This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Matthew J. Smith is Assistant Professor in the Department of English at Azusa Pacific University. Julia Reinhard Lupton is Professor of English and Comparative Literature, as well as Associate Dean for Research at the School of Humanities, University of California, Irvine. Her selected publications include Shakespeare Dwelling: Designs for the Theater of Life (University of Chicago Press, forthcoming) and Thinking with Shakespeare: Essays on Politics and Life (University of Chicago Press, 2011). She is also the co-editor, with David Goldstein, of Shakespeare and Hospitality: Ethics, Politics, and Exchange (Routledge, 2016) and numerous other volumes.
Inhaltsangabe
Acknowledgments List of Illustrations Introduction: Matthew J. Smith and Julia Reinhard Lupton I. Foundational Face Work 1. Outface and Interface, Bruce R. Smith 2. "Everybody's Somebody's Fool": Folie à Deux in Shakespeare's Love Duets, Lawrence Manley 3. The Course of Recognition in Cymbeline, Matthew J. Smith II. Composing Intimacy and Conflict 4. Face to Face, Hand to Hand: Relations of Exchange in Hamlet, Emily Shortslef 5. Bed Tricks and Fantasies of Facelessness, Devin Byker III. Facing Judgment 6. The Face of Judgment in Measure for Measure, Kevin Curran 7. Then Face to Face: Timing Trust in Macbeth, Jennifer Waldron IV. Moving Pictures 8. The Man of Sorrows: Edgar's Disguise and Dürer's self-portraits, Hanna Scolnicov 9. The Face as Rhetorical Self in Ben Jonson's literature, Akihiko Shimizu 10. Hamlet's Face, W. B. Worthen Afterword: "Theater and Speculation" William N. West
Acknowledgments List of Illustrations Introduction: Matthew J. Smith and Julia Reinhard Lupton I. Foundational Face Work 1. Outface and Interface, Bruce R. Smith 2. "Everybody's Somebody's Fool": Folie à Deux in Shakespeare's Love Duets, Lawrence Manley 3. The Course of Recognition in Cymbeline, Matthew J. Smith II. Composing Intimacy and Conflict 4. Face to Face, Hand to Hand: Relations of Exchange in Hamlet, Emily Shortslef 5. Bed Tricks and Fantasies of Facelessness, Devin Byker III. Facing Judgment 6. The Face of Judgment in Measure for Measure, Kevin Curran 7. Then Face to Face: Timing Trust in Macbeth, Jennifer Waldron IV. Moving Pictures 8. The Man of Sorrows: Edgar's Disguise and Dürer's self-portraits, Hanna Scolnicov 9. The Face as Rhetorical Self in Ben Jonson's literature, Akihiko Shimizu 10. Hamlet's Face, W. B. Worthen Afterword: "Theater and Speculation" William N. West
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