This book analyzes unobvious relations between historical definitions of the face and its contemporary usage in popular culture and social media, like Facebook or Instagram. Bringing together a wide range of methodologies, it includes essays from manifold disciplines of the humanities such as philosophy, literary and art criticism, media and television studies, game studies, sociology and anthropology. The authors focus on both metaphorical and material meanings of the face. They grapple with crucial questions about modernity, modern and postmodern subjectivity, as well as with origins of…mehr
This book analyzes unobvious relations between historical definitions of the face and its contemporary usage in popular culture and social media, like Facebook or Instagram. Bringing together a wide range of methodologies, it includes essays from manifold disciplines of the humanities such as philosophy, literary and art criticism, media and television studies, game studies, sociology and anthropology. The authors focus on both metaphorical and material meanings of the face. They grapple with crucial questions about modernity, modern and postmodern subjectivity, as well as with origins of certain linguistic terms and popular, colloquial phrases based on the concept of the face.
Olga Szmidt graduated in Polish Philology and Literary Criticism at the Faculty of Polish Studies of the Jagiellonian University in Kraków. Her research interests concern authenticity, contemporary culture as well as self and identity. Katarzyna Trzeciak is a literary critic and a scholar in comparative literature. She teaches literary criticism and gender theory at the Faculty of Polish Studies, Jagiellonian University.
Inhaltsangabe
Face - Subjectivity - Authenticity - Facialization - Physiognomics - De-facing philosophy: Negativity, the government of ethics and the concept of the ethical - Face 2.0. A philosophical approach to Facebook's semiotic facialization - The physiognomic lie of hysteria - The significance of the face in John of Glogów's «Phisionomia hicinde ex illustris scriptoribus» (1518) - White sculpted faces: Between the Medusa's gaze and prosopopeic blindness in Irving Feldman's «All of Us Here» - Me, myself and my face: Pirandello meets Gombrowicz - Hybrid creatures and uncanny faces in digital cinema - The videotaped confession: Authenticity and the suicidal spectacle of the face. A study of a fragment of the «Homeland» TV series - Face, selfie, belfie - A new chapter in the history of the human body? Instagram as a body-centric product of «the infinity of lists» - Presence and agency: Narratives of representation in modern computer role-playing games
Face - Subjectivity - Authenticity - Facialization - Physiognomics - De-facing philosophy: Negativity, the government of ethics and the concept of the ethical - Face 2.0. A philosophical approach to Facebook's semiotic facialization - The physiognomic lie of hysteria - The significance of the face in John of Glogów's «Phisionomia hicinde ex illustris scriptoribus» (1518) - White sculpted faces: Between the Medusa's gaze and prosopopeic blindness in Irving Feldman's «All of Us Here» - Me, myself and my face: Pirandello meets Gombrowicz - Hybrid creatures and uncanny faces in digital cinema - The videotaped confession: Authenticity and the suicidal spectacle of the face. A study of a fragment of the «Homeland» TV series - Face, selfie, belfie - A new chapter in the history of the human body? Instagram as a body-centric product of «the infinity of lists» - Presence and agency: Narratives of representation in modern computer role-playing games
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