; 60: W. G. Hale on Pound's failings as a Latinist; Quia Pauper Amavi; 61: A. R. Orage on Pound
Propertius and 'decadence'
Readers and Writers (1917-1921); 62: Grumbles about the 'Homage'
New Age; 63: Pound's defence of the 'Homage'; 64: Robert Nichols
'Poetry and Mr. Pound'
Observer; 65: A reply from Wyndham Lewis; 66: Pound defends the 'Homage' again; 67: John Gould Fletcher on the decline and fall of an expatriate; 68: Harold Monro
from Some Contemporary Poets; 69: May Sinclair
'The Reputation of Ezra Pound'
North American Review; Instigations; 70: Van Wyck Brooks on Pound as expatriate; 71: H. L. Mencken
notice
Smart Set; 72: 'W. C. Blum' [Dr James Sibley Watson]
'Super Schoolmaster'
Dial; Hugh Selwyn Mauberley; 73: Unsigned review
The Times Literary Supplement; 74: Edwin Muir
review
New Age; Umbra: The Early Poems of Ezra Pound; 75: Edwin Muir
review
New Age; 76: A. R. Orage on Pound's departure from London; Poems 1918-21; 77: Maxwell Bodenheim
'The Isolation of Carved Metal'
Dial; 78: John Peale Bishop
'The Intelligence of Poets'
Vanity Fair; 79: Brian Howard on Pound's 'clean
white spirit of disinfection'; 80: Harriet Monroe
a retrospective view of Pound; A Draft of XVI Cantos; 81: Glenway Wescott
review
Dial; Personae: The Collected Poems of Ezra Pound; 82: Ford Madox Ford
'Ezra'
New York Herald Tribune Books; 83: William Carlos Williams on Pound's exile; 84: R. P. Blackmur on Pound's 'Variety of Masks'; Selected Poems; 85: John Gould Fletcher
the neglected assessment; 86: Henry Bamford Parkes on the theories and influence of Pound; 87: A supervision with Dr Leavis on 'Mauberley'; A Draft of XXX Cantos; 88: Dudley Fitts
'Music Fit for the Odes'
Hound & Horn; 89: Eda Lou Walton on some types of obscurity; 90: Geoffrey Grigson
'The Methodism of Ezra Pound'
New Verse; 91: D. G. Bridson
review
New English Weekly; 92: Marianne Moore
review
Criterion; Guido Cavalcanti Rime; 93: Etienne Gilson
review
Criterion; 94: John Sparrow
doubts about Pound and 'Mauberley'; Make It New; 95: G. M. Young
review
Observer; 96: G. K. Chesterton
review
Listener; 97: Bonamy Dobrée
review
Criterion; Eleven New Cantos XXXI-XLI; 98: Philip Blair Rice
'The Education of Ezra Pound'
Nation (New York); 99: John Crowe Ransom
'Pound and the Broken Tradition'
Saturday Review of Literature; 100: George Barker
review
Criterion; Homage to Sextus Propertius; 101: Stephen Spender
review
Spectator; 102: John Speirs
'Mr. Pound's Propertius'
Scrutiny; The Fifth Decad of Cantos; 103: Stephen Spender
notice
Left Review; 104: Edwin Muir
review
Criterion; 105: Delmore Schwartz
'Ezra Pound's Very Useful Labors'
Poetry; 106: James Laughlin IV
'Ezra Pound's Propertius'
Sewanee Review; 107: Archibald MacLeish on Pound's revolutionary modernism; Guide to Kulchur; 108: Philip Mairet
review
Criterion; 109: Dudley Fitts on a bad boy strutting and shocking; 110: William Carlos Williams on Pound's great risk; Cantos LII-LXXI; 111: 'H. H.' [James Laughlin IV] and 'S. D.' [Delmore Schwartz]
Notes on Ezra Pound's Cantos: Structure and Metric; 112: Edwin Muir on the Cantos as a political poem; 113: Randall Jarrell on the deterioration of Pound; 114: Robert Fitzgerald
'Mr. Pound's Good Governors'
Accent; 115: Paul Rosenfeld: 'The Case of Ezra Pound'
American Mercury; The Pisan Cantos; 116: Robert Fitzgerald: '"What thou Lovest Well Remains"'
New Republic; 117: Louis L. Martz
review
Yale Review; 118: Reed Whittemore
review
Poetry; 119: William Carlos Williams
from a review
Imagi (Allentown
Pa.); 120: C. M. Bowra
'More Cantos from Ezra Pound'
New Statesman and Nation; 121: Richard Eberhart on the character of Pound's work; 122: John Berryman
'The Poetry of Ezra Pound'
Partisan Review; 123: Malcolm Cowley
'The Battle Over Ezra Pound'
New Republic; 124: Kathleen Raine on Pound's Confucius and modern poetry; 125: Ronald Bottrall
'The Achievement of Ezra Pound'
Adelphi; Literary Essays; 126: Charles Tomlinson
review
Spectator; 127: Donald Davie
'Instigations to Procedures'
New Statesman and Nation; 128: W. W. Robson
review
Blackfriars; 129: Roy Fuller
review
London Magazine; Section: Rock-Drill; 130: Noel Stock
review
Meanjin; 131: Randall Jarrell on the extraordinary misuse of extraordinary powers; 132: A. Alvarez
review
Observer; 133: Donald Davie
'Bed-Rock'
New Statesman and Nation; 134: Philip Larkin
notice
Manchester Guardian; 135: Yvor Winters on the Cantos; Thrones 96-109 De Los Cantares; 136: Delmore Schwartz
'Ezra Pound and History'
New Republic; 137: John Wain
'The Shadow of an Epic'
Spectator; 138: Donald Hall
'The Cantos in England'
New Statesman and Nation; 139: W. D. Snodgrass
review
Hudson Review; 140: John Holloway
review
London Magazine; 141: Louis Simpson
'A Swift Kick in the Rhetoric'
Book Week; A Lume Spento and Other Early Poems; 142: Peter Levi
S.J.
on the earliest Pound
Jubilee; 143: Colin Falck
review
Encounter; 144: Hayden Carruth
'On a Picture of Ezra Pound'
Poetry; Drafts and Fragments of Cantos CX-CXVII; 145: Herbert Leibowitz
from 'The Muse and the News'
Hudson Review; 146: Derwent May
review
Observer
Introduction; Note on the Text; Meeting Ezra Pound; 1: William Carlos Williams; 2: Edward Thomas; 3: D. H. Lawrence; 4: W. B. Yeats; 5: T. S. Eliot; 6: Harriet Monroe; A Lume Spento; 7: Unsigned notice
Book News Monthly; Personae; 8: Unsigned review
Evening Standard and St. James's Gazette; 9: W. L. Courtney
unsigned review
Daily Telegraph; 10: F. S. Flint
review
New Age; 11: Edward Thomas
'A New Note in Verse' Daily Chronicle; 12: Edward Thomas
from 'Two Poets'
English Review; 13: Unsigned review
Observer; 14: Unsigned review
Bookman (London); 15: Unsigned review
'Heresy
and Some Poetry'
Nation (London); 16: Rupert Brooke
review
Cambridge Review; 17: A new poet makes his debut; Exultations; 18: Edward Thomas
'The Newest Poet'
Daily Chronicle; 19: Unsigned review
Spectator; 20: Unsigned review
Observer; 21: F. S. Flint
'Verse'
New Age; 22: Unsigned review
Nation (London); The Spirit of Romance; 23: Unsigned notice
Nation (New York); 24: Edward Thomas
review
Morning Post; Provença; 25: Floyd Dell
review
Chicago Evening Post; 26: H. L. Mencken
review
Smart Set; 27: Reverberations in America; 28: J. B. Yeats to his son; Canzoni; 29: Charles Granville
'Modern Poetry'
Eye-Witness; 30: Unsigned review
Westminster Gazette; 31: G. D. H. Cole
initialled review
Isis; 32: J. C. Squire
review
New Age; 33: F. S. Flint
review
Poetry Review; Sonnets and Ballate of Guido Cavalcanti; 34: Arundel del Re
review
Poetry Review; 35: John Bailey
unsigned review
The Times Literary Supplement; Ripostes; 36: Harold Child
unsigned review
The Times Literary Supplement; 37: F. S. Flint
review
Poetry and Drama; 38: Ezra Pound in Chicago; 39: Pound and Poetry: a letter to Nation (New York); 40: Pound and Poetry: Wallace Rice in Dial; 41: Pound and Poetry: Harriet Monroe replies; Cathay; 42: Ford Madox Hueffer
'From China to Peru'
Outlook; 43: A. R. Orage on the thought and form of Cathay; 44: Carl Sandburg
'The Work of Ezra Pound'
Poetry; 45: William Marion Reedy on the position of Pound; Gaudier Brzeska: A Memoir; 46: Unsigned review
Dial; Lustra; 47: The problem of getting published
1 A postcard from Elkin Mathews's reader; 48: The problem of getting published
2 The memorandum of agreement; 49: Kate Buss
'Ezra Pound: Some Evidence of his Rare Chinese Quality'; 50: A poet in rebellion against emotion; 51: Louis Untermeyer on a poet in pantomime; 52: Babette Deutsch
'Ezra Pound
Vorticist' Reedy's Mirror; 53: Maxwell Bodenheim
'A poet's Opinion'
Little Review; 54: J. B. Yeats to John Quinn; 55: Joseph Conrad to John Quinn; 56: A. R. Orage on Ezra Pound: His Metric and Poetry; Pavannes and Divisions; 57: Louis Untermeyer
'Ezra Pound-Proseur'
New Republic; 58: Conrad Aiken
'A Pointless Pointillist'
Dial; 59: Emanuel Carnevali
'Irritation'
Poetry; 60: W. G. Hale on Pound's failings as a Latinist; Quia Pauper Amavi; 61: A. R. Orage on Pound
Propertius and 'decadence'
Readers and Writers (1917-1921); 62: Grumbles about the 'Homage'
New Age; 63: Pound's defence of the 'Homage'; 64: Robert Nichols
'Poetry and Mr. Pound'
Observer; 65: A reply from Wyndham Lewis; 66: Pound defends the 'Homage' again; 67: John Gould Fletcher on the decline and fall of an expatriate; 68: Harold Monro
from Some Contemporary Poets; 69: May Sinclair
'The Reputation of Ezra Pound'
North American Review; Instigations; 70: Van Wyck Brooks on Pound as expatriate; 71: H. L. Mencken
notice
Smart Set; 72: 'W. C. Blum' [Dr James Sibley Watson]
'Super Schoolmaster'
Dial; Hugh Selwyn Mauberley; 73: Unsigned review
The Times Literary Supplement; 74: Edwin Muir
review
New Age; Umbra: The Early Poems of Ezra Pound; 75: Edwin Muir
review
New Age; 76: A. R. Orage on Pound's departure from London; Poems 1918-21; 77: Maxwell Bodenheim
'The Isolation of Carved Metal'
Dial; 78: John Peale Bishop
'The Intelligence of Poets'
Vanity Fair; 79: Brian Howard on Pound's 'clean
white spirit of disinfection'; 80: Harriet Monroe
a retrospective view of Pound; A Draft of XVI Cantos; 81: Glenway Wescott
review
Dial; Personae: The Collected Poems of Ezra Pound; 82: Ford Madox Ford
'Ezra'
New York Herald Tribune Books; 83: William Carlos Williams on Pound's exile; 84: R. P. Blackmur on Pound's 'Variety of Masks'; Selected Poems; 85: John Gould Fletcher
the neglected assessment; 86: Henry Bamford Parkes on the theories and influence of Pound; 87: A supervision with Dr Leavis on 'Mauberley'; A Draft of XXX Cantos; 88: Dudley Fitts
'Music Fit for the Odes'
Hound & Horn; 89: Eda Lou Walton on some types of obscurity; 90: Geoffrey Grigson
'The Methodism of Ezra Pound'
New Verse; 91: D. G. Bridson
review
New English Weekly; 92: Marianne Moore
review
Criterion; Guido Cavalcanti Rime; 93: Etienne Gilson
review
Criterion; 94: John Sparrow
doubts about Pound and 'Mauberley'; Make It New; 95: G. M. Young
review
Observer; 96: G. K. Chesterton
review
Listener; 97: Bonamy Dobrée
review
Criterion; Eleven New Cantos XXXI-XLI; 98: Philip Blair Rice
'The Education of Ezra Pound'
Nation (New York); 99: John Crowe Ransom
'Pound and the Broken Tradition'
Saturday Review of Literature; 100: George Barker
review
Criterion; Homage to Sextus Propertius; 101: Stephen Spender
review
Spectator; 102: John Speirs
'Mr. Pound's Propertius'
Scrutiny; The Fifth Decad of Cantos; 103: Stephen Spender
notice
Left Review; 104: Edwin Muir
review
Criterion; 105: Delmore Schwartz
'Ezra Pound's Very Useful Labors'
Poetry; 106: James Laughlin IV
'Ezra Pound's Propertius'
Sewanee Review; 107: Archibald MacLeish on Pound's revolutionary modernism; Guide to Kulchur; 108: Philip Mairet
review
Criterion; 109: Dudley Fitts on a bad boy strutting and shocking; 110: William Carlos Williams on Pound's great risk; Cantos LII-LXXI; 111: 'H. H.' [James Laughlin IV] and 'S. D.' [Delmore Schwartz]
Notes on Ezra Pound's Cantos: Structure and Metric; 112: Edwin Muir on the Cantos as a political poem; 113: Randall Jarrell on the deterioration of Pound; 114: Robert Fitzgerald
'Mr. Pound's Good Governors'
Accent; 115: Paul Rosenfeld: 'The Case of Ezra Pound'
American Mercury; The Pisan Cantos; 116: Robert Fitzgerald: '"What thou Lovest Well Remains"'
New Republic; 117: Louis L. Martz
review
Yale Review; 118: Reed Whittemore
review
Poetry; 119: William Carlos Williams
from a review
Imagi (Allentown
Pa.); 120: C. M. Bowra
'More Cantos from Ezra Pound'
New Statesman and Nation; 121: Richard Eberhart on the character of Pound's work; 122: John Berryman
'The Poetry of Ezra Pound'
Partisan Review; 123: Malcolm Cowley
'The Battle Over Ezra Pound'
New Republic; 124: Kathleen Raine on Pound's Confucius and modern poetry; 125: Ronald Bottrall
'The Achievement of Ezra Pound'
Adelphi; Literary Essays; 126: Charles Tomlinson
review
Spectator; 127: Donald Davie
'Instigations to Procedures'
New Statesman and Nation; 128: W. W. Robson
review
Blackfriars; 129: Roy Fuller
review
London Magazine; Section: Rock-Drill; 130: Noel Stock
review
Meanjin; 131: Randall Jarrell on the extraordinary misuse of extraordinary powers; 132: A. Alvarez
review
Observer; 133: Donald Davie
'Bed-Rock'
New Statesman and Nation; 134: Philip Larkin
notice
Manchester Guardian; 135: Yvor Winters on the Cantos; Thrones 96-109 De Los Cantares; 136: Delmore Schwartz
'Ezra Pound and History'
New Republic; 137: John Wain
'The Shadow of an Epic'
Spectator; 138: Donald Hall
'The Cantos in England'
New Statesman and Nation; 139: W. D. Snodgrass
review
Hudson Review; 140: John Holloway
review
London Magazine; 141: Louis Simpson
'A Swift Kick in the Rhetoric'
Book Week; A Lume Spento and Other Early Poems; 142: Peter Levi
S.J.
on the earliest Pound
Jubilee; 143: Colin Falck
review
Encounter; 144: Hayden Carruth
'On a Picture of Ezra Pound'
Poetry; Drafts and Fragments of Cantos CX-CXVII; 145: Herbert Leibowitz
from 'The Muse and the News'
Hudson Review; 146: Derwent May
review
Observer
Book News Monthly; Personae; 8: Unsigned review
Evening Standard and St. James's Gazette; 9: W. L. Courtney
unsigned review
Daily Telegraph; 10: F. S. Flint
review
New Age; 11: Edward Thomas
'A New Note in Verse' Daily Chronicle; 12: Edward Thomas
from 'Two Poets'
English Review; 13: Unsigned review
Observer; 14: Unsigned review
Bookman (London); 15: Unsigned review
'Heresy
and Some Poetry'
Nation (London); 16: Rupert Brooke
review
Cambridge Review; 17: A new poet makes his debut; Exultations; 18: Edward Thomas
'The Newest Poet'
Daily Chronicle; 19: Unsigned review
Spectator; 20: Unsigned review
Observer; 21: F. S. Flint
'Verse'
New Age; 22: Unsigned review
Nation (London); The Spirit of Romance; 23: Unsigned notice
Nation (New York); 24: Edward Thomas
review
Morning Post; Provença; 25: Floyd Dell
review
Chicago Evening Post; 26: H. L. Mencken
review
Smart Set; 27: Reverberations in America; 28: J. B. Yeats to his son; Canzoni; 29: Charles Granville
'Modern Poetry'
Eye-Witness; 30: Unsigned review
Westminster Gazette; 31: G. D. H. Cole
initialled review
Isis; 32: J. C. Squire
review
New Age; 33: F. S. Flint
review
Poetry Review; Sonnets and Ballate of Guido Cavalcanti; 34: Arundel del Re
review
Poetry Review; 35: John Bailey
unsigned review
The Times Literary Supplement; Ripostes; 36: Harold Child
unsigned review
The Times Literary Supplement; 37: F. S. Flint
review
Poetry and Drama; 38: Ezra Pound in Chicago; 39: Pound and Poetry: a letter to Nation (New York); 40: Pound and Poetry: Wallace Rice in Dial; 41: Pound and Poetry: Harriet Monroe replies; Cathay; 42: Ford Madox Hueffer
'From China to Peru'
Outlook; 43: A. R. Orage on the thought and form of Cathay; 44: Carl Sandburg
'The Work of Ezra Pound'
Poetry; 45: William Marion Reedy on the position of Pound; Gaudier Brzeska: A Memoir; 46: Unsigned review
Dial; Lustra; 47: The problem of getting published
1 A postcard from Elkin Mathews's reader; 48: The problem of getting published
2 The memorandum of agreement; 49: Kate Buss
'Ezra Pound: Some Evidence of his Rare Chinese Quality'; 50: A poet in rebellion against emotion; 51: Louis Untermeyer on a poet in pantomime; 52: Babette Deutsch
'Ezra Pound
Vorticist' Reedy's Mirror; 53: Maxwell Bodenheim
'A poet's Opinion'
Little Review; 54: J. B. Yeats to John Quinn; 55: Joseph Conrad to John Quinn; 56: A. R. Orage on Ezra Pound: His Metric and Poetry; Pavannes and Divisions; 57: Louis Untermeyer
'Ezra Pound-Proseur'
New Republic; 58: Conrad Aiken
'A Pointless Pointillist'
Dial; 59: Emanuel Carnevali
'Irritation'
Poetry; 60: W. G. Hale on Pound's failings as a Latinist; Quia Pauper Amavi; 61: A. R. Orage on Pound
Propertius and 'decadence'
Readers and Writers (1917-1921); 62: Grumbles about the 'Homage'
New Age; 63: Pound's defence of the 'Homage'; 64: Robert Nichols
'Poetry and Mr. Pound'
Observer; 65: A reply from Wyndham Lewis; 66: Pound defends the 'Homage' again; 67: John Gould Fletcher on the decline and fall of an expatriate; 68: Harold Monro
from Some Contemporary Poets; 69: May Sinclair
'The Reputation of Ezra Pound'
North American Review; Instigations; 70: Van Wyck Brooks on Pound as expatriate; 71: H. L. Mencken
notice
Smart Set; 72: 'W. C. Blum' [Dr James Sibley Watson]
'Super Schoolmaster'
Dial; Hugh Selwyn Mauberley; 73: Unsigned review
The Times Literary Supplement; 74: Edwin Muir
review
New Age; Umbra: The Early Poems of Ezra Pound; 75: Edwin Muir
review
New Age; 76: A. R. Orage on Pound's departure from London; Poems 1918-21; 77: Maxwell Bodenheim
'The Isolation of Carved Metal'
Dial; 78: John Peale Bishop
'The Intelligence of Poets'
Vanity Fair; 79: Brian Howard on Pound's 'clean
white spirit of disinfection'; 80: Harriet Monroe
a retrospective view of Pound; A Draft of XVI Cantos; 81: Glenway Wescott
review
Dial; Personae: The Collected Poems of Ezra Pound; 82: Ford Madox Ford
'Ezra'
New York Herald Tribune Books; 83: William Carlos Williams on Pound's exile; 84: R. P. Blackmur on Pound's 'Variety of Masks'; Selected Poems; 85: John Gould Fletcher
the neglected assessment; 86: Henry Bamford Parkes on the theories and influence of Pound; 87: A supervision with Dr Leavis on 'Mauberley'; A Draft of XXX Cantos; 88: Dudley Fitts
'Music Fit for the Odes'
Hound & Horn; 89: Eda Lou Walton on some types of obscurity; 90: Geoffrey Grigson
'The Methodism of Ezra Pound'
New Verse; 91: D. G. Bridson
review
New English Weekly; 92: Marianne Moore
review
Criterion; Guido Cavalcanti Rime; 93: Etienne Gilson
review
Criterion; 94: John Sparrow
doubts about Pound and 'Mauberley'; Make It New; 95: G. M. Young
review
Observer; 96: G. K. Chesterton
review
Listener; 97: Bonamy Dobrée
review
Criterion; Eleven New Cantos XXXI-XLI; 98: Philip Blair Rice
'The Education of Ezra Pound'
Nation (New York); 99: John Crowe Ransom
'Pound and the Broken Tradition'
Saturday Review of Literature; 100: George Barker
review
Criterion; Homage to Sextus Propertius; 101: Stephen Spender
review
Spectator; 102: John Speirs
'Mr. Pound's Propertius'
Scrutiny; The Fifth Decad of Cantos; 103: Stephen Spender
notice
Left Review; 104: Edwin Muir
review
Criterion; 105: Delmore Schwartz
'Ezra Pound's Very Useful Labors'
Poetry; 106: James Laughlin IV
'Ezra Pound's Propertius'
Sewanee Review; 107: Archibald MacLeish on Pound's revolutionary modernism; Guide to Kulchur; 108: Philip Mairet
review
Criterion; 109: Dudley Fitts on a bad boy strutting and shocking; 110: William Carlos Williams on Pound's great risk; Cantos LII-LXXI; 111: 'H. H.' [James Laughlin IV] and 'S. D.' [Delmore Schwartz]
Notes on Ezra Pound's Cantos: Structure and Metric; 112: Edwin Muir on the Cantos as a political poem; 113: Randall Jarrell on the deterioration of Pound; 114: Robert Fitzgerald
'Mr. Pound's Good Governors'
Accent; 115: Paul Rosenfeld: 'The Case of Ezra Pound'
American Mercury; The Pisan Cantos; 116: Robert Fitzgerald: '"What thou Lovest Well Remains"'
New Republic; 117: Louis L. Martz
review
Yale Review; 118: Reed Whittemore
review
Poetry; 119: William Carlos Williams
from a review
Imagi (Allentown
Pa.); 120: C. M. Bowra
'More Cantos from Ezra Pound'
New Statesman and Nation; 121: Richard Eberhart on the character of Pound's work; 122: John Berryman
'The Poetry of Ezra Pound'
Partisan Review; 123: Malcolm Cowley
'The Battle Over Ezra Pound'
New Republic; 124: Kathleen Raine on Pound's Confucius and modern poetry; 125: Ronald Bottrall
'The Achievement of Ezra Pound'
Adelphi; Literary Essays; 126: Charles Tomlinson
review
Spectator; 127: Donald Davie
'Instigations to Procedures'
New Statesman and Nation; 128: W. W. Robson
review
Blackfriars; 129: Roy Fuller
review
London Magazine; Section: Rock-Drill; 130: Noel Stock
review
Meanjin; 131: Randall Jarrell on the extraordinary misuse of extraordinary powers; 132: A. Alvarez
review
Observer; 133: Donald Davie
'Bed-Rock'
New Statesman and Nation; 134: Philip Larkin
notice
Manchester Guardian; 135: Yvor Winters on the Cantos; Thrones 96-109 De Los Cantares; 136: Delmore Schwartz
'Ezra Pound and History'
New Republic; 137: John Wain
'The Shadow of an Epic'
Spectator; 138: Donald Hall
'The Cantos in England'
New Statesman and Nation; 139: W. D. Snodgrass
review
Hudson Review; 140: John Holloway
review
London Magazine; 141: Louis Simpson
'A Swift Kick in the Rhetoric'
Book Week; A Lume Spento and Other Early Poems; 142: Peter Levi
S.J.
on the earliest Pound
Jubilee; 143: Colin Falck
review
Encounter; 144: Hayden Carruth
'On a Picture of Ezra Pound'
Poetry; Drafts and Fragments of Cantos CX-CXVII; 145: Herbert Leibowitz
from 'The Muse and the News'
Hudson Review; 146: Derwent May
review
Observer